Looking at the member roster kinda shocks me.
Some big names are no longer members.
Some big names are no longer members.
Hi Chris, nice post and to the point, your a class act, it's nice to be a good friend of mine.cueman said:I have nothing bad to say about the ACA. I am friends with many of them. When we started the ICA one of the reasons we did so was we felt many smaller cuemakers also deserved to get more exposure and a break on supply prices and such by joining together. We felt that $100 per year for dues was fair and that they would get more than that much in benefits. The ACA also provides some great benefits to their members, but they are not cost effective for most smaller cuemakers. I wish them well and rejoice that they are making great contributions to the image of cuemakers here in the USA just as we are doing on an International scale. We are two different associations with two different set of goals, but I feel both are great organizations.
cueman said:I have nothing bad to say about the ACA. I am friends with many of them. When we started the ICA one of the reasons we did so was we felt many smaller cuemakers also deserved to get more exposure and a break on supply prices and such by joining together. We felt that $100 per year for dues was fair and that they would get more than that much in benefits. The ACA also provides some great benefits to their members, but they are not cost effective for most smaller cuemakers. I wish them well and rejoice that they are making great contributions to the image of cuemakers here in the USA just as we are doing on an International scale. We are two different associations with two different set of goals, but I feel both are great organizations.
dave sutton said:i dont like the idea of someone judging my work as an artist. whos to say one is better then the other. quality is quality. whos to judge what is full time and part time. dont think i would be any part of a group even if asked. i know a few others that feel the same. some wont even join az they just lurk
Steve, thanks for coming to the defence of the ACA. It's not for all and all are not for it. We had a vision, and it came true. Many sit back and judge, and make there comments. They have that right, but those who sit back and judge, not knowing the facts, should keep there opinions to themselves, because they really are not in the know. Not trying to start a fight with anyone, but if you really don't know, you don't.cutter said:Try reading the web site, artistic quality is specifically excluded from what is required in the entrance cue. Quality of construction is what is required. I'll pass on to the board you'd like to be put on the do not call list.
Blud pulled off a major miracle back when he started the ACA, getting the original group into one room was hard enough. Having them stay in there with out a fight breaking out was unthinkable. He did it, and the cue world has never been the same. Members come and go, just like in any orginization. What matters is that the mission isn't forgotten.
cutter said:Speaking for myself, I didn't join the organization for a benefit to me. I did it to try and help promote that facet of the cue making industry. As to why some members come and go, or some cue makers aren't members, only they know for sure.
cutter said:Try reading the web site, artistic quality is specifically excluded from what is required in the entrance cue. Quality of construction is what is required. I'll pass on to the board you'd like to be put on the do not call list.
Blud pulled off a major miracle back when he started the ACA, getting the original group into one room was hard enough. Having them stay in there with out a fight breaking out was unthinkable. He did it, and the cue world has never been the same. Members come and go, just like in any orginization. What matters is that the mission isn't forgotten.
Dave Sutton "quality is quality"
Williecue I can not see any way the ACA or the ICA can help a small time cue maker like me.
dave sutton said:i dont like the idea of someone judging my work as an artist.
ACA or ICA, or not either, your work will be judged forever..before the sale....
If your customers didn't judge your work, you would sell nothing, sir..
blud
Willie, there are more [as you put it], small times building nice cues, think about your statement,WilleeCue said:I already "donate" enough of my time and money to other organizations.
I sell mostly to a local market, dont set up a booth at shows, and don't advertise much. Until I see something that the ACA or ICA can do for me, some personal need that they fulfill, or some other meaningful reason, I will stay an independent.
I am not knocking or judging ... just stating why I, as a small American cue maker, KNOW I am not interested.
I guess CUTTER can add my name (William Lee - WilleeCue) to that ACA "do not call" list also.
I ca not see any way the ACA or the ICA can help a small time cue maker like me.
Willie, if it wasn't for both associations, most of us out here wouldn't be building cues, much less ever been heard of. Both associations, promote cuemakers, members or not, sir. Having your name on either rooster helps much...
Think about it, if it wasn't for this thread, or forum, you wouldn't be getting expossure as you are now, my friend....
blud
dave sutton said:i was not bashing the ACA. i was talking about what it takes to be a member. i work a full time job bc i choose to. i love it as much as cue making. if i could support myself as a full time maker i still wouldnt quit my other job. who is to judge what is full time. to deny anyone acceptence that builds a quality product is stupid IMO.[/QUOTE]
I know you are talking about the ACA and not the ICA but to call their policy stupid is overkill. Here is part of a conversation I had with several ACA members years ago. I asked why they made it so hard to joint their association. One responded that they "do not want a lot of members as they want to give the impression that they are the elite among cuemakers, that they are special." Hey at one time I thought about joining. But I felt me selling cuemaking equipment to overseas cuemakers was a violation of one of their rules so I never bothered.
But their idea of presenting themselves to the world as "the elite" was good for them. And since they had to stay small to appear to be special they would want to protect that image only for those who truly needed to make their living from it. Right or wrong their idea was certainly not STUPID. I actually thought it was INGENIOUS. My hat was off to them then and still is. If they had not had that rule on "being full time" and the "no helping overseas cuemakers" and insisting on someone building a "v-point cue with veneers", their might not be an ICA. But both organizations have their place, and you chosing not to be a part really is your loss, and the organization's loss as we all have something to offer to help one another. Blud was right on when he said your work will always be judged. Everytime you show it to a customer it will be judged. We do not nit pick it as much as we could when inspecting cues for membership, but just want to make sure it is quality work.
georgeh said:Since this thread was started, I've been very interested and talked several times with Barry Cameron, Cameron Cues, about the benefits of belonging to the ACA or the ICA. Barry is a member of the ICA, actually one of the directors, as I found out.
His opinion was that to a "beginning cuemaker" either of the organizations would be helpful to anyone that was dedicated to learning the craft, improving their skills and wanted to gain recognition. And that there are some excellent cuemakers in both organizations.
george
Blud said:Willie, if it wasn't for both associations, most of us out here wouldn't be building cues, much less ever been heard of. Both associations, promote cuemakers, members or not, sir. Having your name on either rooster helps much...
Think about it, if it wasn't for this thread, or forum, you wouldn't be getting expossure as you are now, my friend....
blud
dave sutton said:i can buy alot of wood for 1500$