Neil, question for you about the actual pivot point. Is it at the "V" of the bridge? Im not getting a clear answer on your video.
Thanks
Chuck
Yes, that is where the cue rests.
Neil, question for you about the actual pivot point. Is it at the "V" of the bridge? Im not getting a clear answer on your video.
Thanks
Chuck
Like I said in my first post, I'm not looking to argue with you. I know the difference between parallax & parallel. I've said what I wanted to say & anyone can do the tests & make their own determinations.
Sleep Well Neil.
Did I say anywhere that that is exactly how Ron teaches it? No, I didn't. Second, Ron was a little ambiguous on that part. So, if you take it the way you did, then yes, pivot length matters. Just like I showed in the video.
Bottom line is this- what do you want for your game? The way that you feel Ron stated, which has obvious flaws to it; or the way I showed, that is foolproof?
Now, what Ron stated, was to put your cue just inside the edge to edge line. Basically, the outermost edge of your ferrule is lined up edge to edge. Please note, that I also advocate the exact same thing. Also note, that Ron did not state to stand on that line, only to put your cue on that line. Putting your cue on that perceived line puts your bridge hand on that line. In reality, nothing different from what I am doing, to what Ron states to do. I just clarified a point about it that is what makes it work.
Neil
Bridge length does not matter.
randyg
Rick, I'm not trying to be harsh. Just telling it like it is. You say you know the difference, and that you watched the video. There were only a couple of points made. How could you say that you missed both of them if you watched it to actually see what was being said?
When YOU try it at the table, let us know what you find.
You have not changed. Again you put your words into another's mouth.
I too was trying to not be harsh. I did NOT say that I missed them. I said. 'If I missed something. I'm sorry.'
Parallax is when ONE(1) object is viewed from TWO vison points & when the two sightings are compared the object appears to be in different referential positions. Since we have two eyes we have parallax vision but our brain transforms that so that we see an object or a point in just one location.
Parallel is two different straight lines that are equal distance apart for their entire length.
You had a line from CB edge to OB edge & then you positioned your head & I would think that to mean your vision center on the line of center CB to center OB. That would be a line that is PARALLEL to the edge to edge line. Then you said that you see that edge to edge line that the cue is also on in your peripheral vision. I believe you said that you were looking center to center. Again that would be a parallel line to the edge to edge line.
So... where are you looking at ONE point from TWO different sources of vision points that would be parallax?
I know you have two eyes & that is parallax vision but the brain combines the two or we would have 'double vision'.
You made no mention of closing one eye or the other or anything like that.
So where is the parallax part of your premise?
Physically there IS a difference if the cue is pivoted very near the cue ball vs being pivoted far from the cue ball. It can be easily seen when the pivot distances are great but can be more difficult to see if the pivot distances are closer together but a difference is still there all else being equal.
I'm not saying that the method will not work & will not pocket the ball because there is a margin for error.
I am not perfect & I'll state again IF I missed something, I'm sorry. But instead of the insults, why not just tell me what it is I missed.
I'll admit this, I made a mistake & the mistake was to confer with you at all.
In any case, say whatever other insults you wish, veiled or outright, because I'm done with you. It's like someone else said & I tend to agree, it is sometimes impossible to have a rational discussion with you.
Again have a good evening & sleep well.
The mistake was mine in responding to you. I had hoped you had changed, but, I was wrong on that.
Hey Neil, my friend, this was a great video!!!
Maybe just what I missed to be consistent with 90/90, I always started on 90/90 (or edge/edge) line so I probably was ok when I picked the correct bridge distance, not so ok otherwise, this must fix it, I'll try it in a day or two for sure!!
Thanks again!! :thumbup:
P.S. What is your "vision line" for other 2 alignments??
P.P.S. How is your health, doing ok?
Best regards from Bosnia!
Vision line is found same way I showed here. center to center, or center to edge, ect.
Hanging in there on the health. Little worse, but still getting by.
I presumed so...and center CB to half-a-ball outside the OB edge for your vision line for 90-reverse-90, yes?
Viewers should look closely at the pivot at 3 mins 23 seconds into the video. That is not a bridge pivot, it pivots from the rail, 12 inches or so back from the bridge, which requires a huge bridge shift.
Viewers should look closely at the pivot at 3 mins 23 seconds into the video. That is not a bridge pivot, it pivots from the rail, 12 inches or so back from the bridge, which requires a huge bridge shift.
Thats what Im trying to figure out. I made some pictures that illustrate the bridge being on various lines, and whether or not a pivot can bring the cue onto the shot line. FOrgive the pictures, the balls arent exactly to scale, and the balls arent exactly set up identical to the video.
CB edge to OB center, the line you would place the bridge hand on is almost parallel to the shot line, no pivot will bring you to the shot line.
CB edge to OB edge, the lines do cross at a point, and a pivot from that point is possible to be on the shot line.
I put the arrows in there as reference points of bridge distances, and they demonstrate that pivoting from those points wont work. Only a bridge pivot from that one spot on that one alignment offers a feasible pivot point.
There has to be more going on that Im not seeing. I can make 90/90 work, but I use more starting points than edge and center.
Chuck
Thats what Im trying to figure out. I made some pictures that illustrate the bridge being on various lines, and whether or not a pivot can bring the cue onto the shot line. FOrgive the pictures, the balls arent exactly to scale, and the balls arent exactly set up identical to the video.
CB edge to OB center, the line you would place the bridge hand on is almost parallel to the shot line, no pivot will bring you to the shot line.
CB edge to OB edge, the lines do cross at a point, and a pivot from that point is possible to be on the shot line.
I put the arrows in there as reference points of bridge distances, and they demonstrate that pivoting from those points wont work. Only a bridge pivot from that one spot on that one alignment offers a feasible pivot point.
There has to be more going on that Im not seeing. I can make 90/90 work, but I use more starting points than edge and center.
Chuck