Samiel said:I attempted this shot a few times last night Joey... but not 10 times... had a lot of trouble just pocketing the ball while trying to put that much english on it... guess I need more practice!
Me:
BHE is just another way to angle your cue as you strike the cue ball ball in order to compensate for squirt. You do the same thing if you simply line up at the right angle in the first place (what you call "traditional english"). So BHE doesn't accomplish anything new or different from the "traditional" method (or any other method) - in particular, it can't give the cue ball any more or better spin.
Spidee:
I hear ya... but with BHE, you're technically striking across the face of the ball - not square into it, right?
So, I'm not sure if it's only a method to compensate for squirt. I'm not saying for sure one over the other... I just know the way you come into the CB is totally different--- so wouldn't spin be affected as well?
Patrick Johnson said:To avoid confusion, let's talk about three different ways of applying sidespin:
1. "Static" BHE - you first aim the shot without sidespin, then move your back hand sideways to apply sidespin, which also puts the right amount of angle on your hit to compensate for squirt, then take your practice strokes and shot stroke in a straight line along this new angle.
2. "Dynamic" BHE - you first aim the shot without sidespin, then take your practice strokes along this no-sidespin aim line, but move your back hand sideways during the shot stroke to put sidespin on the CB and put the right amount of angle on your hit to compensate for squirt.
3. "Traditional" english - you angle your stick as above to apply sidespin and compensate for squirt, but you don't move your backhand to do it; either you simply get into that position to begin with or you switch from centerball aim by feel (not paying attention to which hand you move), or you use some other way.
If you hit the same spot on the CB each time, these three techniques accomplish exactly the same thing: put the same amount of sidespin on the CB and hit the CB at exactly the same angle to compensate for squirt. The fact that you move your backhand one way and not the other, or that the stick is stroked in a straight line one way and in a swooping motion the other, makes no difference to the ultimate outcome - at the moment the tip strikes the CB on that predetermined spot, the tip is at the same angle and travelling in the same direction. If it didn't hit the same spot you'd be putting the wrong amount of english on, and if it didn't hit at the same angle you'd miss the shot (because you over- or under-compensated for squirt).
The way you come into the CB is exactly the same. It's how you accomplish it that's different.
pj
chgo
SpiderWebComm said:The spot where you hit the CB is the same but the angle of your cue is different and the directional force applied to the CB is different, right?
Traditional english-- the tip of your cue is parallel to the aim line, correct?
BHE - the tip is pointing off into nowhere (striking across the face, not through the face of the CB) and the tip does not follow-through to the opposite side.
I don't believe that hitting the same spot on the CB always equates to the same spin if the force applied to that spot comes from different directions.
There's gotta be a proof in there somewhere. You're good at the PJ. Hook up a proof. I honestly wanna know this. Logic is telling me the three can't possibly be congruent.
SpiderWebComm said:Oh my. It wasn't directed at you - it was a general comment. You misread about everything I said. I said some people would say, "why use bhe if you have a LD shaft"... and you followed up with that same question. My point was pivoting got me to the promised land way better than not pivoting - and was curious if other people found the same thing (shaft being a non-issue)... meaning, just try it with whatever you're using.
The old cue has a tip that's worn down to the very end and my good cue has a newer Kamui (is that how you spell it?). My tip is actually kinda flat -- way closer to nickel, with the tip flat (hopefully you know what I mean).
Jim, please don't quote me and retort - I'm not in this for a tit for tat... I was just looking for other people's opinions. Tit for tats take way too much energy for me. My personal opinion, which I don't feel like defending, is that if the tip holds chalk, the shaft is smooth, my "personal" adjustment for whatever the cue is, is fairly minimal. Meaning, if I hit a few balls to get the feel of the cue, I can make the shot pretty well over time..
know I'll get flamed off my keyboard for saying this, but I really don't think the shaft makes any difference at all. Low deflection or not. I think if you really believe that certain shafts will help you make this shot - you're not concentrating enough on the technique that gets you there.
I guess my point is if you know what you're doing, you're making the shot either way... so why focus so hard on the shaft? [/.QUOTE]
I said right up front that I was not flaming you and stated that I was neutral on L/D or traditional shafts. I said "there is no right or wrong."
I merely commented that I disagreed with your positon that the shafts make no difference at all because the research is clear and they DO make a difference in terms of the amount of squirt produced.
Players can elect to live with more squirt if they want...I have never challenged that.
And you said..."so why focus so hard on the shaft"...to which I replied, in effect, why focus so hard on BHE?"
I don't know what your problem is...except that you were being disagree with. It was just a discussion.
Relax
SpiderWebComm said:pj-
here's my breakdown... traditional english vs backhand english....the cue is not pointing in the same direction.
Are you saying it is? If so, post a picture of what you're doing... I wanna see--- because with me, it's not. I'm guessing many people who use BHE would say the same thing.
EDIT:
Don't tell me EVERYONE is working right now. I've been staring at this thread all day looking for answers. Am I nuts? FHE vs BHE... the cue line is the same??????? Anyone? Anyone?
Forget about the proof- just do an illustration.
