Nuh uh.JB Cases:
And of course you and I disagree about whether it's possible to find the exact shot line without feel. I think that it is using many of the systems being discussed here.

pj
chgo
Nuh uh.JB Cases:
And of course you and I disagree about whether it's possible to find the exact shot line without feel. I think that it is using many of the systems being discussed here.
Does Ekkes have a web site that explains what you're saying? I'm not familiar with him.....and yes, the sense of "feel" is a process that can be trained through an understanding of how the body/eyes and cue work together. This is what I refer to as "Calibrating a Connection System".
John,A lot of these things can be done systematically.... top-level pool requires an incredible amount of "feel." All of the following must be judged by "feel:"
- the exact line of aim required for a given shot.
- speed control
- the tip position and speed necessary to create a stop or stun shot when required
- the tip position and speed appropriate to create the necessary amount of draw on a given shot (and to control the draw distance accurately)
- the exact path and direction the cue ball follow after a hit for a wide range of draw and follow shots at different angles and speeds
- the amount of sidespin required for a given shot and position requirements
- how much to adjust aim for squirt, swerve, and throw, where appropriate
- effects of ball/cloth/cushion/slate conditions.
- how tight the pockets on a table play, and how much they can be cheated in each direction.
- how much cushion rebound angle changes with speed, spin, angle, and conditions with kick and bank shots.
- choosing the best (and most strategic) shot in a given situation based on the strengths and weaknesses of both the player and the opponent
- the effects of cue elevation on a shot
- etc.! etc.! etc.!
Now, I still believe people can develop "feel" and "intuition" for many of these (any other) things faster and better by understanding some concepts and knowing some useful pool tips, "gems," and "secrets". Lots of practice and experience is also important.
You can't play pool without "feel," but "feel" can benefit a lot from understanding.
I wouldn't say I disagree with you on this in general. However, "intuition" and/or "feel" are often required to estimate CIT, and to adjust for squirt, swerve, and throw when using English.And of course you and I disagree about whether it's possible to find the exact shot line without feel.
Good point. To me something like speed control, which is important on almost every pool shot, is a great example of something that requires a lot of "feel" developed over many years of successful practice and experience under different conditions. Spin control (e.g., for draw, stun, and English) also requires a lot of "feel."So the point is that when you use the word "feel" I think you should put a qualifier on it and say that feel can be anything on the spectrum from hitting a ball with very little idea what's going to happen all the way to a highly developed experience based on trial and error AND system rules that work consistently.
Agreed; although, I wouldn't go as far as saying the "feel" part can be "practically nonexistent." However, somebody with great skills and lots of experience will obviously have solid intuition and "feel" at the table, which can help create a lot of confidence and success.Sometimes the skill combined with the use of good systems reduces feel to the point of practical nonexistence. At that point the only feeling is one of complete confidence when playing as opposed to feelings of uncertainty.
Does Ekkes have a web site that explains what you're saying? I'm not familiar with him.....and yes, the sense of "feel" is a process that can be trained through an understanding of how the body/eyes and cue work together. This is what I refer to as "Calibrating a Connection System".
CJ, Check your pms.
Best,
Mike
CJ, Check your pms.
Best,
Mike
Makes sense and i was kind of thinking that too.
Guys I might have been wrong about Ekkes. It might be Ralf Eckert who has a method for determining how far and in what direction the cue ball will travel based on distance from the cue ball. Either way it's one of them and it's very accurate from what I saw on video. If I find the videos online I will post the links.
Joey,
I first learned about the wrist twist from Johnny Holiday and then more about the same technique from Don Fenney. And lastly, Truman Hogue put the icing on the cake.
I can not even remotely imagine limiting my stroke through the cue ball in such a way as to stifle my fingers and wrist on certain shots from dancing the tip across the surface of whitey. Pool is such a precision game that one shot resulting in perfect cue ball control can mean the difference in a match or even a tournament victory.
I might say more about this later.
Stan Shuffett
What technique? How exactly do you perform it and what specific things does it accomplish?Making light of this technique is an academic boondoggle.
