I am currently playing with a 1950's Titlist conversion that I had done by Mike Pancerny who lives in Detroit.
It is "old school" style: Full-splice, 19.5 ounce, SS joint with super-tight fitting piloted compression wooden nipples, 5/16-14 SS pin, black joint collars with silver rings, Delrin butt cap, and white/green speck Irish linen wrap. I have one Pancerny 13mm shaft with his custom taper and a Predator 314-2 FAT shaft that I had him build from a blank.
One-piece Titlist: $150
Predator 314-2 FAT shaft blank: $191 (or so, at the time I bought it)
Conversion + 1 Pancerny shaft: Mike Pancerny's Fee
Who cares how much a cue costs, as long as it is well constructed?
As long as it hits "good", I don't care how much it costs or what it looks like (cosmetic wise). I keep my equipment it TIP-TOP playing condition and treat my cues like babies. I'm not into "looks"...I'm into GAME. I treat a $15 cue the same as a $1000 cue if it is my "playing" cue that I use as a preference.
Having worked in a pool hall for years, as a teen, and repairing all the misused cues, I learned to tell the good ones from the bad ones and I always "cherry-picked" the BEST (IMHO) cue from the bunch and used it as my "#1 playing cue". At the time, my "player" was a Brunswick one-piece house cue (Ebony butt), 21 ounce, 14mm at the tip, and hand-sanded pro taper (by me). I played just as well with this cue as I did with my custom-made cues I commissioned from Richard Black a few years later.
FWIW, I think the old Brunwick one-piece house cues from the 50s/60s hit as good as most custom cues...if you doctor them up to your liking.