Can't imagine how I overlooked the vote on this one.No doubt I am in this thread earlier but with 800 posts in it I'm too lazy to dig. I came very close to mastering cue ball control when I was a 60+ hour a week player for years. One thing I learned was aiming anywhere along the shot line. I might be looking at the cue ball, the object ball, the line anywhere from the contact point on the cue ball to the contact point on the object ball, Edit: That isn't really quite right, anywhere along the shot line is what I am trying to say duplicating the next section, the path the cue ball will take, or anywhere along an extended line beyond the object ball contact point.
I found it hard to have a nice freeflowing stroke when the object ball was fairly close to the cue ball, I'll use ten inches as an example. If a choppy stroke worked for the shot then looking at the cue ball or object ball was fine. However, if I needed the cue ball to travel a long ways I found extending the shot line out behind the object ball and picking a spot along this line to shoot at made it easier to let my stroke out despite the fact that neither ball would ever cross my aim point.
One of a few "slights" used long ago to make play easier. Now playing little I have reverted back to my original P&H style on all shots.(Poke and Hope!)
Hu
 
 I see a lot that I resemble in that remark.
 
 
		 Another favorite quote is, "he said he could fight
 Another favorite quote is, "he said he could fight  not porn.....really. Not spinning the rock but giving it slight influence.
 not porn.....really. Not spinning the rock but giving it slight influence.  
 
		
 
 
		 
 
		 
 
		