Since it's Christmas time, here's another hors d'oeuvre to chew on...
I was showing Mark K. (from Classic Cues) my first cue, and he had some interesting insight into shafts in general that I found interesting and useful as an "aspiring cue maker" (cue maker may be stretching it a bit)- wood worker for sure.
He said that a lot of focus is placed on the ferrule end of the shaft for deflection/stiffness/spine etc, what ever terms you want to use.
But, and this is the interesting part, since I make a 59" cue, I told him how I run with no taper at all for several inches from the joint of the shaft toward the ferrule, to simulate the deflection/stiffness/spine etc. of a 57" cue shaft (or as closely as I could) and he said this area (the rear) is often overlooked and it is critically important for the overall playability of the cue. He said I should go even further with this straight section, which I have done on the Titlist cue shafts to see how they play.
Finally, he said that actually playing with a shaft also enhances the playability. He says a shaft needs to 'break-in' before it really plays it's best. And, that the brand new shaft that plays well now may be surpassed later by the new shaft that did not play as well new, if both shafts are played with and broken in. Part of the reason I guess that vintage cues play so damn well... Maybe less emphasis on the wood, and more on how much play it has received is the way to go?
Mark owns and has owned a LOT of cues as all the big collectors on here know. He is a pretty damn good player as well, so I respect his opinion quite a bit on these subjects and believe they have merit.
Grab another drink and have a Merry Christmas!:wink: