How to Be More Accurate With Jacked-Up or Elevated-Cue Shots

Aim while up, always.

I like to keep a similar anchor/trigger point as I do while shooting a normal shot. For me, it's the third/ring finger. You will be more "choked up" on the cue but the balanced feeling in your grip hand should still be there. As straightline mentioned, you can practice stroke above the ball. The stroke should feel straight. It's a shorter stroke but the balance must feel right.

Once my tip is in place and I really check the tip at the CB address, I actually ignore the CB entirely and focus on the contact point on the OB. I will try to "burn a hole" in the OB and try to transfer the entire stroke/feel to that anchor/trigger finger On tricky shots in tight quarters, to avoid fouling I may focus on CB.

Jacked up shots, done properly, aren't just whacking balls. I play them mainly as full cue jump shots but the hand/eye connection is so important on these shots. They are like a chip shot in golf. Without sounding too woo woo I try to put my entire awareness in the contact point on the OB and the feeling in my ring finger. All that exists in the moment is the contact point and cue touching the ring finger. Ring finger is dumb, as in it can't steer anything like other fingers can. Another joint in the pendulum. But if you're thinking pendulums, you've already strayed too far into the weeds. Basically you want two points of contact on the cue, your grip hand (which is as steady and stable as you can manage) and your ring finger. It's almost all in the wrist. Short stroke it and really feel the shot. Be sure to follow through in a linear fashion, follow through will be shorter since you're jacked up, but try to follow through at least 1/2 a ball width. Don't poke it.

Don't strangle the cue either, just let its weight keep it stuck to your finger, it's all about proper balance. It will feel awkward at first but you can quickly get onto it. Be sure to feel the cue's feedback in your ring finger. It honestly tells you a lot.

I love the feel of these shots. Just let the cue float as lightly as you can and it will sing to you. It can also be quite demoralizing to the competition if you're playing an opponent who routinely leaves you with jacked up crap and you just pin them into the pocket pretty as a picture with shape. :)
 
Masse' bridges with different angles/heights.

I prefer to develop a feel for the cue ball twisting/moving outwards.
I like seeing that occur to develop, a feel for the cb release moment of the slight masse'.
 
Nice Right GC.
Anywho.... ''I walk up to the cueing''.
I have my shot line fixed, commit 100%, visual results/feedback are instant.....
The seeing of the balls colliding, helps my other perspectives.
 
Does anybody have any other useful tips (not covered in the video) for being accurate with jacked-up shots?
I presume that it is legal to use Counter-Weight by Accu-Stats. That extra weight on the shaft makes the cue stick so much more steady than having all the weight otherwise up in the air. It is embarrassing to use, however.

Counter weight image.jpg
 
I presume that it is legal to use Counter-Weight by Accu-Stats. That extra weight on the shaft makes the cue stick so much more steady than having all the weight otherwise up in the air. It is embarrassing to use, however.

View attachment 816108

I don’t personally see a need for such a thing. Concerning legality, it might be considered “novel equipment,” which could be disallowed under WPA rules. But maybe it is fine since it could be treated just like removable weight bolts in a butt.
 
I don’t personally see a need for such a thing. Concerning legality, it might be considered “novel equipment,” which could be disallowed under WPA rules. But maybe it is fine since it could be treated just like removable weight bolts in a butt.
Gets to be gimmicky. There's no substitute for alignment and linear stroke.
 
Okay, I apreshiat your knowledge and contributed videos. So when my, well what I consider to be known knowledge 😉 is contrary to the words you print. I speak up in my Preach it thread.
Greg Cantrall said:
It's about Feedback or harvesting data. Watching the tip impact the ball is the Start. Following the cueball as it departs can give information as to the transfer of rotation and or indicators of cling or throw. Conditions change with the weather. When focused I am still able to observe the cueball to object ball impact and it reminds me of as a baseball hitter I could read the laces as the ball approached. I watched the bat impact the ball. I hit to World Class in baseball. So watching the cueball departure and trip to the secondary target. Information comes through observation. Ball rotation is critical at each contact including with the rails.
So as Willie Hoppe would say. Start over. My morning fitness involves just that. The one handed stuff might seem uh hoaky or even the Other Hand just frivolous. Tisk tisk.
First be the shot maker for an hour then an hour with the kicks Like A Mule, should build a strong foundation.
 
Time is on my side. Well not this one. But
Put in the time then judge for yourself.
Here it is.
 
If You Practice with this kind of music for background.......you just might be from.......My Generation.
 
One thing I've found useful is to find the line of aim when level and make sure that the cue stick is still along that line when elevated. This seems kind of obvious, but that's not the way I usually aim. When elevated, my usual aim perception of fullness of cue ball against the object ball is distorted and generally will give too full a hit. Of course keeping the line is what should happen with the aim level then raise straight up technique, but to check that, I need to check the line and not the fullness.

Another drill is progressive practice where the problem ball or rail starts out in an easy position and gets tougher as you make the shot. For example, the requirement is to draw straight back across the table from a ball by the side pocket, and the cue ball starts a diamond from the side rail and gets closer to the rail in succeeding shots to make the shot harder. The shot gets real hard when the cue ball is less than a ball from the cushion. Or, move an obstructing ball closer and closer to the cue ball so increasing elevation is gradually required.
I take my usual aim and then cut the ball a little more than normal,there is a distortion of aim when jacked up.
 
Can't help myself. 🤷‍♂️ Take a look at the eye patterns.
Edit: oops wrong video maybe this works better.
 
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Is Inaccurate. My observation of snooker indicates otherwise.
Still yearning a reply. 😉
There are lies, damn lies and statistics. Well numbers can be presented in a manner that is miss leading. Well like the lemmings? 🤷‍♂️ maybe. Majority votes can be Wrong. The sooner one can admit error, the sooner we can heal....or improve. 🤷‍♂️
John Higgins is definitely a good example of what cueball at impact can produce. I am still unsure of Selby. How about you? 😉
 
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