Colin Colenso said:
Chuck,
For those of us who have spent quite a bit of time studying the nature of the geometry of pivoting we all pretty much agree that if the bridge doesn't move then it is THE pivot point.
So until we get past that sticking point, whether there are any adjustments and how they are implemented is a bit like asking which way we are driving while still looking for the car keys.
In all the posts here, from those familiar with 90/90, I don't recall anyone mentioning adjustments. Seems Ron and others are pretty firm on the idea that all you need to do is align 90/90, then hip pivot to center of the cue. It was suggested that the system does not work well under 2 feet of separation.
I could suggest a table of adjustments that would make this work, but that is jumping in front of where most of the audience of this thread is at. Let's wait for the video to see if anyone can make these shots aligning 90/90 without moving the bridge for shots over 50 inches.
I suspect close up video will show us bridge movements which will be pretty close to exactly what amounts that PJ's math suggested. That would mean we are seeing a shifting pivot point.
If people agreed that a shifting pivot point was the mechanism, then we could suggest a systematic approach to how this pivot shift changes with shot distance, bridge length and pot angle. Personally I think it would be too complex to be particularly useful, but it might be used as a guide for 'feeling' new line to the center CB.
Hope my response is along the lines of your query.
Colin
There are different aim, Colin. 90/90 doesn't make every ball on the table. This has been discussed a lot. Cleary was going to post the rest but became frustrated and quit the thread, as I have a few times.
I know the system inside and out, but I'm not posting anything until I can convince you that the bridge doesn't move and I can hip-pivot a shot in from a distance so far away your head would spin.
I was working with PJ in the post above because in my mind..."IT IS WHAT IT IS." Might as well figure out why it DOES work, because it does. Like I said a million times. I could have 10 people watch me and measure my cue to ensure I'm not cheating and ensure my tip is at the 90/90 position and you'll watch me hip pivot that shot in from the farthest reaches of the table (on top of the rail at one corner pocket to just outside the opposite corner pocket).
Everyone would scratch their head and wonder why. For me, it doesn't matter why--- because it "just is."
We're obviously missing something here, mathematically. Per PJ's diagrams, I miss that ball by a MILE....but....I don't. Not even close. AND, mind you...I'm not cheating the setup.
Obviously, I've tested the hell out of this system with different lengths of shots (to the mega-extreme) using string and a laser pointer and the ball goes (and the bridge isn't moving a hair). Since I was about to hop in a car with a G in my pocket and drive 6 hours to OH, I'm 100% positive on everything I just said-- it's not feel and I'm not doing something sub-consciously. I've heavily tested this....to death.
Anyways, I hope we can work together to show why it really does work. If not, I'll just bow out like Cleary and let you guys have at it.
Dave