dmgwalsh said:
Steve: I've watched it once all the way through and about half way through again.
Was Danny trying a carom with his first shot? Do you guys do that often?
Yes, he was trying the carom. He really had very little - could have gone for the 1 down the rail but it really wouldn't lead to much else, and it was a difficult shot anyway. He must have seen the carom pretty well because even from where I left him, he came awfully close.
As to if we do it often, I'm not sure what you mean. I guess we go for unorthodox shots when they're there, are our best option to continue a run, and there's no better safe option available. We treat these games very seriously... we don't go for flyers, but by the same token are more than prepared to go down swinging. We veer towards the offensive when given the choice, but we always try to weigh the options well.
dmgwalsh said:
With your first shot, were you trying to get an angle to break them again?
I probably would have drifted down and picked up a few balls from behind the rack.
I think you mean my second shot... the first shot was the 15 in the upper right corner. As to the shot you're referring to, I can tell you why I didn't play what you suggest, and it's up to you to disagree if you like. You'll note the angle on the 2nd shot is such that I can't simply follow down to the rail (to play the ball hanging by the corner). There is too much angle to do this; I'd have to play this shot with left english to get down to the rail. Is this a tough shot? No. Does it lead to a decent pattern to break with what looks like the 10 ball from below the rack? Yep. But we had just started the game, and I wanted to a) let the stroke out a bit; and b) I didn't want to play a slowish inside-english shot without being warm. Though a fairly easy shot, it's missable, and I simply don't want to miss this early. As it was, you can tell I wasn't warm yet because I hit the 2nd shot quite poorly - leaving myself with way more angle on the 4 ball than I wanted.
dmgwalsh said:
I seemed to notice on a lot of breaks you guys would seem to use center and the cue ball would basically just not move far. (e.g racks 8, 10)If the balls opened up enough, you might have a shot in the side. After the fact, I thought maybe a little low would have helped bring you to the middle. On your side of the rack break shots when do you use center, high, or low? I saw a few where you appeared to have drawn it because it went back to the short rail.(rack 9)
The beginning of rack 8, I meant to pop a little more. I got a little lucky to wind up with a shot there, though staying close to a top ball is much better than staying close to a middle ball. Close to a middle ball is often a run-ender. Close to a top ball can often still yield some options.
Rack 10, hmmm, that one seemed to work out pretty well, no?
The very general rule for breakshots is that if the cueball is closer to the side rail than the object ball, you use topspin. If the object ball is closer to the side rail than the cueball, you use draw. This is a super general rule and you really must work out the exceptions through practice. It's a lifelong process, it really is.
One thing I've learned lately is to look for breakshots which are just about parallel with the top ball of the rack, and very close to it. These balls can be struck very firmly, with basically a stun, and you'll stay right there while the rack explodes. I'm really looking for these more now than I ever have.
Drawing just a little on breakshots can often be dangerous, because you slide down to the end rail more than you'd think. On shots where I think a little amount of draw will bring me to the end rail, and no draw will leave me stuck to the rack, I'll often load up with draw and come two rails back to the center of the table (end rail, side rail).
dmgwalsh said:
In one of the earlier racks, maybe end of rack 2, I thought Danny could just go to the rail and bounce out for the break shot but he used either center or a little low and brought it all the way up to the top short rail and maybe a little left to bring it half way back for the break shot. Good approach and didn't really cross the line, but I don't see that very much.
Yeah, he definitely got a little out-of-line on the 10 ball, leaving too much angle. I think you might be seeing it a bit wrong, as there's just too much angle for him to bounce off just the one rail. He could have gone three rails, but there you're definitely crossing the line (as you mentioned). I thought his solution was perfect. Of course, the error was that he had to shoot it to begin with.
dmgwalsh said:
Sometimes when you are coming off the bottom rail into what is left of the rack, 1/2 inch difference and you would be hooked. Not exactly gambling, but maybe a little.
You are definitely right. I often play my side of the rack, topspin breakshots with outside english. This brings me right back into the heart of the rack after hitting the short rail. I do it to stop the cueball, which allows me to hit the breakshot a little firmer, but (rarely) I do get stuck. I am constantly trying to improve my game, and this is definitely one area I am looking carefully at. I keep experimenting; hopefully I'm learning.
dmgwalsh said:
How is the edit on game 2 going?
Did you do game 3 yet?
We have about 6 or 7 games on tape so far; a bunch of 60-70 ball runs, this 97, and a 130. We are really excited with how things are going so far. The next game we're going to put up will be the 130, which was really a good game. Danny runs a 75 in it, and I go 95-and-out. But we want to do commentary for it, so I will have to get Danny over to my house to do that. Hopefully I'll get it soon.
I want to mention, again, that I'm not happy with the video quality. I'm talking to some people about that - I'll get it up to speed soon.
Finally, I just want to say how valuable I'm finding this journey. I'm seeing major errors in my game I never knew were there. It's humbling, but exciting.
Thanks,
Steve