It's great to see that you guys are enjoying the cue. Half Fast Banker on here designed it at Ed's house. That's what I call a great neighbor to have.
Actually, it was conceived on one of Ed's visits to our house. Either way, it's a great cue. And as stated, has near ZERO 'deflection'!
This cue, along with 99.99% of all of Ed's cues are just ridiculous (in a good way)! His precision and craftsmanship are top notch. This is not something he got from David!
Most folks not located in the MidWest would've likely never heard of Ed so early on in his career were it not for his mentor. Ed is one of those guys that would've just kept plugging away until he was old or dead, then everyone would want one of his cues because word finally made it to their own city or state or whatever (like the old days with Martin on one coast, Paradise on the other, and Rambow between).
So, although he did get a bit of a head start in the fame-game by being under GrandMaster DPK, his talent would've warranted such demand sooner or later.
Ed is an interesting guy, with an interesting history. He came into this game the way you or I would. Not as a cabinet maker, musical instrument maker, or a craftsman of some sort, or even as a player, but as a true fan! (I'm sure paying the bills was somewhere in there too).
As I understand it, and without getting into heavy details, he was in the food biz as a profession, but had a passion for pool and cues. He began buying and selling cues early on, and in Chicago, you're at the heart of it all (players, makers, halls, etc.). Thusly, he saw and learned so much that it compelled him to go further. Aside from casually hanging out with David, he also was in the presence of guys like Spain and Petersen among many others! (Ed actually had a very rare 5 pointer 'on the lathe' at Craig's when he unfortunately passed away).
Ed has shared with me stories of him and David going to see this guy or that guy, or even just the cues that passed through Ed's hands as quick flips, and how David always had a better way of doing things. I guess at some point Ed looked at David and said 'well then, let's do this'! The rest, is history.
As I said before, Ed's work warrants attention. I can think of only one cue that ever showed any imperfection from Ed that I ever saw. It was barely noticeable and oddly enough, I still want to purchase that cue anyway after all these years (F, you know who you are!). In my own crazy brain, I envision Ed's work as a handshake between DPK and CP.
To this day, the one and only cue I will never sell as it is officially a family heirloom now, is also my daily player (although I don't play daily anymore). It's a 1940-50's Brunswick Titlist converted by Ed, with David's help (unlike 99% of the others that feel the need to throw David's name out there when mentioning Omega's or EY's). Other than solid ivory at the butt, joint, and ferrules, there is no 'flash' to this cue (lest I be running out on yo arse with it, lol) . However, to me, it is the sexiest cue in the world! And it hits like you wouldn't believe!
So, there's a little tidbit for those that have not yet heard of Eddie Young! Now the hard part, actually getting a cue from him...
