How many times does a cue maker gripe & moan about receiving those junk, low grain count shafts with grain lines so faint you can hardly see them to even count? Then how many times does that shaft turn out to be amazingly stable, stiff, strong, and dense? But you won't use it in a nice cue because it would be perceived as being a junk shaft?
Truth of the matter is that we have it completely backwards. Each year of growth is broken up into two categories, early and late wood. Early wood is the brown/red grain line that we count. Late wood is the white in between. In hardwoods, the late wood is the strongest & most dense part of the grain. Early wood is considerably weaker & much less dense, as it's more porous. This is absolute, inarguable, fact. Applying this fact to cue shafts, logic dictates that the bolder & broader the early wood lines, and the higher concentration of them you have, the less dense & weaker the shaft will be. That pretty much means that those tight grain dark grain shafts that everybody seems to want so bad, are in all actuality more prone to being the worst shafts we can use in a cue.
It also flies in the face of the suppliers who heavily depend on marketing the wood as being slow growth, northern climate, colder climate wood. Technically speaking, the very best shaft wood should come from a growing environment where the conditions are mild in winter and wet & sunny during the summer. However, it's so deep ingrained in our cue culture beliefs that old growth & high grain count is the best, it's doubtful that anybody will be using low gpi shafts anytime soon. Well, except for production companies. Ever see a top tier production outfit using what we consider premier shafts? Nope, they use 3-8gpi shafts that are so white it's hard to count. Not raining on anyone's parade. Just some food for thought :duck:
That all said, I revert back to my original and long held belief that each shaft should be chosen individually for quality, with aesthetics being LAST in my criteria.