There are some people who think that twisting the wrist during impact will put some kind of useful, special spin on the cue ball. I don't know of any demonstration of this bizarre idea, so my conclusion is that those people are confused.Why do people twist their wrist on their stroke? I've always thought this was a bad thing. Am I right?
There are some people who think that twisting the wrist during impact will put some kind of useful, special spin on the cue ball. I don't know of any demonstration of this bizarre idea, so my conclusion is that those people are confused.
There are two kinds of wrist turns--- the intentional and non-intentional.
The non-intentional turns are obviously stroke flaws and can be solved with the suggestions listed above.
The intentional turns are separated into two categories: The "spinners" and the "turners." The spinners are those who think they get more spin by rotating the cue (along its axis)--- which, as Bob suggested --- is bizarre.
The turners cock their wrist in order to swipe across the face of the CB. The effect of this motion is the same as a backhand pivot. This can be a very valuable tool as it's very repeatable and consistent. However, it's only practical after years of development. It's not something you can just play with today and master the motion.
Chavez is a guy that comes to mind who incorporates the wrist turn to impart english on the ball. It's NOT from the "spinning" of the cue; rather, it's the pivoting motion of the tip from the center axis (usually a consistent 1-tip offset in either direction). Truman Hogue uses the same technique for banking. As a right hander, your right knuckles rotate up for 1-tip of left english and they turn down for 1-tip of right english. The cue's offset from the center line of your forearm is what deviates the tip.
In conclusion, turning your wrist can be a completely legit technique. I'm sure it can be argued that the same results can be made with a straight cue; however, being that I'm a pivot-player myself, I think there are a ton of shots that are more easily made with with a strike across the face of the CB versus straight into it. Well, every english shot, imo.
This can be a very valuable tool as it's very repeatable and consistent. However, it's only practical after years of development. It's not something you can just play with today and master the motion.
My apologies, but this sounds like something a snake oil salesman would say.
Please explain what value s student would get from spending years trying to master this technique. What spin is this technique supposed to provide that one can't get from a simple pendulum stroke?
Stan, please feel free to answer also.
There are some people who think that twisting the wrist during impact will put some kind of useful, special spin on the cue ball. I don't know of any demonstration of this bizarre idea, so my conclusion is that those people are confused.
In my opinion, it's impractical to use this technique....unless you're a trick shot artist.
-Mat P.
...Agreed, and even in that venue I can't see the need. Twisting the wrist is difficult to do, accurately and repeatedly...especially just at the fraction of a second of contact, between tip and CB. Any twisting movement after the 1/1000th of a second contact with the CB, would be irrelevant...as the CB would have already left the tip.
Scott Lee
www.poolknowledge.com