I can't stand when people cut rings and handles into fullsplice cues and then say they play so amazingly!
Blah!
:yikes:
Blah!
:yikes:
I can't stand when people cut rings and handles into fullsplice cues and then say they play so amazingly!
Blah!
:yikes:
Either way, nothing breaks my heart more than rounded points and inlays...
all the best,
CNC rounded floating points are dead sexy, obviously :boring2:
When I become King rounded points will be outlawed.
What a crappy way to make cues.
CNC rounded floating points are dead sexy, obviously :boring2:
cut rings and handles into fullsplice cues
The most desirable one piece full splice cues for conversion are, Brunswick Titlist, BBC and Tru Balance cues.
When a joint measurement is done above the Points to see where the joint will be cut, at least 29 inches plus. a little extra should be there for facing the cut.
Many times, the optimal joint dimension isn't there in order to have the cue at 29".
So, it becomes necessary to add a piece to the butt in order to keep the cue at 29".
Wouldn't it be great if all the one piece cues for conversion were .840 high above the points without adding additional wood.
I'm not that experienced at this but doubt that adding a tenon and a short butt sleeve is going to be totally detrimental to the playability of the cue.
I have 6 Tru Balance waiting to be converted and unfortunately, none of them will work without adding a sleeve at the bottom.
I can't stand when people cut rings and handles into fullsplice cues and then say they play so amazingly!
Blah!
:yikes:
Nothing wrong with putting a wrap on a full spliced cue. You are free to do to "YOUR" cues what you see fit. As for others' cues, that's their business.
By "handle", I don't think he is talking about a "wrap groove". I think he is talking about cutting behind the points, adding a "handle" and then a butt sleeve.
I have a Brunswick Titlist full-splice with an Irish linen wrap, but the entire butt of the cue is ONE PIECE from the original Titlist.
That would be when Full Splice blanks were a dime a dozen so to speak.
I think the OP is referring to now, when old full splices are at a premium.
But you are also correct in that no one had a problem with the way George's cues played
and not any would turn down the opportunity to own one. Me wouldn't.
My Dad always said that if he had known what antique cars would be worth, he would have kept his old $400 Model T.
I supposed at the time when Titlists were available, 4 dollars for a dozen or so, if people had realized todays market for them, they may have hoarded them by the 100s.
I can't stand when people cut rings and handles into fullsplice cues and then say they play so amazingly!
Blah!
:yikes:
I'm referring to hacking the splice up to add rings above the wrap. Adding stuff behind the handle doesn't effect feel. The vibration of a fullsplice is unique and can be determined in a blind test.