Don't ya just love it when people tell ya you are not doing what you are doing and aren't even there to see you do it or not.
Wish I had those kinda powers......
Don't ya just love it when people tell ya you are not doing what you are doing and aren't even there to see you do it or not.
Wish I had those kinda powers......
I guess I should apologize to all the people I've beaten over the years. "Sorry I wasn't playing the right way and I still won."
Don't take this remark serious.
Like I said, "I know what works for me and it's way to late for me to change."
Interesting points here guys. Maybe its a full wrist roll, like driving a screwdriver quickly forwards. Here is another wrist shot at 23:50 which I posted a few weeks ago. In this case parica uses left spin. I dont think its his way of "slightly flicking" to get right spin, as he would have to flick outwards, the opposite way.
http://www.youtube.com/watch?v=cnPNUyBtnIM
I think the only way to really know would be to slow the film down enough to analyze it. We would have to see how much of the cue the player is actually grabbing when they flick, how much of the cue actually turns, and whether the flick effects the final direction of the cue. I suspect this would vary from wrist to wrist, player to player.
This video of Parica shows the same stroke with draw. IMO, he should have used a conventional draw stroke instead, to let the cue ball deflect and come off of the rail before it drew back. He would have created a bigger angle and gotten better position.
He knew it as soon as he stroked it. Watch his reaction. Instead of flaming this stroke, why don't we discuss it. This is the stroke I was shown and it is a great tool for your game. If not, I'll let it go and we can go back to our comfort zones and common sense.
Thanks, Tom for the comments.
Best,
Mike
First off, the "stroke" he used was what I call a "finesse" stroke. That is, a lot of spin with not much power. THAT is why he did not deflect much off the rail after the hit, lack of power. He knew what he wanted to do, and simply misjudged the shot a little, and Murphy's law came into effect- he got blocked by the only ball on the table that could block him.
Watch the video in slow-mo. He has his arm bent outward. That means, he has to curl the cue in to stroke it straight. Notice that the cue is actually under his elbow, where it should be, at the final stroke. He accomplishes this by extending his fingers and wrist back and in to get the cue in line.
Basically, it is nothing more than a self-correction to a poor alignment. Something he, and other top players are very adept at doing.
The same stroke effect can easily be accomplished with a more conventional stroke. All it is, is putting a lot of spin on the cb and less forward motion. It is simply done by coming through the cb very fast with little force. On this shot, he simply needed a hair more force than he put into the shot.
I didnt mean to flame his stroke, only to understand the technique better. (To me the same shot looks like straight follow would be less risky, but what do I know.) I dont think it matters much, but it looks to me like parica only gets upset last second when he realizes the final contact hit is full.
I wish I could add something more, but I only use my wrist on the break. For some reason, wrist on the break for extra power seems to be more accepted than wrist for extra spin.
Mike, either you aren't understanding what you are saying, or you are so convinced that Jose has some mystical stroke that is beyond you that you refuse to see the obvious.
If he didn't finesse the stroke as much, the cb would have compressed farther into the rail, and he would have achieved the correct angle for the draw. That is all there is to it. There's nothing "magical" about what he did.
I was discussing the stroke, I mentioned all aspects of it. And, I was not being condescending. You just don't like the answer. Fine. I was trying to help you out, but now I really don't know why I bothered.
You know much more about this shot than I do but just some observations.This video of Parica shows the same stroke with draw. IMO, he should have used a conventional draw stroke instead, to let the cue ball deflect and come off of the rail before it drew back. He would have created a bigger angle and gotten better position.
He knew it as soon as he stroked it. Watch his reaction. Instead of flaming this stroke, why don't we discuss it. This is the stroke I was shown and it is a great tool for your game. If not, I'll let it go and we can go back to our comfort zones and common sense.
Thanks, Tom for the comments.
Best,
Mike