What affects the hit of a cue the most?

jsaxman said:
tip
ferrule - material, tenon dia., ferrule length
taper- pro (same dia. for how long?) or taper that gets thicker from ferrule
to the joint
Joint
prong
handle
butt sleve
butt cap
Dia. of the overall butt?
Total resonance of the cue?
and don't forget the RUBBER BUMPER!

Damn soooooooooo much to consider that effects the hit of a cue!!!
So many variables.
One could become obsessed with all of this!!!!
I'm beginning to understand why some cuebuilders are a little crazy for
getting into this subject in the first place!!!!




later,
sax ~~~ thinks he is getting into one hell of a can of worms!
Don't forget glue, butt taper, moisture content, grain orientation/direction, finish and snake oil.
 
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jsaxman said:
tip
ferrule - material, tenon dia., ferrule length
taper- pro (same dia. for how long?) or taper that gets thicker from ferrule
to the joint
Joint
prong
handle
butt sleve
butt cap
Dia. of the overall butt?
Total resonance of the cue?
and don't forget the RUBBER BUMPER!

Damn soooooooooo much to consider that effects the hit of a cue!!!
So many variables.
One could become obsessed with all of this!!!!
I'm beginning to understand why some cuebuilders are a little crazy for
getting into this subject in the first place!!!!




later,
sax ~~~ thinks he is getting into one hell of a can of worms!

the guy swinging it. no cue maker has 1% the influence as the player does, so long as the cue is buile within "normal" specs.

Length is also a big factor 1/2" difference is huge.
 
JoeyInCali said:
Don't forget glue, butt taper, moisture content, grain orientation/direction, finish and snake oil.

yes thanks for reminding me, the snake oil between the tip and bumper is another big factor, big factor!!!!:cool:
 
Fatboy said:
the guy swinging it. no cue maker has 1% the influence as the player does, so long as the cue is buile within "normal" specs.

Length is also a big factor 1/2" difference is huge.

yeah it is! i've tried different lengths and 1/2 inch is a bigger difference than i thought it would be
 
It always suprises me when people have new tips put on and I ask "what tip would you like" and they say, don't care or what ever is cheapest. No problem putting on Lepros, and elkmasters, but when players can't tell me what tip or what hardness or even feel they are looking for it BLOWS MY MIND. Great Post guys, to the cue makers, this is why we should all experiment with different A-joints, Feels vary. I'm currently experimenting with solid wood A-joints, and different configurations of this Never know what I'm going to get.
 
Bryan, I agree with you for the most part. Many times I'll ask if they want the same tip on or if they are looking for something different. I would say about 50-60% of the players we service have no idea what tip they have on anyway.
 
I'll add my two cents.
..TIP..
The tip can make or break a cue. The best cue will hit like crap if the tip sucks.
My thought have always been if you have a good consistent stroke use a harder tip. If your stroke lacks consistency shoot with a softer tip and you'll miss cue less.



rcarson said:
Hey guys, sorry for butting in (no pun intended) but I am looking at having a cue built and I was asked to describe what kind of hit I like/want the cue to have. So in thinking about that question I asked to play with some of his cues and several of my friend's cues. So I played with serveral cues for a few hours that night and noticed some things. One of the cues I tried felt hollow, I don't know if that makes sense but thats how it felt. My cue, feels like a home thats missing the furniture, has nice soft hit but it seems to be missing something (its a Predator), actually it doesn't feel like anything honestly. I think it is missing the 'feel'. Another cue I tried felt hard like a rock no bounce and no boing and definitely couldn't feel the cue ball or my bridge or anything. All the other cues I tried were a veriation of the three hits described above. So I am wondering, the hit I am looking for is soft, but I want to feel the contact with the ball, I want to feel the shaft sliding through my bridge. That feels like what I want but I don't know because I have never hit a cue that felt like that. Also how much does wood play to the hit of the cue. I have to assume that when you talk about the forearm, butt cap, butt sleeve, handle, etc. that your speaking about the materials they are made of. So what woods give a more sensitive feel to a cue and what woods give a harder feel, etc. Can you combine woods to give sensitivity and softness/hardness?


