Wow...my sarcastic attempt at humor was totally lost in my post I guess. I threw in thesymbol, but I guess I was too subtle ha ha! Also, beginning my 2nd paragraph with the phrase "seriously, though" was intended to imply that the first paragraph was not at all serious.
I don't know if *any* follow through is necessary for any shot. Except in so much as the tip probably must move forward *some* to impart action on the ball. I was just watching trick shots on ESPN and someone (Nick Nikolaidis or Stefano Pelinga) set up a shot where the cueball was about a 1/4" from the object ball, and he was able to draw back about 4 feet without fouling.
So to be clear, read my 2nd paragraph in my last post for my thoughts on follow through.
KMRUNOUT
In a draw shot speed is not very critical it is the tip contact point and the extreem follow through that generate the spin required to bring you back.
I have done the shot. I have done it with no english and no more than 5"_6" of follow through. It's just a matter of speed and how bouncy your rails are.
Naji,
With all due respect, you are completely wrong. You have a fundamental misunderstanding of what is going on in a pool shot. The *amount* of draw is dictated by 2 and ONLY 2 things: 1) Velocity of tip at contact with cueball, and 2) contact point on cueball.
Mike Masse actually has a very short follow through. I have played pool with him many times. I don't think many would argue against the power of his stroke. Mike can hit very low on the ball accurately and consistently, and can do so at a high speed. While the follow through may be the *result* of a good stroke, it does not in and of itself produce ANY effect in the cue ball. As I said in a previous post, a high cue speed will naturally result in more momentum after contact. With the "pinned" elbow approach, all this means is that your had will crash into your chest harder, with no change in the length of follow through. For someone who drops their elbow, the increased cue speed may result in a naturally longer follow through, however even an elbow dropper has a "finish" position for their stroke. I drop my elbow, but even on power draw shots (I can draw 2 table lengths!), my follow through is not much longer than on any other shot. I am watching Mike Sigel playing Johnny Archer on youtube right now. Even on power stroke shots, Mike doesn't follow through any differently than on soft shots.
I would try to get your mind around this...I get the impression that you might enjoy the feeling of having correct information about this great game.
KMRUNOUT
OK, Mike Masey said in the youtube you have to drop the elbow, but when he shot the shot he did not drop the elbow; Oyster did not drop elbow either
Again you are using terms like tip speed and timing; those are natural results to a pure natural follow through, tip speed is generated by max cue shaft velocity (1/2 mv2) speed not required in draw or follow shot spin is, and timing, what allow your brain to perform pause, and mussel motion of follow through. In a draw shot speed is not very critical it is the tip contact point and the extreem follow through that generate the spin required to bring you back. In fact, Buddy Hall, said, "if you shoot it hard you defeat the purpose" (now i know the purpose is generating spin)
The bridge location is critical of weather to drop elbow or not, for short bridge accurate tip contact, you must drop elbow to generate that spin, for long bridge you will have enough follow through to generate the spin without dropping elbow, and table cloth fast cloth draws much better than slow one, OB clean and shiny also allow CB to maintain spin longer for long shots
Naji,
If I play two shots with:
Same tip placement on cueball
Same distance for follow through
Different speed of tip at contact with cueball
Which shot will I achive more cueball draw?
Why?
I love to learn of course if i am wrong i will correct my self. The object of a draw shot is to spin the CB backward and maintain that spin until it contacts OB then it separates the more spin the further it will draw, from OB. We know if you hit the tip in middle of CB it will be max or near max speed, if you hit CB at bottom near miss will not gain too much speed (as the center tip hit), but spin that will be required to a draw shot
I will give you the benefit of the doubt on power draw shots, since it requires so much spin so to get that you have to hit with long follow through to get cue shaft acceleration required to get the spin, so shaft speed in this shot is used to generate the spin of cb , of course CB will fly
On short draw shots, you barley have to put speed, to draw cb;
I think the "no follow thru required" camp is getting lost in the science and losing some sight of the practical.... I am an elbow dropper... always have been... always will be... Hybrid actually as I don't drop until after contact on most shots but when I have to really reach for a ball I can drop before contact and hit the cueball accurately... This ability in my opinion is why I never want to work to eliminate the drop.. I want it available when I go to it....
With that said, follow thru from a practical standpoint can actually be a benchmark for me or someone like Naji...
If I am dropping my elbow and I am NOT stopping my stroke the the force of the stroke will dictate pretty consistently the length of the follow thru....
When Naji says to accomplish a shot requires at least a 12" follow thru, it may not be scientific.... It is likely more of a force/speed indicator instead of a requirement... The 12" gives him a way to quantify what HE has to do to get satisfactory results......
