who makes the best sneaky pete?

<edit : OnTopic, I like my Dufferin SP and both my Schmelke SPs>
Obviously, I believe it was the Schmelke that kicked my butt a few times.
A rematch is in order Dave.
I have a Sly sneaky and another on the way. Unbelievable player, well balanced, micarta ferulle, you can't go wrong with one of Sly's.
 
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Don't you know that the reason Tim Scrugg's cues are so good is that he has his own forest? (There is a story there).

I'd like to toss the Fury and Sterling sneaky petes into the ring for consdieration.

Say what you want but these are damn nice players for the money $60-$180

Fury
http://www.cuesight.com/fury-sneaky-pete-pool-cues.html
$149 Full Splice Ebony with 3 veneers.
cuesight_2042_32681171


$189 Double Splice with 2 veneers
cuesight_2042_32693781


Sterling
http://www.cuesight.com/pool-cues-sterling-jump--jump-break--and-sneaky-pete-pool-cues.html

$59 Full Splice
cuesight_2042_64948256


$95 Full Splice in Purpleheart
cuesight_2042_65006732


$176 Butterfly Splice
cuesight_2042_64984908
 
* Date: Fri 27 Mar 05:13:35 CDT 2009
* From: "tim scruggs" <qmaker@msn.com> Add To Contacts
* Subject: Re: TS Sneaky Pete Rumor
* To: XXXX


There is absolutely no truth in that rumor. Tim and Bob were partners from 1978-1984 when Bob left. Tim stopped making Sneaky petes in 2002. Don't believe anything you hear and about 1/2 of what you see.

Mike Cochran



My original email was asking him to verify whether it was true or not that the TS sneakies out there were in fact made by Bob Frey.

Well the mystery deepens, if Tim said he did not make them, then who made them?
 
Don't you know that the reason Tim Scrugg's cues are so good is that he has his own forest? (There is a story there).

I'd like to toss the Fury and Sterling sneaky petes into the ring for consdieration.

Say what you want but these are damn nice players for the money $60-$180

Fury
http://www.cuesight.com/fury-sneaky-pete-pool-cues.html
$149 Full Splice Ebony with 3 veneers.
cuesight_2042_32681171


$189 Double Splice with 2 veneers
cuesight_2042_32693781


Sterling
http://www.cuesight.com/pool-cues-sterling-jump--jump-break--and-sneaky-pete-pool-cues.html

$59 Full Splice
cuesight_2042_64948256


$95 Full Splice in Purpleheart
cuesight_2042_65006732


$176 Butterfly Splice
cuesight_2042_64984908

that first fury looks pretty nice, compared to their other pearl inlaid ones. I don't like their double spliced ones though. They have radial pins which is awesome.

What do Sterling cues have for pins?
 
that first fury looks pretty nice, compared to their other pearl inlaid ones. I don't like their double spliced ones though. They have radial pins which is awesome.

What do Sterling cues have for pins?

The Sterling cues use a 5/16x18 flat faced pin on the wood to wood Sneakys.
 
I'll sell ya.....

I'll sell ya my Jack Madden sneaky set (all nice a** cocabola(sp))
Breaker w/joint made just for me....
Player w/2 of Jacks shafts and 1- 314 (3-8 10 pin)
And the Jumper (shafts from the break cue and jumper interchange). Oh yea you'll need 1 new shaft for the breaker I put a 2in crack below the ferrule breakin like a girl...

We'll say the matching set for 1200$, hows that sound.... Or you can try to get 1 yourself....There are none that play any better... :eek::rolleyes:
 
Well the mystery deepens, if Tim said he did not make them, then who made them?

I think the thing is that when they are stamped TS then Tim Scruggs made them. It doesn't really matter if Timmy hung out on the pool table all day and never touched a lathe.

It's his wood, his shop, his specifications, and his name on the cue. It's like Don King, the departed and legendary saddle maker and inventor of the Sheridan style of tooling, said, "if you work in another man's shop then you work in his style."

Who can ever say that if Doc Fry and Tim Scruggs didn't work together that Doc Fry's cues would have ever reached the status they now have?

Certainly there are a LOT of cue makers out there who make JAM UP sneaky petes but they don't have a quarter of the reputation that "Scruggs" sneaky petes have. This is because the Scruggs have earned that reputation from players and it's due to ALL the factors that make up Tim Scruggs Custom Cues.