SpiderWebComm said:pj-
here's my breakdown... traditional english vs backhand english....the cue is not pointing in the same direction.
Are you saying it is?
If so, post a picture of what you're doing... I wanna see--- because with me, it's not. I'm guessing many people who use BHE would say the same thing.
EDIT:
Don't tell me EVERYONE is working right now. I've been staring at this thread all day looking for answers. Am I nuts? FHE vs BHE... the cue line is the same??????? Anyone? Anyone?
Forget about the proof- just do an illustration.
JoeyA said:I'm not sure if this was a typo by Patrick or that we're just not understanding what he wrote but what I consider TRADITIONAL ENGLISH is when you line up the shot putting SIDE SPIN on the cue ball, PARALLEL TO THE AIMING LINE, adjusting in advance for the squerve that will take place on the shot.
JoeyA
Patrick Johnson said:To avoid confusion, let's talk about three different ways of applying sidespin:
1. "Static" BHE - you first aim the shot without sidespin, then move your back hand sideways to apply sidespin, which also puts the right amount of angle on your hit to compensate for squirt, then take your practice strokes and shot stroke in a straight line along this new angle.
2. "Dynamic" BHE - you first aim the shot without sidespin, then take your practice strokes along this no-sidespin aim line, but move your back hand sideways during the shot stroke to put sidespin on the CB and put the right amount of angle on your hit to compensate for squirt.
3. "Traditional" english - you angle your stick as above to apply sidespin and compensate for squirt, but you don't move your backhand to do it; either you simply get into that position to begin with or you switch from centerball aim by feel (not paying attention to which hand you move), or you use some other way.
If you hit the same spot on the CB each time, these three techniques accomplish exactly the same thing: put the same amount of sidespin on the CB and hit the CB at exactly the same angle to compensate for squirt. The fact that you move your backhand one way and not the other, or that the stick is stroked in a straight line one way and in a swooping motion the other, makes no difference to the ultimate outcome - at the moment the tip strikes the CB on that predetermined spot, the tip is at the same angle and travelling in the same direction. If it didn't hit the same spot you'd be putting the wrong amount of english on, and if it didn't hit at the same angle you'd miss the shot (because you over- or under-compensated for squirt).
The way you come into the CB is exactly the same. It's how you accomplish it that's different. "Swiping" the tip across the CB using "dynamic BHE" doesn't change this - when the tip hits the CB, it's just as if it's coming at the CB along the same straight line at the same angle to compensate for squirt.
BHE is not a way to apply different sidespin and squirt compensation; it's a different way to apply the same sidespin and squirt compensation.
pj
chgo
JoeyA said:The object is to make the eight ball by the long rail and go three rails with the cue ball to get shape on the nine ball.
You have to pocket the eight ball and get shape going three rails within the yellow triangle on the cuetable diagram below.
Out of ten tries, how many did you make?
What type of table and what size pockets did you try it on?
I can make this shot if I draw the cue ball with reasonable regularity but going three rails with the cue ball has not been very pleasant even with my newfound knowledge of the difference between high left and low left English.![]()
Try it a few time to get warmed up and then start keeping score.
I would like to know the type of table that you attempted this shot on if you don't mind.
Thanks,
JoeyA
BRKNRUN said:#1 When BHE is aplliead here the grip hand and bridge hand will be on opposite sides of the center axis origonal aim line
#2 When dynamic BHE is applied on the final stroke you will have the same results as #1 the grip and bridge hands will be on the opposite side of the aim line
#3 I am not familiar with this being called "traditonal" english, but it may very welll be...It was not how I was taught my origonal understanding of englsih...This is actually a method of apply BHE for people that have a predator type (super low deflection) shaft. The cue is set on the origonal line as noted in #1 & #2 but you do not "pivot" the cue about the bridge hand...instead the bride hand is moved to the right of left to apply the BHE...the result of this will be that the grip hand will still be on the origonal aim line, and the bridge hand will be to the right or left.
#4 PE (as I understand it anyway) is what I was taught as "traditional" english...When applying PE "Both" the grip hand & the bridge hand are an equal distance to the right or left of the origonal aim line...(basically making a parallell line to the origoinal line) This is where the term PE comes from.
Patrick Johnson said:The bridge hand doesn't move using any kind of BHE (that's why they call it backhand english). It starts on the original aim line and stays there. Maybe you mean the grip hand and the tip end up on opposite sides?
I don't use the term "traditional english" either. I was using SpiderWeb's term in my response to him, but I used it to mean any method other than BHE, not one method in particular.
What you're describing, where only the front hand moves, is fronthand english (it works on very low squirt cues). Backhand english is when only the backhand moves (it works on very high squirt cues).
I don't think the term "parallel english" makes any sense, and your definition above is why. You can't do what you describe above and make the shot, because if you apply sidespin without angling the cue away from the original line you haven't compensated for squirt. When using sidespin you don't want the stick to be parallel with anything.
pj
chgo
Joey:
...what I consider TRADITIONAL ENGLISH is when you line up the shot putting SIDE SPIN on the cue ball, PARALLEL TO THE AIMING LINE, adjusting in advance for the squerve that will take place on the shot.