Hey Kerry!
I didn't realize that was you. lol
Our first joints used a .625" tenon, so the OD of say a 3/8-10 shaft is .850" and the maple starts at the tenon, .625".
When we started to thread on all the collars, which was quite a while ago, we still used a .625" tenon. But, the threads are cut into that tenon, and have a smaller diameter at the base of the threads. Basically, we don't thread all the way to the end of the tenon. We keep the collar solid at the very end, but the inside diameter is basically the bottom of the threads. This is from memory, but I'm thinking it's .535". You're right that the total amount of wood showing is less, but it's really more about surface area, than just being wood.
As to the + shafts, they are exactly the same joint work as in our current production. Believe me, it's a ton of work to change them.
Hope to see you the next event. Maybe the BCAPL?
Royce
So what are the differences from old too new in how there made? Also how much lower is the deflection? Can't wait too try.
This is close to being the biggest bs I've read on AZ.
I for one, and I know I'm not the only one, can't stand those shafts.
Of the two I much prefer the 314's BUT prefer a well made traditional shaft above any of the LD's.
Can't wait.
I know what I'll be playing with soon.
Question for Shane or Royce --
What were your reasons originally for using strips of flat-laminated maple rather than just solid maple to make the 6 segments that are then glued together to make the shaft blanks? And what are your reasons now for changing that approach?
How about a black ferrule?
another little irony, if I'm not mistaken, the best deflection ratings on the Platnum site were awarded to Predator, lol![]()
another little irony, if I'm not mistaken, the best deflection ratings on the Platnum site were awarded to Predator, lol![]()
AtLarge
That's really a great question!
First a little background.
If you take a good look at our SR6, and now SR6+ construction process, you'll see something that just doesn't happen in any other style of blank or shaft construction. That something is stress relieving. The SR in SR6 stands for Stress Relieving.
When you turn parts round, between centers, you are stress relieving. The wood gets to settle in to whatever shape or configuration it wants to be in, and then the high sides get cut away leaving a straight piece. Then, the piece rests and finds a new shape. It gets cut again, and rested. Shafts have been made this way for as long as they've been made. They get a small cut to take off the high spots, and then they get a rest. After they have settled in to whatever spot they want to be in, the high spots get cut off again. And so on until the shaft is at final size and pretty much stable.
With our SR6 and SR6+ we get to stress relieve the individual pieces that go into the blank itself, and then do it again by stress relieving the whole shaft as we turn it down.
Ok, now about the wood.
Way back many years ago, when we started, laminated was by far the best choice for a number of reasons. Availability and consistency were big factors.
Now, after about a year of research and creating some new methods for cutting and drying, we are able to change from the laminated pieces to solid maple pieces. This was not an easy transition. You can't just use 6 shaft blanks to make each shaft as it would cost way too much. This new process leads all the way back to which trees are chosen for our cue shafts. The milling process is different. The drying process is different, and the sorting process is different.
Moving to solid maple improves the hit or feel of our cue shafts as well as the visual appearance and the smoothness.
I hope that helps!
Royce
AtLarge
That's really a great question!
First a little background.
If you take a good look at our SR6, and now SR6+ construction process, you'll see something that just doesn't happen in any other style of blank or shaft construction. That something is stress relieving. The SR in SR6 stands for Stress Relieving.
When you turn parts round, between centers, you are stress relieving. The wood gets to settle in to whatever shape or configuration it wants to be in, and then the high sides get cut away leaving a straight piece. Then, the piece rests and finds a new shape. It gets cut again, and rested. Shafts have been made this way for as long as they've been made. They get a small cut to take off the high spots, and then they get a rest. After they have settled in to whatever spot they want to be in, the high spots get cut off again. And so on until the shaft is at final size and pretty much stable.
With our SR6 and SR6+ we get to stress relieve the individual pieces that go into the blank itself, and then do it again by stress relieving the whole shaft as we turn it down.
Ok, now about the wood.
Way back many years ago, when we started, laminated was by far the best choice for a number of reasons. Availability and consistency were big factors.
Now, after about a year of research and creating some new methods for cutting and drying, we are able to change from the laminated pieces to solid maple pieces. This was not an easy transition. You can't just use 6 shaft blanks to make each shaft as it would cost way too much. This new process leads all the way back to which trees are chosen for our cue shafts. The milling process is different. The drying process is different, and the sorting process is different.
Moving to solid maple improves the hit or feel of our cue shafts as well as the visual appearance and the smoothness.
I hope that helps!
Royce
From OB:
'$199.75 is what you can usually buy our shafts online for as we allow our dealers to advertise a price that is 15% off the MSRP ($235-15%=$199.75). So the new shafts will be listed online for $219.30 which is 15% off the new $258 MSRP.'
Seems to me the original construction took a lot more time than the simplified spliced construction being used on the new shafts. Why is there a price increase Royce?