I submit that the reason Scruggs sneaky petes have the reputation they do is primarily through Tim Scruggs' direction as to how they should be made regardless of whether he actually turned the wood on any of them.

On a personal level I have owned several Tim Scruggs cues from mild to wild and for me it's hard to tell the difference in one of his sneakys and one of his regular cues from the hit.

One thing I promise to do is if I ever do get any more Scruggs cues I am not selling them. :-(
 
I think the thing is that when they are stamped TS then Tim Scruggs made them. It doesn't really matter if Timmy hung out on the pool table all day and never touched a lathe.

It's his wood, his shop, his specifications, and his name on the cue. It's like Don King, the departed and legendary saddle maker and inventor of the Sheridan style of tooling, said, "if you work in another man's shop then you work in his style."

Who can ever say that if Doc Fry and Tim Scruggs didn't work together that Doc Fry's cues would have ever reached the status they now have?

Certainly there are a LOT of cue makers out there who make JAM UP sneaky petes but they don't have a quarter of the reputation that "Scruggs" sneaky petes have. This is because the Scruggs have earned that reputation from players and it's due to ALL the factors that make up Tim Scruggs Custom Cues.

I submit that the reason Scruggs sneaky petes have the reputation they do is primarily through Tim Scruggs' direction as to how they should be made regardless of whether he actually turned the wood on any of them.

On a personal level I have owned several Tim Scruggs cues from mild to wild and for me it's hard to tell the difference in one of his sneakys and one of his regular cues from the hit.

One thing I promise to do is if I ever do get any more Scruggs cues I am not selling them. :-(

John, I have also owned a number of Tims cues throughout the years and I still have a few special ones under lock and key, bought them back in the 80's and will never sell them. However, I have never owned one of his Sneaky Pete's, only shot with a few over the years. I agree that they certain are good players, but they certainly did not compare to the cues I owned, and I don't know why. However, I think most people who purchase a cue do so because they want to own something made by that cue maker with his own hands. There have been numerous posts and threads on this forum about this subject and for collectors anyway, they certainly don't want something made by an apprentice no matter how good he is.

Just my thoughts
 
John, I have also owned a number of Tims cues throughout the years and I still have a few special ones under lock and key, bought them back in the 80's and will never sell them. However, I have never owned one of his Sneaky Pete's, only shot with a few over the years. I agree that they certain are good players, but they certainly did not compare to the cues I owned, and I don't know why. However, I think most people who purchase a cue do so because they want to own something made by that cue maker with his own hands. There have been numerous posts and threads on this forum about this subject and for collectors anyway, they certainly don't want something made by an apprentice no matter how good he is.

Just my thoughts

I see your point. I guess mine would be which is more important, the man or the process?

We have had this discussion before about SouthWest cues. According to Laurie Franklin SouthWest cues are made using the exact same process as they were made when Jerry Franklin was alive.

I still think that a shop owner is responsible for everything that exits his shop regardless of who did the work on the piece. If he did his job right then everything leaving the shop will be either as good as if he had personally made it or possibly even better.

I am not a cue maker. Being a case maker and one who in a fairly unique position I can only offer my input on this.

My position is that I am responsible to set up my shop in such a way that every product is made the way I want to present it to the customer. I have to teach all of my employees the value of doing it the way I want or better. And I need to inspect and approve of everything leaving my shop.

Sometimes I am not able to inspect everything that is leaving my shop and this is the moment where I know if I have done my job or not. IF the cases meet or exceed the customer's expectations then I have done my job. If not then it's my failure, not my employees.

I do not think I owe it to my customers to identify which hands did what work on their case. They don't need to know if our apprentice tooler or our master tooler did the work. The only thing that matters is does the work stand on it's own as being worthy of my name?

If the answer is yes then it's all good.
 
Don't you know that the reason Tim Scrugg's cues are so good is that he has his own forest? (There is a story there).

I'd like to toss the Fury and Sterling sneaky petes into the ring for consdieration.

