Thanks Dave.Jim:
This is excellent. Nice work. The cue is never offset parallel to the CTEL, even on an edge to B alignment if there is some distance between the CB and OB. Your eyes would come off the CTEL at different distances based on the same offset at different shot distances (that's what I was trying to get at earlier). I hope that makes sense.
Dave
P.S. As the distance changes, the cue's angle into the CTEL changes due to perspective. Figuring the cue to be parallel to the CTEL on all shots and distances / alignments wouldn't be right. If we can figure OB size changes (with perspective) and how that affects visual offsets from the CTEL (so we know the cue's alignment to the CTEL), we'll be able to figure a more definitive graph. This data is really interesting to me.
If you will, I have some questions. First let me define a couple of terms for the sake of clarity (hopefully). I'll call two lines simply "parallel" if out there in the real world, they are parallel; for instance, the noses of the cushions on opposite sides of the table. And I'll call two lines which are not parallel in the real world, but which appear parallel to our eye because of perspective, "apparently parallel." In other words, if an optometrist were to look at the image formed on our retina (assume a flat retina), those lines would be parallel on that image.
With that in mind, can you verify, clarify, correct or indicate any agreement or disagreement with the following statements. Assume a left cut.
- After adjusting your eyes to acquire the line going from CB edge to A or B on the object ball, your left eye is in the vertical plane containing that line. In other words, your eye would be right above that line if you extended it backwards.
- The CB edge to B line is parallel to the CTE line, but apparently non-parallel when viewed from the shooter's perspective.
Both of the following statements can't be true, maybe neither are.
- When moving into your setup, using either edge to A or edge to B, you attempt to align the cue parallel to the edge to A line, or edge to B line, as the case may be.
- When moving into your setup, using either edge to A or edge to B, you attempt to align the cue so that it's apparently parallel to the edge to A line, or edge to B line, as the case may be.
- According to AtLarge's interpretation above, the first of the above two statements is the correct one.
I'd really appreciate some feedback if you would.
Jim
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