Jim Lee is right...simple as that... bicker and argue all you want but jim's op is dead on most people posting in this thread dont have the equipment to install a tip let alone the know how to do it so there are two types of people arguing in this thread.... collectors/flippers and a legitimate cue builder (s) so collect and flip all you want...but there is still a hell of alot of guys out there building great cues that get no recognition because they are more concerned with building a quality cue instead of trying to look cool ond be in certain cliques....imho
This is a lot of projecting about what's going on in people's minds. I have to say that out of all the people on AZ I am possibly one of the top ten when it comes to knowing a lot of cue makers personally and having been in their shops. Certainly the top twenty I'd wager.
Almost without exception all of those cue makers have been nice, cordial, funny, intelligent and really passionate about their work. I SERIOUSLY doubt that you will find any of them that are "trying to look cool and be in certain cliques".
Who is getting no recognition?
Recognition comes from a few things one of which is how many people actually know about and have experience with your product.
At last count there were something like 700 active cuemakers. Is this right? Joe?
Is there any way on Earth that 700 cue makers can all be great? Can they all be recognized? No. They can't. The ones who stand out are the ones who are forging their own way, ones who are participating socially and ones who have been sought out by dealers, players and collectors for their excellent work and their commitment to quality and their own style.
Joe hit the nail on the head when said it's a saturated market. 700 active cuemakers, easily 1000 brands of cues on the market - EVERYONE but a very few has it tough selling cues these days.
So as Eric said, most are doing it for a hobby because it's not enough to really be considered a career.
The fact is that a of folks on this forum just don't understand business. Building something is only one part of the equation. Selling it is the other. Go to the big arts and crafts fairs and you will see TONS of amazing artists and woodworkers who spend half their year doing the show circuit to sell their wares. A lucky few get picked up by galleries and manage to jump into another circle of customers with deep pockets. The rest struggle year to year doing their art and eking out a living selling out of 10x10 tents.
All of us dream of building only what we want to build and having a ready line of buyers with cash in hand willing to pay whatever we ask. Wouldn't that be great?
But life does not work that way. Recognition comes over time. It comes from building a circle of contented customers who appreciate your work enough to recommend you, to sell for you, and become repeat customers. If you're lucky then you hit a certain level of recognition that brings you new business based on your reputation. A lot of great craftsmen never get to this level because the stars don't line up. It's just the way it is.
Now a maker can help themselves by getting out there and promoting themselves and their work. But that takes time away from the lathe and has the downside that it can be perceived as a negative by would be buyers. Either way, it's work. Go the wrong way and you're Eddie Wheat.
Go the right way and you're Michael Webb, Tony Zinzola, etc....
But I am getting way off track. I haven't met a cue maker yet who was in it just to be "cool" and in with the "in crowd". I know it hurts to see certain names tossed about constantly as if those makers are the be all end all of cuemaking. But if you look deeper then you will usually find that those makers are connecting with customers through something that makes them unique.
In my opinion that is.