Say what you want but these are damn nice players for the money $60-$180

Fury
http://www.cuesight.com/fury-sneaky-pete-pool-cues.html
$149 Full Splice Ebony with 3 veneers.
cuesight_2042_32681171


$189 Double Splice with 2 veneers
cuesight_2042_32693781


Sterling
http://www.cuesight.com/pool-cues-sterling-jump--jump-break--and-sneaky-pete-pool-cues.html

$59 Full Splice
cuesight_2042_64948256


$95 Full Splice in Purpleheart
cuesight_2042_65006732


$176 Butterfly Splice
cuesight_2042_64984908


Any one of these cues would be a damn good choice. That is if you hate America!!!!!!!!!!!!!!!

naw i'm just messing with ya
 
I see your point. I guess mine would be which is more important, the man or the process?

We have had this discussion before about SouthWest cues. According to Laurie Franklin SouthWest cues are made using the exact same process as they were made when Jerry Franklin was alive.

I still think that a shop owner is responsible for everything that exits his shop regardless of who did the work on the piece. If he did his job right then everything leaving the shop will be either as good as if he had personally made it or possibly even better.

I am not a cue maker. Being a case maker and one who in a fairly unique position I can only offer my input on this.

My position is that I am responsible to set up my shop in such a way that every product is made the way I want to present it to the customer. I have to teach all of my employees the value of doing it the way I want or better. And I need to inspect and approve of everything leaving my shop.

Sometimes I am not able to inspect everything that is leaving my shop and this is the moment where I know if I have done my job or not. IF the cases meet or exceed the customer's expectations then I have done my job. If not then it's my failure, not my employees.

I do not think I owe it to my customers to identify which hands did what work on their case. They don't need to know if our apprentice tooler or our master tooler did the work. The only thing that matters is does the work stand on it's own as being worthy of my name?

If the answer is yes then it's all good.

I do not think I owe it to my customers to identify which hands did what work on their case.

This is where we disagree, and it is the exact reason many people hesitate to purchase things from large shops with multiple employee's. I can only speak for myself, but if I buy a case from John Barton, I would want John Barton to make the case I ordered. I would not want a case made by some one else, that you inspected and will stand behind. To me John, if I am going to buy the best of anything, in my opinion I am buying two things and both are equally important. First, if I am going to spend $700 plus on a cue case, I am buying the craftsmanship of a specific pair of hands. Leather is leather John, just like wood is wood for pool cues, part of buying anything that is custom hand made is buying an item that the Master craftsman fashioned himself. Second, when evaluating a purchase in my opinion is craftsmanship and materials involved, you see John all of the above two paragraphs reflects the price and value of any item that is custom made.

I know John I am not the only one who feels this way, I have seen $3000 cues sold or returned because after the sale the buyer found out that an apprentice actually had built the cue. John I think most people who buy Custom Billiards items whether cues or cases feel the same way, this is a major part of something being collectible. You see John, there are many people who are very creative who are building these items today. In many cases it takes a very trained eye to see any difference, and this is where a name plays a major part in a custom items value and the items cost. Trust me on this John, people do care and in most cases want to know, however, they forget to ask the right questions because they think they already know the answer.

We will have to agree to disagree on this subject John.

Have a good night!!!:)
 
On the other hand you can pay $60 for a damn nice Sneaky Pete and spend the savings of $100-$400 on something else.

You know i'm joking with you right? i've actually seen the fury sneaky pete up close and i wasn't too impressed. i like the mezz sneaky more. but it cost a little more
 
I do not think I owe it to my customers to identify which hands did what work on their case.

This is where we disagree, and it is the exact reason many people hesitate to purchase things from large shops with multiple employee's. I can only speak for myself, but if I buy a case from John Barton, I would want John Barton to make the case I ordered. I would not want a case made by some one else, that you inspected and will stand behind. To me John, if I am going to buy the best of anything, in my opinion I am buying two things and both are equally important. First, if I am going to spend $700 plus on a cue case, I am buying the craftsmanship of a specific pair of hands. Leather is leather John, just like wood is wood for pool cues, part of buying anything that is custom hand made is buying an item that the Master craftsman fashioned himself. Second, when evaluating a purchase in my opinion is craftsmanship and materials involved, you see John all of the above two paragraphs reflects the price and value of any item that is custom made.

