A great percentage of players who are fortunate enough to have played with cues from numerous world-class builders continue to say that the best hitting cues they have ever played with are Balabushkas and Szambotis.
To my knowledge, the vast majority of cues made by those individuals were made with SS joints and 5/16-14 pins.
Hi,
I agree with you concerning the steel joint. I believe that these steel jointed cues hit very good to a player because they have extra weight in the nose. Once the shaft is faced to the butt securely the difference is mass at 29" on the x. The threads are insignificant once it is faced and tensioned, IMO.
As for the old Bushkas and Szambotis', they are cues from a bygone era and cue making methods and techniques were held close to the vest in those days.
IMO, there are hundreds of cue makers today that are making cues that are far superior to these old masters only because of the wide spread cue making information and the newer glue technologies, ect, ect, ect.
These Guys like Harvey, Herman, George, Gus were pioneers in their field and inspired others to take the ball and run with it. I know there are a lot of people who will disagree but there are no mystical secrets they took with them to the grave.
Look at it this way, Miles Davis and Dizzy would not have moved the Jazz trumpet improvisation levels to Bebop and the Cool sound if it were not for a dude named Louis Armstrong. We owe a lot to these guys as they set a standard. Standards are always changing because man is a tinkerer and is always striving for a better solution.
So it goes in any discipline, there is always a natural progression and improvement to aspire to. Thank god for these great masters for leading the way.
Rick