You're not the first girl to ever say that to me!
LOL, I see you don't see well with squinted eyes.
You're not the first girl to ever say that to me!
Dennis Searing doesn't core, but what does he know?
Dennis Searing doesn't core, but what does he know?
Oh boy. Another can of worms.You are going to get many answers to this question, and none are completely wrong or right. Different cue makers have different ways of doing things, and when you are the one responsible for your work and reputation I think most people try to do what is best.
I beleive that using cored of laminated parts will give you the best stability when using certain woods, such as, those you have asked about.
However, I also beleive that cored cues in general are more stable over time than none cored because of the stress relief that coring creates.
JIMO
Is he supposed to know something?
And Mr Dayton knows coring burl wood handles.
http://forums.azbilliards.com/showpost.php?p=1182555&postcount=10
Mr. Searing and Mr. Dayton, both great cuemakers.
Word!Coring=flexibility and consistency.
This is what sold me.....I took 10 BE forearms and cored 5 and treated all 10 the same when turning and hanging. 5 years later the 5 with cores are dead straight and the 5 without were not. I do not core everything but if the project calls for it, I core it. If you're using highly figured woods, burls or heavy rosewoods as your structural pieces, I believe it is almost a must. IMO, coring does not mean you have to punch a hole from end to end on the piece of wood you're working with.
I do not like laminated male pieces for cores. My dowels are treated just like shaft wood and are cut over time. The movers get chucked.
Coring=flexibility and consistency.
This is what sold me.....I took 10 BE forearms and cored 5 and treated all 10 the same when turning and hanging. 5 years later the 5 with cores are dead straight and the 5 without were not. I do not core everything but if the project calls for it, I core it. If you're using highly figured woods, burls or heavy rosewoods as your structural pieces, I believe it is almost a must. IMO, coring does not mean you have to punch a hole from end to end on the piece of wood you're working with.
I do not like laminated male pieces for cores. My dowels are treated just like shaft wood and are cut over time. The movers get chucked.
Hi,
I agree 100%. A handel with a tenon for the A-Joint and a long one for the butt cap and sleeve is the way a lot of cue makers assemble and do their thing. If you assemble your cue this way and the handle moves, your done.]
Please explain to me why you are "done" when a cue is assembled the way you mention above if the handle moves.
What method of assembly is easier to repair?
Sorry that I don't have any experience repairing handles that moved.
Thank you,
I agree 100%. A handle with a tenon for the A-Joint and a long one for the butt cap and sleeve is the way a lot of cue makers assemble and do their thing. If you assemble your cue this way and the handle moves, there is a problem.
I use the core as the tenon going down the handle. My core is 15" long.
I only assemble when the handle has been pre-tapered and seasoned.
IF the handle moves, it's easy to recenter the bottom to make sure the whole assembly is still concentric to the core dowel.
The A-joint can be a pain and an enemy but it can also be the best friend in making GREAT hitting cues. I believe in opposing density woods in cue assembly.
Just as guitars are made. The whole guitar is not made of the same wood.
Nothing wrong with a single piece dowel of course.
I do the same. My handles are 12" with 16.5" cores. They are cut to within .020" of finish size before assembly. I have to be more worried about getting the cue together on true center than I do about movement. After I join the cue I shave a .005-.010" cut to true up the cue as the two components are never exactly the same size before assembly. From there I glue on the sleeve & cap, then do joint rings & collars, then take the last few thou off to reach my final size. All components are well stable & sized long before the cues go together.
I know builders who put cues together much larger and then take slow cuts with time between each cut. That would scare the crap out of me. I'd always be worried that it would move & even though I could recenter & cut it straight again, the "A" joint will never be on true center again. I'd rather assemble at barely over finish size with knowing that every components is true & stable.
Hi,
I agree 100%. A handel with a tenon for the A-Joint and a long one for the butt cap and sleeve is the way a lot of cue makers assemble and do their thing. If you assemble your cue this way and the handle moves, your done.]
Please explain to me why you are "done" when a cue is assembled the way you mention above if the handle moves.
What method of assembly is easier to repair?
Sorry that I don't have any experience repairing handles that moved.
Thank you,
Arnot,
Excuse me, "you are done" refers to a butt or forearm that moves after assembly and bumps in the lathe between centers.
I am sure that you cut and hang your handles and forearms, let them season and take cuts over time, and do it right. I truly believe you have never had one of your cues go bad for this reason.
I do a lot of cue repair and have seen cues that have a bump in them because the handle or forearm moved a little. It could be that the CM did not seal the handle wood in some cases, I don't know.
My point is that coring improves stability and peace of mind for me at least. I spend a lot more time doing the full core method but I feel it is worth my time. As a cue maker I have an hourly number that I must be paid for when I sell a cue and I am fully compensated for my efforts or I don't sell the cue.
I don't want to ever have a cue come back form the field because it needs repair because it has a bump. I have not been building cues as long as you have and I will have to wait and see. I guess I will look like a horse's ass if I start getting warped cues that I have made that are fully cored with gorilla glue on a 30" maple dowel.
Rick G
If movement is a concern, then my method for the butt sleeve is not for those in a hurry. The same fashion that the A-joint is put together, is the same way I attach my butt sleeve.
This let's me really fine tune the cues balance. And precision is a must as if the A-joint moves your point height moves, now if the butt sleeve is not true, point height is affected again.
Coreing is a huge part of my cues, stability and weight control etc etc plus the added stability of the cored piece plus seasoned wood, let's me attach the butt sleeve the way I do and still sleep at night.
Granted, I'm a novice, but it almost seems like most do it just because everyone else is doing it. The process of getting shaft wood snow white degrades the fibers, but that's what the industry expects, so that's what everyone tries to deliver. Yes, coring obviously insures stability, but there are cues floating around that are older than me and still straight without the aid of coring.
I do the same. My handles are 12" with 16.5" cores. They are cut to within .020" of finish size before assembly. I have to be more worried about getting the cue together on true center than I do about movement. After I join the cue I shave a .005-.010" cut to true up the cue as the two components are never exactly the same size before assembly. From there I glue on the sleeve & cap, then do joint rings & collars, then take the last few thou off to reach my final size. All components are well stable & sized long before the cues go together.
I know builders who put cues together much larger and then take slow cuts with time between each cut. That would scare the crap out of me. I'd always be worried that it would move & even though I could recenter & cut it straight again, the "A" joint will never be on true center again. I'd rather assemble at barely over finish size with knowing that every components is true & stable.
I am 90% self-taught, and I never even considered putting parts together that were way oversized. I also never understood putting a joint pin in a cue before it was at finished size.I do the same. My handles are 12" with 16.5" cores. They are cut to within .020" of finish size before assembly. I have to be more worried about getting the cue together on true center than I do about movement. After I join the cue I shave a .005-.010" cut to true up the cue as the two components are never exactly the same size before assembly. From there I glue on the sleeve & cap, then do joint rings & collars, then take the last few thou off to reach my final size. All components are well stable & sized long before the cues go together.
I know builders who put cues together much larger and then take slow cuts with time between each cut. That would scare the crap out of me. I'd always be worried that it would move & even though I could recenter & cut it straight again, the "A" joint will never be on true center again. I'd rather assemble at barely over finish size with knowing that every components is true & stable.