The High Bidder
Hi all.
I'm the high bidder on the mystery cue at this time. I have a couple of very personal reasons for that. Both have to do with the question of actual "practical" value, versus the "subjective" value of the cue. And I must admit that I suffer from the latter on 2 fronts.
First off...I am a filmmaker, shooting a small independent film that I'm directing, and I want to use this vintage cue in my film. Aesthetically it is worth quite a bit to me. Casting an important prop in a film can be very important. It is a visual medium. And there are many things that read in life to the naked eye that do not read on film.
The more patina a prop or location has, the more texture, the more recognizable real history that it can convey by its own nature, the more you can trick an audience's mind into buying the make believe world that you are creating. The closer to real that you craft the world of your characters, the more likely the audience is to follow them on their journey, and hopefully care about what happens to them.
That is worth something. To me...quite a lot.
But on top of that, I feel personally compelled to own this cue, as a sister piece to another that is equally mysterious, and definitely made by the same maker during the same time period many years ago.
I have several unquestionably valuable cues. But the cue that I have, much like the one in question on this thread, is one of my favorite cues, no matter who actually made it.
Yes, I agree with Chris. I too believe it is a Spain forearm. And when I first looked at the inlays, the MOP diamond reminded me of the same shape diamond that Ginacue was using way back in the day. TAD as well. And not to say that either of them made this cue, but unless it was a "Tribute" cue for someone who wasn't dead yet, and if it was a beautifully made knock-off for a special client, would they have signed it? Would it have been labeled either a Gina or a TAD? Why would anyone, back in the 60's label it as such?
So, considering how much we are all paying for so many brand new cues these days, I do not think that bidding $1,500+ for a cue as well made and beautiful as the one I already have is out of line. To me...it's worth it. If I was trying to re-sell it...maybe not. But my intention is to film it and keep it.
And as to the seller possibly having had it authenticated and not being up front about his bad news...I highly doubt that. His ad mentioned possible makers. But his ad did not mention Balabushka, until one of us interested parties did. Or someone who was genuinely trying to help him NOT sell a possible GEM for nothing.
Even on this thread, the very real possibility of it being a Balabushka was presented, and I do not believe it was by the guy trying to sell the cue on eBay.
It could simply be that it was in his father's closet all those years, and that some personal or family need has made it necessary to sell it now, and that he's trusting that we - the market - will do the authenticating for oursleves. Or just pay whatever we, or I in my own very specific case, will pay for it.
Just my 2 cents. I too have enjoyed both cue's mysteries, as well as this thread.
And yes...I am probably not making a great "return on my investment" purchase if I do bid up the item much further, because all of you are correct about this cue to varying degrees, if not entirely, of this I am sure. You are an incredibly well educated about this subject resource that I am quite frankly humbled by and learn from.
But, I bid for my own reasons and sense of value, based on a very particular context. Probably true for the gentleman listing the cue.
It is cool that the cue has stirred so much controversy. If I ever find out who made either cue...I'll definitely let y'all know.
Thanks all.
Cain