Some additional advice, including good online videos on this topic can be found here:http://www.youtube.com/watch?feature=player_embedded&v=ZqqakiKbhHI
I always say this should answer all your questions.
Regards,
Dave
Some additional advice, including good online videos on this topic can be found here:http://www.youtube.com/watch?feature=player_embedded&v=ZqqakiKbhHI
I always say this should answer all your questions.
For those interested, here's another video of Mike's power draw shot with super-slow-motion video and analysis.This video may help show what the subject of this post is about.
I don't agree or disagree with it, just sharing. The slow motion is at 2:15 in the video
http://www.youtube.com/watch?v=hbnxQWe_OTg
With a power draw shot, using a near-level cue and a pendulum stroke (i.e., no elbow drop), it is natural for the tip to be driven into the cloth; and if you are using a closed bridge, the cue will tend to bend (more with more follow through). There is nothing wrong with this, but it certainly isn't required or recommended. For more info, see:So just recently I started bending my shaft against the table when applying force english. I have found that it helps add more spin to the cueball and can help to break apart clusters while still spinning straight through them without changing the original course of the cueball that much.
Is this type of technique generally well accepted or well used? I find it harder to control the speed of the draw using this technique and I wanted to know how badly this will damage my shaft over time.
Good summary. Although, there are cases where cue elevation does help draw shots. When there is a cut angle, the elevation causes the cue ball draw back more quickly (over a shorter distance). For more info, including video demonstrations, see:... when you say "off the rail" do you mean the cue ball is like a foot from the rail, and you just make your bridge on the rail? Or do you mean the cue ball is stuck to the rail?
It actually doesn't matter... if you're in a situation where you can't level out your cue, you're striking downward, so your tip might hit the table when you follow through. But that's more like an unfortunate side effect, not something you actually want to try for.
Good summary. Although, there are cases where cue elevation does help draw shots. When there is a cut angle, the elevation causes the cue ball draw back more quickly (over a shorter distance). For more info, including video demonstrations, see:
Regards,
Dave
In In Mike Massey's power draw video, the cue is elevated some to make sure his grip hand clears the rail; otherwise, be would bust his hand up. His cue would normally be a little more level on power draw shots (if the grip hand were a safe distance from the rail).... this all came up because of that Mike Masse power draw shot and I tried to copy his technique to see if I could get even more draw.
I'm glad my quick draw page helped you figure things out.Apparently it inadvertently made me do a quick draw shot but didn't add too much to the distance the cueball travels.
The idea of "quick draw" is to get as much backspin as possible with as little forward speed as possible. Minimizing forward speed minimizes the distance the cue ball caroms sideways along the tangent line before curving back with the backspin, thus creating a steeper draw angle. This is usually accomplished by hitting as low as possible and as slow as possible (just fast enough to get the CB the needed distance) - so the amount of backspin is also usually lower than a typical draw shot where you're going for distance or clusterbusting power.Hmmm that quick draw is the pronounced action I was getting using this. It seemed to spin through clusters using this as there seemed to be more spin on the ball sooner.
If he's just laying the shaft on the table with slight pressure, it wont effect it , but if he applies enough pressure it effects the woods structure,and eventually will cause the shaft to have a taper roll ..
you do not know " taper roll "
now to the poster of this thread, if you are digging the shaft into the cloth on your draw stroke, QUIT that is not the correct way to draw the ball. stop this as it will destory the cloth. hire an instructor to show you how to stroke the ball.
An ironic use of common sense!
It is wood, not metal.
You can and probably will warp your shaft eventually.. I have even seen them break doing this.
I know more than you do apparently ...
Wood can be broken down when put under strain, plain and simple, aka common sense.. :thumbup2:
What is the definition of "taper roll"? I must admit that I had not heard of it until just now.... definition of taper roll ...
I think the shaft is no longer straight. If you sight along the side that was not sanded, it will look straight. If you turn the shaft 90 degrees, it will not look straight. I think the most important thing with a shaft is that it look straight because that is what gets into your aiming. I can play fine with a seriously bent shaft if the bend hangs down because the shaft looks straight from above.... The easiest way is just think of a perfect cyclinder. Now, sand a little off one side. When you roll it now, you will see a little daylight as it hits that one spot. Is it still straight? Definitely. ...
the first paragraph of my last post, were not my words, that is a description of taper roll that i got from the cuemakers section.
i have never seen a triangle shaft, but i have seen a square one. a mennoite gentleman, that played in a few tournaments in buffalo missouri, showed up with a cue he made using a saw and plane. one piece square tapered, with the sharp edges sanded off a bit. could not roll it on the table, but it played o.k.
This video may help show what the subject of this post is about.
I don't agree or disagree with it, just sharing. The slow motion is at 2:15 in the video
http://www.youtube.com/watch?v=hbnxQWe_OTg