I know John I am not the only one who feels this way, I have seen $3000 cues sold or returned because after the sale the buyer found out that an apprentice actually had built the cue. John I think most people who buy Custom Billiards items whether cues or cases feel the same way, this is a major part of something being collectible. You see John, there are many people who are very creative who are building these items today. In many cases it takes a very trained eye to see any difference, and this is where a name plays a major part in a custom items value and the items cost. Trust me on this John, people do care and in most cases want to know, however, they forget to ask the right questions because they think they already know the answer.

We will have to agree to disagree on this subject John.

Have a good night!!!:)

I guess we do have to disagree then because most of the world's expensive super high end luxury items are made in studios and companies with many employees.

Do you think that "Mr. Gibson" makes every guitar that comes out of their shop? Do you think that Patek or Philippe are the only people who make all the Patek Philippe watches? Do only Enzo Ferrari's sons build Ferraris?

I think that your point of view is shared by some but not the majority of collectors. I could of course be wrong. In my case I can only go by my orders which are from some of the most notable collectors and all of them know that I don't make each case all by myself. They all know that a JB Case is the result of my vision brought to life by the team I assembled and trained.

Let's be clear about something, just because something is made by just one person from start to finish does not mean that it is better than something made by many people.

The product stands alone all by itself and is judged by how good it is. Now if you want to put a particular criteria on thing YOU buy and say that it has no value to you IF it's not made by only one person then that is YOUR personal assessment and has nothing whatsoever to do with how good the product is or how much it's worth to anyone else.

I respect your view and I doubt that you will ever purchase a JB Case as long as you hold it. I wonder though what you think about the Huebler cues you just featured in the Cue Gallery section. You talked about how Huebler cues are underrated as collectibles, about the quality and so on. Someone else said that Huebler had 37 employees at one time and still he turned out many one of a kind collectible cues. Do you think that Paul Huebler should have provided a list of exactly who made those cues?

Do you think that people like Bill Stroud, Tim Scruggs, Jerry Franklin, Barry Szamboti, etc.... have no RIGHT to hire people or have apprentices?

The history of making things is almost always one of learning in the shops of others. One becomes a master by apprenticing under masters. What does the apprentice do in the master's shop? He does the tasks that he intends to master according to the directions of the master himself. The master owes NO ONE any disclosure what part of the product was done by his apprentices or hired help.

I would like to hear one collector stand up and tell us that he returned a cue to a cuemaker because the cue was made all or in part by an apprentice IF the cue was indistinguishable from any others made by the same cue maker and flawless.

And I also like to hear if people really think that cue makers owe customers full disclosure about who made what in their shops.

I think it's clear that James White made all or significant parts of Mottey cues. Has ANYONE ever returned a Mottey cue because James White made it?

Craig I think that the examples of fine things in the world bear out my point more than yours. One man shops are in the tiny minority and what they can make is limited. What they make should be great but it's not a guarantee "just because" there is only one person doing all the tasks.

The fact is that great and valuable and collectible things can come from one man shops as well as from shops with multiple people doing the work and also even from large companies. Fine things are fine no matter who made them.
 
You know i'm joking with you right? i've actually seen the fury sneaky pete up close and i wasn't too impressed. i like the mezz sneaky more. but it cost a little more

Mezz builds great cues. They also design Fury cues. It's funny what relationships exist in the world. I have had folks tell me that they love one brand of cue and hate another brand and I know that both brands are made on the same line to EXACTLY the same specifications.

We usually sell out of Sneakys at shows and the just completed Super Billiards Expo in Valley Forge was no exception. We sold out of all Fury Sneaky Petes in a hurry.

Anyway, I just wanted to throw them in the mix and I hoped no one would even jokingly bring up the whole imported vs. domestic thing. They are good cues at good prices. Are they the "best" sneaky petes? I think so for their price class.
 
Who can ever say that if Doc Fry and Tim Scruggs didn't work together that Doc Fry's cues would have ever reached the status they now have?

John, don't you mean Bod Frey, not Doc Fry. I think Doc Fry made cues quite a long time ago.:)
 
Obviously, I believe it was the Schmelke that kicked my butt a few times.
A rematch is in order Dave.
I have a Sly sneaky and another on the way. Unbelievable player, well balanced, micarta ferulle, you can't go wrong with one of Sly's.

Any time you get up here we'll meet at the Snooker Shack my friend.

