played with a slipstroke a little awhile back
I have seen footage of Willie Mosconi using a slipstroke, beyond question. I have also seen a lot of footage when he wasn't using a slipstroke. The old school players usually didn't limit themselves to one stroke and used the stroke that was best or they liked best for a certain shot.
While I have seen monster slipstrokes an inch or two of slip is usually plenty and almost impossible to see from most angles.
Also, with a linen wrap it is quite possible to use s slipstroke with an open bridge, no gripping in the bridge hand required and certainly no deliberate tightening of a closed bridge during a slip. Add three or four inches of upward rake from the tip of the cue to the bumper as you will see many old school players shot with, even proponents of a "level" cue, and a slip stroke becomes very easy.
I am using the traditional definition of a slipstroke, slipping backwards at the start of the final backstroke so the tip fo the cue powers through the cue ball before the arm and grip leaving the same range of motion as the practice shots.
I find the slip stroke to still have value. A favorite time to use it is when the cue ball is near a rail and there is a lot of green between it and an object ball. It is nice to not have to make any changes at all between my practice strokes and my delivery other than the slightest release at the beginning of my final backstroke. This is one of the times I definitely recommend no pause at the end of the backswing on the final stroke, no change from the stroke you have carefully grooved in during your practice strokes.
The old players often had a pendulum, pump stroke, and slipstroke in their arsenal along with a few more tricks. I have never seen footage where I thought the slipstroke was Mr. Mosconi's primary stroke but he could certainly use it effectively when he wanted to. One note, it is extremely difficult to perform with a wrapless cue although I haven't tried powdering the grip area of my wrapless cue. The slipstroke might be one reason some players did powder the grip area of their cues.
Hu
I have seen footage of Willie Mosconi using a slipstroke, beyond question. I have also seen a lot of footage when he wasn't using a slipstroke. The old school players usually didn't limit themselves to one stroke and used the stroke that was best or they liked best for a certain shot.
While I have seen monster slipstrokes an inch or two of slip is usually plenty and almost impossible to see from most angles.
Also, with a linen wrap it is quite possible to use s slipstroke with an open bridge, no gripping in the bridge hand required and certainly no deliberate tightening of a closed bridge during a slip. Add three or four inches of upward rake from the tip of the cue to the bumper as you will see many old school players shot with, even proponents of a "level" cue, and a slip stroke becomes very easy.
I am using the traditional definition of a slipstroke, slipping backwards at the start of the final backstroke so the tip fo the cue powers through the cue ball before the arm and grip leaving the same range of motion as the practice shots.
I find the slip stroke to still have value. A favorite time to use it is when the cue ball is near a rail and there is a lot of green between it and an object ball. It is nice to not have to make any changes at all between my practice strokes and my delivery other than the slightest release at the beginning of my final backstroke. This is one of the times I definitely recommend no pause at the end of the backswing on the final stroke, no change from the stroke you have carefully grooved in during your practice strokes.
The old players often had a pendulum, pump stroke, and slipstroke in their arsenal along with a few more tricks. I have never seen footage where I thought the slipstroke was Mr. Mosconi's primary stroke but he could certainly use it effectively when he wanted to. One note, it is extremely difficult to perform with a wrapless cue although I haven't tried powdering the grip area of my wrapless cue. The slipstroke might be one reason some players did powder the grip area of their cues.
Hu