KMRUNOUT;The length of the follow through is a function of the cue sticks momentum at impact said:KMRUNOUT , i think we are in agreement, but I have hard time with your statement "So the long follow through doesn't cause anything to happen, but rather is a byproduct of the cue speed"; my understanding is this, we create intentional follow through (we mean to do follow through) which causes the velocity of the cue to accelerate (so cue speed starts first) so when it hits the CB it transfers that momentum to the CB and create the CB speed; it sounds you are saying it in reverse, i could be wrong..Thanks much for your kind words in previous post.
For another example of the hook shot with follow, check out this Youtube video. I think both the follow and the side spin are much clearer. I edited off my first five shots which were misses.
Careful observers will note that I use a fairly short bridge but like Raymond Ceulemans I bring the cue stick back so far that you can see the ferrule come out of my bridge. Also, the length of my follow through might be of interest.
I'm actually surprised there was so much controversy about how shots like this are made. They are absolutely standard artistic shots, and the sort of fancy shot I learned many years ago the first year I first started to play. Most of the kids in the rec center worked on shots like this. If you have never played a shot like this, you have a long and hopefully enjoyable journey ahead of you as you begin to learn to play pool.
For another example of the hook shot with follow, check out this Youtube video. I think both the follow and the side spin are much clearer. I edited off my first five shots which were misses.
Careful observers will note that I use a fairly short bridge but like Raymond Ceulemans I bring the cue stick back so far that you can see the ferrule come out of my bridge. Also, the length of my follow through might be of interest.
I'm actually surprised there was so much controversy about how shots like this are made. They are absolutely standard artistic shots, and the sort of fancy shot I learned many years ago the first year I first started to play. Most of the kids in the rec center worked on shots like this. If you have never played a shot like this, you have a long and hopefully enjoyable journey ahead of you as you begin to learn to play pool.
For another example of the hook shot with follow, check out this Youtube video. I think both the follow and the side spin are much clearer. I edited off my first five shots which were misses.
Careful observers will note that I use a fairly short bridge but like Raymond Ceulemans I bring the cue stick back so far that you can see the ferrule come out of my bridge. Also, the length of my follow through might be of interest.
I'm actually surprised there was so much controversy about how shots like this are made. They are absolutely standard artistic shots, and the sort of fancy shot I learned many years ago the first year I first started to play. Most of the kids in the rec center worked on shots like this. If you have never played a shot like this, you have a long and hopefully enjoyable journey ahead of you as you begin to learn to play pool.
I say in the video notes, but it is a Balabushka butt, a Jim Buss carom shaft that I had retapered to pool style by Rick Chudy, a Moori tip, and Master chalk. Of course the shot is about as easy with a house cue and a Triangle tip, which is what I originally learned the shot with but I wouldn't want to ruin anyone's sales of expensive gimcracks so don't let anyone know.Very nice shot Bob. This camera angle helps see what you are doing. I have a long journey ahead of me now.
Oh yeah did you have a Kamui tip or was that shot all Balabushka?
1) I'm hitting the ball hard enough that if I elevate the cue ball will bounce off the end cushion and might even follow straight into the pocket after the 1 ball.Hey Bob I do have a question... err well maybe a few scenarios....
1)If I strike down on the cueball and make it hop with follow would I not be able to achieve overspin? I was thinking that if it is hopping the overspin might not get turned into traction for lack of a better word.....
2)If I actually shoot up thru the ball I am now fighting gravity while applying overspin... Would it be possible to get overspin this way since the vector from the cue will be up instead parallel to the surface of the table....
3)The Kamui video had me thinking about one other thing that might be possible.... If I load up that shot with high and a ton of left could a jump off of contact coupled with the contact induced english vector possible cause a tilt in the axis of the cueball resulting in the left spin yielding pure overspin????
KMRUNOUT , i think we are in agreement, but I have hard time with your statement "So the long follow through doesn't cause anything to happen, but rather is a byproduct of the cue speed"; my understanding is this, we create intentional follow through (we mean to do follow through) which causes the velocity of the cue to accelerate (so cue speed starts first) so when it hits the CB it transfers that momentum to the CB and create the CB speed; it sounds you are saying it in reverse, i could be wrong..Thanks much for your kind words in previous post.
Actually it was me that mentioned the 12" follow through, and I meant it to be a joke. I said that the cueball wouldn't even move unless you had 12" of follow through. But yeah, I agree with you completely. The length of the follow through is a function of the cue sticks momentum at impact, which obviously will increase the greater the speed. So a hard shot (where you swing the cue fast) will result in a long follow through (assuming you are an elbow dropper, which you are, and so am I). So the long follow through doesn't cause anything to happen, but rather is a byproduct of the cue speed.
On the other hand, I notice that I really only have two follow through lengths (approximately). On almost all regular shots, my follow through is about the same. Probably about 8 inches or so. On my break, my follow through is considerably longer, often having the joint go through my bridge. On super soft shots, my follow through might be very short. I think my elbow dropping has reduced a lot over the years...
Seems like we are all starting to zero in on saying the same thing.
KMRUNOUT