Troy Mckune said:I was there yesterday buying some Ebony and Purpleheart. I am lucky enough to live about 20 minutes away. They have a pretty detailed part numbering system and cataloging system now compared to a few years ago. This and shellac have grown there internet sales to more than there local sales. The only problem is they track everything in 2 large (very large 6") binders. So when you get some wood off the shelf you have to go find it in the binder and see if it is spoken for and cost. When something is purchased your name is written down in the book for each item and a list is made to later input into the website to mark sold. I have shown up with lists to buy that were available on the website and were just not marked sold yet. I don't know exactly the length of the delay but would assume from order, to shipping, to updated website, at least a few days. On the other hand I have shown up the day they prepped for pictures and had the pick of the litter before they even made it up on there site They also have a ton of wood that is not numbered that have been there for at least the last 6 years I have been going there. As far as their prices, I have found most pretty fair relative to other suppliers. Also, they occasionally get some damn fantastic wood like, curly pink ivory, curly purple heart, and some beautiful burls.
Troy
JoeyInCali said:I dunno if I can afford them anymore.
I have more woods in storage burried in dust in the shop.
Figured granadillo ( HUGE board ) figured camatillos and more curly purpleheart.
Ah the river of woods as DD calls em.rhncue said:Arnott has a signature line that he often uses that says something like "a cue maker cannot have enough figured wood in his shop and once piece of mediocre wood is to much". This is with out a doubt the best advice a cue maker can follow.
My problem, at present, is that I've got enough hard woods in stock to make literally hundreds of cues but for the most part it is not unique enough and I'm now to old to be purchasing great pieces of figured wood to build cues as by the time they will be aged and dry enough to construct a great cue I no longer will be around to do the building!!!![]()
![]()
![]()
Yeah. The good stuff. But like I said. You never know when they're going to update their website with new stuff...and it's always "SOLD" like...instantaneously. I have never seen a primo piece of wood listed on their site, that I was able to get my hands on. It's pictured, but always spoken for or sold. :-(
rhncue said:Arnott has a signature line that he often uses that says something like "a cue maker cannot have enough figured wood in his shop and once piece of mediocre wood is to much". This is with out a doubt the best advice a cue maker can follow.
My problem, at present, is that I've got enough hard woods in stock to make literally hundreds of cues but for the most part it is not unique enough and I'm now to old to be purchasing great pieces of figured wood to build cues as by the time they will be aged and dry enough to construct a great cue I no longer will be around to do the building!!!
Troy Mckune said:The newest unique boards pages is where most of the action takes place. I think if you look at the other pages on turning squares, etc that have been up for a while you have a better chance that the wood is in stock. The site map works pretty well. They also told me that they have waiting lists setup for some of the most sought after and rare woods. Also, I have seen many pieces with stock numbers there that I have tried to find on there site with no luck.
Troy
BarenbruggeCues said:Gilmers sells bad wood.................stay away from them!
<~~~suggests going somewhere else to buy your wood............
I'll be passing Tropical Hardwoods of Latin America on my way back and naturally, I'll have to stop and look around. Looking around can cost anywhere from a few hundred to a thousand or so They are a tremendous SoCal resource for exotic woods.