Finding your Fargo/or skill level when you don't play in leagues?

For those who don't like clicking on links, here's the video:


and the article:

“Player Ratings” (BD, December, 2020)​
Thanks for adding those, Dave. The ratings video and the December piece are exactly the kind of cross-check I was missing, because right now my number is mostly a guess off ghost sets. I am going to work through that material before I put any stock in a number for myself.

Dead ball hit

Hitting above center does help the cue ball "run cleaner". It also makes the speed control easier.
Appreciate that, Bob. That lines up with what I was feeling on those kicks, I just was not sure I was reading it right. Easier speed control above centre makes sense too, especially on a longer kick where I tend to either float it short or send it too firm. I will keep maha's dead centre point for most shots and save the touch above for when the cue ball really needs to travel clean.

Filler’s 3-Rail Kick in the Reyes Cup … Was it the Right Choice?

Again, watch the shots in the video. That’s what the video is for … showing a wide range of both good and bad outcomes with each approach. The 1-railer had many good outcomes. My feeling is the percentages of good and bad leaves were similar with both approaches.
That helps, Dave. Similar percentages for good and bad leaves either way takes a lot of the argument out of it — then it really does come down to Filler trusting the kick he liked in that moment. I did go back to the video after your first note and the slow three-railer getting stuck close is clearer when you watch the outcomes back to back.

What do you change first when the break keeps coming up dry?

Everything you write sounds like an AI.
Do you end every post with a question?
Fair enough, Fred. I hear you on the questions — I came into that break thread with a real problem and I have been asking everybody who answered, and I can see how that stacks up post after post. I will ease off on that. Appreciate you saying it straight instead of just scrolling past.

What do you change first when the break keeps coming up dry?

Welcome to AZ sir where do you play on league night I'm also from the Hammer.
Good to meet you, and thanks for the welcome. Always nice running into another guy from the Hammer on here. My league nights are here in Hamilton, that is where I get most of my table time in during the week. Where are you playing out of on your end?

What do you change first when the break keeps coming up dry?

The largest factor in how well and consistently the balls break is how tight the rack is. How does racking work in your matches?
Bob, in our league matches we rack for each other, no template, just hand racked and the other guy can ask for a re-rack if it is loose. Reading what you wrote, I am probably not checking that tightness close enough when the break goes dry — I go straight to blaming my speed or where I put the cue ball. A loose rack would explain those nights where the head ball sounds dead no matter what I change. I will pay more attention to that this week.

What do you change first when the break keeps coming up dry?

My bar box break has cobwebs. 😉
Being the old guy now, my go to game would be last pocket 8 ball played to BCAPL rules.
I earned The Master rating in the Northwest playing bar box 8 ball on the Oregon coast. (A fine vacation I might add).
SHooter cue always with second ball break. It only works on some tables. Well moves the 8 ball, it works on the theory of leaving a technical puzzle that requires Jui Jitsu like attack....and or defend or Both.... Plus my break and make a ball was Good. 🤷‍♂️ a no brainer.
That second ball break with your shooter is interesting, Greg. Most guys I know treat the break cue like it has to be a separate hammer, and you are going the other way and still moving the 8 like that. The puzzle part is what stuck with me — leaving a table that makes the other guy work for every ball instead of just spreading them and hoping. On a bar box that is half the game. Does that second-ball look change much for you when the cloth plays fast versus slow and shaggy?

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