If you told me this before I built your cue I'd send you a 19.75-20oz cue with a 12.75mm pro taper and triangle tip. Soft hit with bounce and heavy cue so the ball moves with little effort.

Try a triangle soaked in milk and pressed to be a Med.
 
jsaxman said:
tip
ferrule - material, tenon dia., ferrule length
taper- pro (same dia. for how long?) or taper that gets thicker from ferrule
to the joint
Joint
prong
handle
butt sleve
butt cap
Dia. of the overall butt?
Total resonance of the cue?
and don't forget the RUBBER BUMPER!

Damn soooooooooo much to consider that effects the hit of a cue!!!
So many variables.
One could become obsessed with all of this!!!!
I'm beginning to understand why some cuebuilders are a little crazy for
getting into this subject in the first place!!!!




later,
sax ~~~ thinks he is getting into one hell of a can of worms!

Damn soooooooooo much to consider that effects the hit of a cue!!!
So many variables.
One could become obsessed with all of this!!!!
I'm beginning to understand why some cuebuilders are a little crazy for
getting into this subject in the first place!!!!


Most people do not realize how much there is to consider, and being obsessed is what anyone who builds cues must be to be successful. In my opinion a cue is just like a musical instrument and while the components used can and certainly will effect how a cue feels the most important thing is the assembly of the components.

The tolerances at the junction of each component and the technique used to join them will effect a cues hit more than anything else in my opinion. To achieve that special resonances that people look for every component must be assembled to just the right tightness. Unlike a musical instrument
a cue can not be tuned for the perfect pitch after it is built. The only exception too this is changing the Ferrule, the Tip, the Bumper, and by making small adjustments to the tightness of the weight bolt. When I am speaking about the weight bolt, most people would be surprised how much it effects the harmonics of a cues hit. I use a torque wrench to tighten my weight bolts if I use one, I prefer not use a weight whenever possible, however, this is not always practical. So by using a torque wrench, the weight bolt can be tightened to just the right amount that you need to, snug it down properly, and to achieve the perfect harmonic balance for that cue. When I tighten the weight bolt, I do it at a pool table so that I can make adjustments with the torque wrench so that the cue has just that sound I want it to make. Since learning this technique, I have been able to make adjustments to many cues and in almost all cases, I was able to effect the cues hit in significant manner.

Again the tightness of the cues components in my opinion will effect the cues hit and sound more than almost anything else. The cues tip, Ferrule, and bumper also certainly have an effect and along with the above are certainly where anyone should start if they want to change the hit and sound of their cue.

Just my thoughts
 
resonance

The "hit" of a cue is highly subjective.
What is one sweet hitting cue to me .....sucks to someone
else!

I like the hit to be firm....yet....not too firm.
I like to feel some resonance from the cue.

Craig,
Thank you for the insight on tightness of the weight bolt.
Never thought about it......just wanted it to be screwed
very tight.....so, it does not rattle.

The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.


later,
sax

He we go STEELERS!....Here we go!
Can't wait for the big game...Hope Big Ben has a good game...Hope the defence plays like a number 1 Defence...
Hope the Warner to Fitzgerald express hits a train wreck!
Steelers 20 Cards 17
Steelers kick a 53 yard field goal as time expires!!!
 
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The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.

A fullsplice cue has no threaded A-joint.
Yet, they hit great.
 
jsaxman said:
The "hit" of a cue is highly subjective.
What is one sweet hitting cue to me .....sucks to someone
else!

I like the hit to be firm....yet....not too firm.
I like to feel some resonance from the cue.

Craig,
Thank you for the insight on tightness of the weight bolt.
Never thought about it......just wanted it to be screwed
very tight.....so, it does not rattle.

The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.


later,
sax

He we go STEELERS!....Here we go!
Can't wait for the big game...Hope Big Ben has a good game...Hope the defence plays like a number 1 Defence...
Hope the Warner to Fitzgerald express hits a train wreck!
Steelers 20 Cards 17
Steelers kick a 53 yard field goal as time expires!!!


The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.


