Until an "official" video and/or document is released that fully describes the entire system and all of its special cases, threads like this are meaningless, IMO. The CTE "story" keeps changing, and special cases keep being added. I look forward to seeing the final and "official" versions by you and Stan. Only then we will truly have something meaningful and concrete to discuss, IMO.I mentioned a few times info on my blog was inaccurate... namely the cue wasn't parallel to the CTEL (said that in JB's old CTE thread). That's why I hadn't updated my site in a long time - I was waiting for Stan to release his video and I've been busy working on my document.
So the eye position must also be varied with CTE. IMO, CTE is starting to become ridiculously complicated. You need to choose and/or judge alignment, eye position, bridge hand placement, ball distances, effective pivot length, ball centers, ball edges, etc. I hope Stan's video and/or your document can clarify and detail all of these elements. I will certainly be extremely impressed if you guys can. After reading this thread, and other threads like it in the past, it seems like one DVD cannot adequately cover all of the important questions adequately (with procedures, illustrations, and a wide range of examples, with camera angles that clearly show all of the important "subtleties" of the system), but I hope Stan's DVD proves me wrong.In regards to definitions, you can't define thick/thin as far as degrees--- they must be defined by where your eyes reside (which side of the CTEL). I would say thick = eyes outside of ctel, thin = inside of ctel.
By "can't," I assume you me "shouldn't be." Obvious it "can," and for shots of certain cut angles and ball distances, and with a certain style of pivot, parallel might even be appropriate.Edit-- let me clarify. The cue can't be parallel with a 1/2 ball offset.
Regards,
Dave