Don't be confused. To be a successful cuemaker or even a hobbyist cuemaker, you have to have a background in machining, technical aptitude in machining, or a freakish love for machining wood. If you look at the machining world, there are extremely few female machinists. So, there's a direct corrolation. In my industry, I have met literally thousands of machinists and moldmakers. Not once have I met a full-time female machinist. And I can't even remember seeing an aspiring female machinist. I'm sure they're out there. But obviously there can't be that many. It's a numbers game for sure.jgpool said:Are there any female cuemakers? I have seen some female helpers but I am not aware of any females making cues. I find this interesting. I see no reason for this. If I am wrong please educate me on this. Thanks.
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David and Meg are members of the International Cuemakers Association. That picture of Meg doing the inlaying shows an example of what I was talking about in my previous post. Women are the artistic backbone of many shops, but their spouses get the credit. My son has become the artistic backbone of our shop with the introduction of CNC equipment and often gets very little credit. Don't get me wrong we fuss and argue over designs all the time and most of our higher end cues are a result of that nit picking each others ideas, but in the end it is him that cuts the inlay parts and pockets.billiardshot said:If you click the site below you will see pictures of Meg from Australian at Dieckman's Cueniversity. He might know of other female cuemaker [cuebuilder].
http://www.cuemaker.com/gallery20.htm
http://www.cuemaker.com/galleryoz02.htm
cueman said:David and Meg are members of the International Cuemakers Association. That picture of Meg doing the inlaying shows an example of what I was talking about in my previous post. Women are the artistic backbone of many shops, but their spouses get the credit. My son has become the artistic backbone of our shop with the introduction of CNC equipment and often gets very little credit. Don't get me wrong we fuss and argue over designs all the time and most of our higher end cues are a result of that nit picking each others ideas, but in the end it is him that cuts the inlay parts and pockets.
Chris
www.hightowercues.com
www.internationalcuemakers.com
He is 23. Started helping me when he was about 8. He has quit and come back many times since then. He built his first cue at age 8 I think. I had to hold his hand to help him run the irish linen on and I put the finish on for him, but he did everything else.Snapshot9 said:How old is your son, and what age did he start working in the shop?
worriedbeef said:has anybody played with annie o's performance shaft? they make some huge claims!
Who is THEY?
Annie is a very acomplished cuemaker that has ben making cues for many years and has built a very good reputation as such.
She has invested a LOT of time and money building equipment that allows her to measure and evaulate shaft performance.
If she says her shafts have less deflection i am sure that is something she can set up and prove to anyone wishing to pay her cue shop a visit.
BS is cheap and plentiful in the cuemaker world but Annie is a straight shooter.
http://www.annieosproshop.com
Willee
cueman said:David and Meg are members of the International Cuemakers Association. That picture of Meg doing the inlaying shows an example of what I was talking about in my previous post. Women are the artistic backbone of many shops, but their spouses get the credit. My son has become the artistic backbone of our shop with the introduction of CNC equipment and often gets very little credit. Don't get me wrong we fuss and argue over designs all the time and most of our higher end cues are a result of that nit picking each others ideas, but in the end it is him that cuts the inlay parts and pockets.
Chris
www.hightowercues.com
www.internationalcuemakers.com