The A-joint certainly is critical when assembling a cue, the tolerance of each component must be just right so that as the epoxy drys and expands the tenon will seat properly in the cavity. If this step is not taken into consideration there will be stress at the A-joint, which will cause future movement or even cracks to develop. This is why many older cues have a wobble where the handle meets the forearm, if the truth be known most of these cues were most likely perfect in the beginning.

In my opinion glued and screwed components during assemble of a cue is the best way to go long term, this way you have three separate ways holding those parts in place, however, many today consider this overkill. It days past it was necessary to do this, because the adhesives were not as strong and because they would break down over time, so a permanent bonding of materials was not possible. Today however, the adhesives are not what bonds the materials together alone. Today the adhesives dissolve the surface of the materials being bonded and they allow the surfaces to bond to each other directly on a elemental basis. Super Glue is s good example of the, it has a low PH level (Like Acids) which dissolve the surface and allow the surfaces of the materials bond to one another. In the old days adhesives themselves were all that held the materials together and most adhesives were water / animal based so they totally broke down in adverse conditions. Temperature change which causes expansion and contraction was the main culprit that caused these problems.

Hope this helps.
 
This is a GREAT THREAD.
bowdown.gif
 
Glue Breakdown????

manwon said:
The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.


In the old days adhesives themselves were all that held the materials together and most adhesives were water / animal based so they totally broke down in adverse conditions. Temperature change which causes expansion and contraction was the main culprit that caused these problems.
manwon said:
Sorry but I respectfully disagree with that statement. Luthiers, furniture makers and cue makers have been using hide glues for centuries. Think about Stradivarius violins which were built in the late 1700's. They are still going strong on hide glue and selling for over 2 million dollars a violin. Of all the glues available hide glues most resemble the properties of wood. That is why luthiers, furniture makers and cuemakers used it, and still do--granted, it is a pain in the butt to heat and mix up but it does not break down and actually expands and contracts with temperature and humidity at about the same rate as the wood does.
 
QMAKER said:
manwon said:
The A-joint connection is very critical.
I like cues with as many parts threaded & epoxy/glued as possible.
I think it adds to a more solid built cue.


In the old days adhesives themselves were all that held the materials together and most adhesives were water / animal based so they totally broke down in adverse conditions. Temperature change which causes expansion and contraction was the main culprit that caused these problems.
manwon said:
Sorry but I respectfully disagree with that statement. Luthiers, furniture makers and cue makers have been using hide glues for centuries. Think about Stradivarius violins which were built in the late 1700's. They are still going strong on hide glue and selling for over 2 million dollars a violin. Of all the glues available hide glues most resemble the properties of wood. That is why luthiers, furniture makers and cuemakers used it, and still do--granted, it is a pain in the butt to heat and mix up but it does not break down and actually expands and contracts with temperature and humidity at about the same rate as the wood does.

Thanks for your thoughts on this, but I have to ask you why do many cues from the 1960's and before simple fall apart. I do a lot of restoration work, and I assume that Hide Glue was used on most cues made before the 1960's and especially before the 1950's. Many old cues have their Veneers coming loose, joint collars are loose, Butt Caps are loose, Ferrules are loose, I can go on and on.

Now, I know the difference between old cues that were left in a barn, garage, or a damp basement and those that were left in a temperature controlled environment.

I would appreciate if you can explain why that this happens if it is not the adhesive.

Thanks Craig
 
manwon said:
QMAKER said:


Thanks for your thoughts on this, but I have to ask you why do many cues from the 1960's and before simple fall apart. I do a lot of restoration work, and I assume that Hide Glue was used on most cues made before the 1960's and especially before the 1950's. Many old cues have their Veneers coming loose, joint collars are loose, Butt Caps are loose, Ferrules are loose, I can go on and on.

Now, I know the difference between old cues that were left in a barn, garage, or a damp basement and those that were left in a temperature controlled environment.

I would appreciate if you can explain why that this happens if it is not the adhesive.

Thanks Craig

3/8 METAL stud?
 
Craig, when did Bob say hide glue was good for plastic, metal and heavily dyed veneers?
 
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