What technique? How exactly do you perform it and what specific things does it accomplish?
Or is this just more celebrity-hugging?
pj <- celebrities need hugs too
chgo
I couldn't agree more.Pool is such a precision game that one shot resulting in perfect cue ball control can mean the difference in a match or even a tournament victory.
Joey,That is a fine list of players who use the wrist twist and there are many others who use it as well.
I couldn't agree more.
Joey,
There are many players out there that do many things. Often, they might not even know they are doing them. Also, sometimes, there might be other ways to do the same things, but they do things the way they do out of habit because that's the way they learned to do it and that's the way they have practiced them for many, many years. Sometimes, some of these things are bad habits, and other times they might be purposeful techniques that the player developed deliberately. Regardless, top players have learned to master whatever techniques they use. If you spend enough time with a technique, it can be mastered. However, if someone is learning from scratch and wants to learn a technique to apply English reliably and consistently with as little practice as possible, wrist turn or twist might not be the best advice (even though some, if not many players, can learn to master the technique).
There are advantages to wrist twisting and stroke swooping, but for most people, the disadvantages will far outweigh the advantages. For more info, see the stroke swoop resource page.
Joey, why do you so often feel the need to label people (or groups of people), and call them names? My mama used to tell me about people that do this, but I don't remember what she used to say about them. :frown:
Regards,
Dave
.
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Joey, why do you so often feel the need to label people (or groups of people), and call them names? My mama used to tell me about people that do this, but I don't remember what she used to say about them. :frown:
Regards,
Dave
I couldn't agree more.
Joey,
There are many players out there that do many things. Often, they might not even know they are doing them. Also, sometimes, there might be other ways to do the same things, but they do things the way they do out of habit because that's the way they learned to do it and that's the way they have practiced them for many, many years. Sometimes, some of these things are bad habits, and other times they might be purposeful techniques that the player developed deliberately. Regardless, top players have learned to master whatever techniques they use. If you spend enough time with a technique, it can be mastered. However, if someone is learning from scratch and wants to learn a technique to apply English reliably and consistently with as little practice as possible, wrist turn or twist might not be the best advice (even though some, if not many players, can learn to master the technique).
There are advantages to wrist twisting and stroke swooping, but for most people, the disadvantages will far outweigh the advantages. For more info, see the stroke swoop resource page.
Joey, why do you so often feel the need to label people (or groups of people), and call them names? My mama used to tell me about people that do this, but I don't remember what she used to say about them. :frown:
Regards,
Dave
Joey,If you mean "aiming system haters", I hope you don't fall into that category. :frown:Joey, why do you so often feel the need to label people (or groups of people), and call them names? My mama used to tell me about people that do this, but I don't remember what she used to say about them. :frown:
I've also seen a few people do amazing things using a "slip stroke," but I certainly wouldn't teach this technique to students (unless a student specifically asked to learn about it).I used to make fun of people that used slip strokes when I was young. I was in Detroit trying to play CornBread Red and told him "if you use that SlipStroke against me I'll make you slip and fall down"oke: I was kidding, and still wouldn't recommend using that type of stroke, but there were certain shots that he hit extremely well.
I wouldn't put a "slip stroke" or a "wrist twist" in the same category as "jump shot" or "masse shot." Jumps and masses require special techniques (and in some cases special equipment) different than those required for regular shots (for which a "slip stroke" is sometimes used).Some of those strokes like the "Slight of Cue stroke" are just used to do something extreme, but not recommended for regular play. It's just like Masse' stroke, Jump Shot strokes ...
I would add that jumps and masses are unique kinds of shots that can only be accomplished with jump and masse strokes. I don't think there are any kinds of shots that can only be accomplished with slip strokes or wrist twists.I've also seen a few people do amazing things using a "slip stroke," but I certainly wouldn't teach this technique to students (unless a student specifically asked to learn about it).
I wouldn't put a "slip stroke" or a "wrist twist" in the same category as "jump shot" or "masse shot." Jumps and masses require special techniques (and sometimes in some cases special equipment) different than those required for regular shots (for which a "slip stroke" is sometimes used).
Regards,
Dave