LILJOHN30 said:There is a barnhardt cue on the forum that I like , I need a jump break cue however.Can the cue which is a play cue be converted to a jump break?What would be the cost and the pros and cons of doing this.Also what would the cost be.
Sheldon said:Jump/break cues are worthless.
You will always compromise jumping, breaking, or both.
You obviously haven't experienced how well a jump cue can be made to perform. The reason for this performance (at least on my jump cues) is counterproductive for breaking. Also, the best breaking characteristics (low deflection) make for a crappy jump cue. Yes, jump break cues can be made that work for both, but will never perform optimally for both.Arnot Wadsworth said:There are quite a number of great jump/break cues made in this country. They jump and break just fine with no compromise in either.
I wouldn't say worthless.Sheldon said:Jump/break cues are worthless.
You will always compromise jumping, breaking, or both.
Sheldon said:You obviously haven't experienced how well a jump cue can be made to perform. The reason for this performance (at least on my jump cues) is counterproductive for breaking. Also, the best breaking characteristics (low deflection) make for a crappy jump cue. Yes, jump break cues can be made that work for both, but will never perform optimally for both.
Sheldon said:You obviously haven't experienced how well a jump cue can be made to perform. The reason for this performance (at least on my jump cues) is counterproductive for breaking. Also, the best breaking characteristics (low deflection) make for a crappy jump cue. Yes, jump break cues can be made that work for both, but will never perform optimally for both.
Sheldon said:You obviously haven't experienced how well a jump cue can be made to perform. The reason for this performance (at least on my jump cues) is counterproductive for breaking. Also, the best breaking characteristics (low deflection) make for a crappy jump cue. Yes, jump break cues can be made that work for both, but will never perform optimally for both.
Most people aren't that accurate. Especially those that like to hit the break shot with everything they've got. A low-deflection cue will be a lot more forgiving. Also, even with a dead center hit, you are jacked up slightly, because it's impossible to get the cue level. Break shots are jump shots, whether you notice or not, if you hit the ball hard enough, it jumps. Go to a pool hall, and look at the table the 'pros' like to play on, you will see marks from the cueball skipping off their break spot to the rack. Unless you hit the head ball square, if it has a little air under it, it's likely to go off the table on you.masonh said:this may be a stupid question Sheldon but i'll ask anyway.why is low deflection better for break cues?if you are hitting dead center or maybe a hair above center but no english why would deflection be relevant?
Oh yeah? I can jump a full ball from 1/4 inch.Arnot Wadsworth said:I can jump a full blocking ball within one inch of the cue ball with one of my jump break cues.
Are you serious? You've never used english on a jump shot? It can come up, believe it or not.... Deflection plays a BIG part in jumping. Anyone that has experimented with this will agree.Deflection has nothing to do with a break cue because you should not be using (English) which is side spin.
I make all 3 as well, and I am confident that my jump cue and break cue will work better at both breaking and jumping than any break/jump cue. Most people grasp the logic in this right away, but some still want the convenience of having them both in one. I don't talk anyone out of what they want, but will offer opinion if asked.You sell jump cues and break cues so you have a monitary interest in what you are saying. I sell jump cues, break cues and jump break cues and they all work wonderfully.
Sheldon said:Most people aren't that accurate. Especially those that like to hit the break shot with everything they've got. A low-deflection cue will be a lot more forgiving. Also, even with a dead center hit, you are jacked up slightly, because it's impossible to get the cue level. Break shots are jump shots, whether you notice or not, if you hit the ball hard enough, it jumps. Go to a pool hall, and look at the table the 'pros' like to play on, you will see marks from the cueball skipping off their break spot to the rack. Unless you hit the head ball square, if it has a little air under it, it's likely to go off the table on you.
I have found that this is true on some shots. My statement was made with only breaking in mind, I was not making a blanket statement.ShaneT58 said:I've always had this question about people saying the low deflection shafts are more forgiving of a bad stroke. I don't want to hijack this thread but maybe some one can answer it here.
Why is it that low deflection is supposedly more forgiving? Isn't the whole premise of regular deflection shafts and BHE, that you can line up a center ball hit then pivot about a certain bridge length and the cue ball still goes along the original center ball line? Shouldn't a low deflection shaft be less forgiving?
ShaneT58 said:I've always had this question about people saying the low deflection shafts are more forgiving of a bad stroke. I don't want to hijack this thread but maybe some one can answer it here.
Why is it that low deflection is supposedly more forgiving? Isn't the whole premise of regular deflection shafts and BHE, that you can line up a center ball hit then pivot about a certain bridge length and the cue ball still goes along the original center ball line? Shouldn't a low deflection shaft be less forgiving?