That Sly sp you let me try was a fine cue, and I'd certainly second (although by now there have been several endorsements) a recommendation for a Leon Sly sneaky pete.

Having said that, with my league winnings this year I plan to buy another Schmelke or two, continuing to add to my collection of different-wooded sneakies (I need an ebony and a bacote or ph to go with the coco, tulipwood, and rosewood cues). The goal is to have a set of sneaky pete cues all with different hardwoods to be used as "house cues" in my pool room.

Dave
 
I guess we do have to disagree then because most of the world's expensive super high end luxury items are made in studios and companies with many employees.

Do you think that "Mr. Gibson" makes every guitar that comes out of their shop? Do you think that Patek or Philippe are the only people who make all the Patek Philippe watches? Do only Enzo Ferrari's sons build Ferraris?

I think that your point of view is shared by some but not the majority of collectors. I could of course be wrong. In my case I can only go by my orders which are from some of the most notable collectors and all of them know that I don't make each case all by myself. They all know that a JB Case is the result of my vision brought to life by the team I assembled and trained.

Let's be clear about something, just because something is made by just one person from start to finish does not mean that it is better than something made by many people.

The product stands alone all by itself and is judged by how good it is. Now if you want to put a particular criteria on thing YOU buy and say that it has no value to you IF it's not made by only one person then that is YOUR personal assessment and has nothing whatsoever to do with how good the product is or how much it's worth to anyone else.

I respect your view and I doubt that you will ever purchase a JB Case as long as you hold it. I wonder though what you think about the Huebler cues you just featured in the Cue Gallery section. You talked about how Huebler cues are underrated as collectibles, about the quality and so on. Someone else said that Huebler had 37 employees at one time and still he turned out many one of a kind collectible cues. Do you think that Paul Huebler should have provided a list of exactly who made those cues?

Do you think that people like Bill Stroud, Tim Scruggs, Jerry Franklin, Barry Szamboti, etc.... have no RIGHT to hire people or have apprentices?

The history of making things is almost always one of learning in the shops of others. One becomes a master by apprenticing under masters. What does the apprentice do in the master's shop? He does the tasks that he intends to master according to the directions of the master himself. The master owes NO ONE any disclosure what part of the product was done by his apprentices or hired help.

I would like to hear one collector stand up and tell us that he returned a cue to a cuemaker because the cue was made all or in part by an apprentice IF the cue was indistinguishable from any others made by the same cue maker and flawless.

And I also like to hear if people really think that cue makers owe customers full disclosure about who made what in their shops.

I think it's clear that James White made all or significant parts of Mottey cues. Has ANYONE ever returned a Mottey cue because James White made it?

Craig I think that the examples of fine things in the world bear out my point more than yours. One man shops are in the tiny minority and what they can make is limited. What they make should be great but it's not a guarantee "just because" there is only one person doing all the tasks.

The fact is that great and valuable and collectible things can come from one man shops as well as from shops with multiple people doing the work and also even from large companies. Fine things are fine no matter who made them.

John believe what you want, I would not want to change your mind or opinion. But, what you have outlined above is exactly what allows certain individuals stand head and shoulders above others who are equally talented. Maybe some day the clouds will clear and you will see things differently maybe not, I do not really care either way, that is something for you to figure out.

John, I am originally from Missouri and I have known Paul Heubler for more than 30 years. John the cues that I posted on this forum were made by Paul, as were all the cues made in his Custom Shop. You see John, Paul believed like I do and that is why he had his Custom Shop and His production shop. All cue come from Paul's Custom Shop where engraved under the Bumper in the edge of the Butt Cap. So, I am sorry John but that was not a good Analogy to use for this subject.

I think it's clear that James White made all or significant parts of Mottey cues. Has ANYONE ever returned a Mottey cue because James White made it?

Another Bad analogy John, recently there was one of the larger collectors here on the forum who was speaking about the above subject. He said he had ordered a cue and worked out a Design with Paul and spent his $3500. Later he found out the cue was made James White, he called Paul told him what he thought and sold the cue, to date he has never bought another Mottey Cue. However, he also said that now, many years later he kinda wished he had never done that, because today he really likes Mr. Whites work.

Thanks for your opinion John, I can certainly respect the honesty of it, even if I don't agree with the principle of it.
 
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