I like to draw things that work for me so I don't forget what I did.
This post is one of the best tricks I have seen for overcoming the bind severe off-setting can put the cue in. I would think that this would also eliminate the tendancy for the cue to slip and cause the points to be off.Here is what I like to do. I only use the ball for cutting butt sleeves. I back cut a slight angle on my forearms to cut down on the binding. I like to draw things that work for me so I don't forget what I did.
I would add that using the rear chuck to hold a rod that could be slid up against the back side of the ball would also keep it from slipping backwards. I have not tried this ball method, but it seems like a great way to go.
I was wondering how you cut wide points with a deluxe cue smith. I understand you need to offset it some how but do not really know how to do this on a deluxe cue smith. Any help would be appreciated
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This is true. I was in a shop where they used 60 degree bits to cut six point cues. This kept the points spaced perfectly even like the 4 pointers with 90 degree grooves.If I understand the question right. Just some food for thought, there is no law the point has to be 90 degrees.
This is true. I was in a shop where they used 60 degree bits to cut six point cues. This kept the points spaced perfectly even like the 4 pointers with 90 degree grooves.
Kim,
That is a nice addition and looks easy to change over.
I use a piece of 1/8th inch thick by 1-1-2 inch wide by about 15 inches long brass plate. What I do is c-clamp that brass plate to the bottom of my taper bar and use my concave live center instead of the larger bearing to give me extra travel on my cross slide.
I drew up a bunch of angled followers but never followed though with making them. I don't like to climb cut, I like to cut going down hill. This puts you ending @ the deep end. Do you find that to be a problem? Which way do you cut? The bearing idea is a great solution to limited depth travel.