Darrin Hill is right
Hi,
I've always been wondering about how stiff the hit of cues made by top-listed or at least recognized cuemakers and will love to put it together for easy viewing.
So here it is, share your experiences! From a range of 1-10, 1 being the softest and 10 being super duper stiff. Description of stiffness taken from StrokeofLuck: "Stiffness seems to be more how the shaft reacts and hardness seems more like the resonation you feel in your hand and arm."
Listed in alphabetical order:
Adams -
Adams (Musashi Series) -
Ariel Carmeli -
Arthur (Marcus Dienst) -
Andy Gilbert -
Barry Szamboti -
Bebot Bautista -
Bill McDaniel -
Bill Schick -
Black Boar (Tony Scianella) -
Blackcreek (Travis Niklich) -
Bluegrass (Richard Harris) -
Bob Runde -
Chris Nitti -
Cory Banhart -
Cognescenti -
Darrin Hill -
Dave Jacoby -
Ed Prewitt -
George Balabushka -
Gina -
Guz Szamboti -
Jack Madden -
James White -
Jeff Olney -
Jerry Olivier -
Jerry Mcworter -
Jim Pierce -
Joel Hereck -
Joseph Pechauner -
Josswest (Bill Stroud) -
Keith Josey -
Leon Sly -
Mezz Cue stocked w WD700 shaft (This acts as a stiffness guide. I've known WD700 to be one of the stiffer production shafts so far) -
Mike Bender -
Mike Capone -
Mike Gulyassy -
Mike Stacey -
Omega -
Paul Dayton -
Paul F. Drexler -
Paul Mottey -
Pat Diveney -
Pete Tascarella -
Phillippi -
Predator stocked with 314-2 shaft (this acts as a stiffness guide since i believe most people played with a 314-2 shaft before) -
Richard Black -
Rc3 (Rick Chudy) -
Russ Espiritus -
Ron Haley -
Steve Klapp -
Steve Klein -
Steve Lomax -
Southwest (Jerry Franklin) -
Southwest (Laurie Franklin) -
TAD (Tad Kohara) -
Tim Scruggs -
Verl Horn -
Ok these are the ones that I can pick out at the back of my mind. If you have any more other recognized cue makers, feel free to add to the inexhaustible list and add long commentaries to each individual feel of the cue by the cue maker as well.
Thanks!![]()
To me this thread is kind of silly. The shaft taper, diameter and tip make up 95% of the so called "feel" of the hit of the cue.
Does anyone disagree?
I would take Hungarian Nuts word on most of this.....He has had many major cue sponsorships as hes a top flight player, and is the current house pro at Hot Shots Billiards in Houston,Tx.....
so he has alot of exp. with different products,etc.
If you are looking for stiff you forgot kersenbrock the king of stiffHi,
I've always been wondering about how stiff the hit of cues made by top-listed or at least recognized cuemakers and will love to put it together for easy viewing.
So here it is, share your experiences! From a range of 1-10, 1 being the softest and 10 being super duper stiff. Description of stiffness taken from StrokeofLuck: "Stiffness seems to be more how the shaft reacts and hardness seems more like the resonation you feel in your hand and arm."
Listed in alphabetical order:
Adams -
Adams (Musashi Series) -
Ariel Carmeli -
Arthur (Marcus Dienst) -
Andy Gilbert -
Barry Szamboti -
Bebot Bautista -
Bill McDaniel -
Bill Schick -
Black Boar (Tony Scianella) -
Blackcreek (Travis Niklich) -
Bluegrass (Richard Harris) -
Bob Runde -
Chris Nitti -
Cory Banhart -
Cognescenti -
Darrin Hill -
Dave Jacoby -
Ed Prewitt -
George Balabushka -
Gina -
Guz Szamboti -
Jack Madden -
James White -
Jeff Olney -
Jerry Olivier -
Jerry Mcworter -
Jim Pierce -
Joel Hereck -
Joseph Pechauner -
Josswest (Bill Stroud) -
Keith Josey -
Leon Sly -
Mezz Cue stocked w WD700 shaft (This acts as a stiffness guide. I've known WD700 to be one of the stiffer production shafts so far) -
Mike Bender -
Mike Capone -
Mike Gulyassy -
Mike Stacey -
Omega -
Paul Dayton -
Paul F. Drexler -
Paul Mottey -
Pat Diveney -
Pete Tascarella -
Phillippi -
Predator stocked with 314-2 shaft (this acts as a stiffness guide since i believe most people played with a 314-2 shaft before) -
Richard Black -
Rc3 (Rick Chudy) -
Russ Espiritus -
Ron Haley -
Steve Klapp -
Steve Klein -
Steve Lomax -
Southwest (Jerry Franklin) -
Southwest (Laurie Franklin) -
TAD (Tad Kohara) -
Tim Scruggs -
Verl Horn -
Ok these are the ones that I can pick out at the back of my mind. If you have any more other recognized cue makers, feel free to add to the inexhaustible list and add long commentaries to each individual feel of the cue by the cue maker as well.
Thanks!![]()
I am not criticizing but I kind of do think it is silly. I know you are joking but really, what's your position on the topic? Do you think one can make all inclusive statements that a certain cue maker only makes a certain feel and certain hit 100% of the time?
I believe that most cue makers have their preferred tapers. But the feel of the hit varies greatly based on the tip selection and shaft diameter.
To me this thread is kind of silly. The shaft taper, diameter and tip make up 95% of the so called "feel" of the hit of the cue.
Does anyone disagree?
If you are looking for stiff you forgot kersenbrock the king of stiff
I am not criticizing but I kind of do think it is silly. I know you are joking but really, what's your position on the topic? Do you think one can make all inclusive statements that a certain cue maker only makes a certain feel and certain hit 100% of the time?
I believe that most cue makers have their preferred tapers. But the feel of the hit varies greatly based on the tip selection and shaft diameter.
I do believe different splicing techniques offer different "hits" because of the transfer of energy. A single piece should transfer energy better than a piece that has been cut, and then reattached. So, a full splice cue should transfer energy better than a half splice.(I think. I definitely could be wrong)
I have played with some great cues. Southwest was probably the best hitting cue, and I would say it was very stiff. I felt very little vibration with my grip hand at impact. Kind of like driving a golf ball that you catch perfectly square on the sweet spot, or a baseball on the sweet spot of the bat.
Scruggs also played well, but softer than the SW. Carmeli was a lot like the Scruggs. My Schon was softer than any of the custom makers.
Hope this helps some.