I've stated on here many times that in my opinion, Luther Lassiter was the best 9 baller to have ever played this game. In my opinion, the top 3 are Lassiter, Strickland & Sigel. (For best all around to have ever played, Reys & then Varner get my vote). Anyway, back to Lassiter...
I have tapes of him in those "Legends" matches from the early 1980's. He was 63 when he was playing on the one I'm referencing. At 63, his shotmaking was still sharp. His stroke and mechanics look so awkward, yet, because he's ingrained those particular mechanics into his muscle memory, he has what's called a repeatable stroke. His is not one that most instructors would teach. He has a short back stroke, but not as short as Hopkins'. When he shoots, he has the unique habit of very quickly twisting his bridge up up and out to his left from the table. In other words, instead of his head jumping up, his bridge hand jumps up! He addresses the ball rather high by today's standards, where lots of players have their chin resting on the shaft during their strokes. On his break, he appears to lose his balance and again, his arm flings out to his left. And his bridge consists of what appears to be a very looping and loose finger barely around the shaft of his cue. Yet, despite less than perfect mechanics, he hardly ever misses a ball.
I have watched these tapes so many times over the years. I love seeing how the pros shoot and approach their shots. I can hardly imagine how great a shot maker he was in his prime, say the 1940's-1970.
I think what made him great was he really loved pool. He also built his game around action, ie, if he missed, he didn't eat or pay his bills. I think beside honing his game, that constant tension may have made him have some of the physical quirks and nervous habits that he and any other player accumulates or develops over the years. But, he had a repeatable stroke that he trusted in.
Another quick point here is look at all the unique strokes that the various pro players have. If you could somehow darken them out and just show their silhouettes, I think many of us could recognize who was shooting just by their particular mechanics and strokes.
So, as far as strokes go, one size does not fit all. But, we already know that, right?
I have tapes of him in those "Legends" matches from the early 1980's. He was 63 when he was playing on the one I'm referencing. At 63, his shotmaking was still sharp. His stroke and mechanics look so awkward, yet, because he's ingrained those particular mechanics into his muscle memory, he has what's called a repeatable stroke. His is not one that most instructors would teach. He has a short back stroke, but not as short as Hopkins'. When he shoots, he has the unique habit of very quickly twisting his bridge up up and out to his left from the table. In other words, instead of his head jumping up, his bridge hand jumps up! He addresses the ball rather high by today's standards, where lots of players have their chin resting on the shaft during their strokes. On his break, he appears to lose his balance and again, his arm flings out to his left. And his bridge consists of what appears to be a very looping and loose finger barely around the shaft of his cue. Yet, despite less than perfect mechanics, he hardly ever misses a ball.
I have watched these tapes so many times over the years. I love seeing how the pros shoot and approach their shots. I can hardly imagine how great a shot maker he was in his prime, say the 1940's-1970.
I think what made him great was he really loved pool. He also built his game around action, ie, if he missed, he didn't eat or pay his bills. I think beside honing his game, that constant tension may have made him have some of the physical quirks and nervous habits that he and any other player accumulates or develops over the years. But, he had a repeatable stroke that he trusted in.
Another quick point here is look at all the unique strokes that the various pro players have. If you could somehow darken them out and just show their silhouettes, I think many of us could recognize who was shooting just by their particular mechanics and strokes.
So, as far as strokes go, one size does not fit all. But, we already know that, right?
