Here is a good example of drawing the cue ball.
http://www.youtube.com/watch?v=okXbAMaJSGE&feature=related
http://www.youtube.com/watch?v=okXbAMaJSGE&feature=related
mosconiac:
the moment arm with an elevate cue is substantially greater than what is possible with a level cue
Bob Callahan:
When a cue is elevated, there is, as so well illustrated by mosconiac, a longer lever arm
You are right, yet also wrong in your statement. You are right in that you hit the same spot on the cb. However, raising the butt, depends on how you are doing it. If you raise the butt by raising the shoulder, you can gain extra momentum, or speed to the shot. It takes good timing, but you can start accelerating the cue with the shoulder muscles, then when the cue gets back to the 'normal place', you go just from the elbow for the final part of the swing. This does add a little acceleration, and Colin Colensco has videos of it some where on here for breaking.
In essence, you hit the same spot on the cb, but you can get added speed if you do it right. Just raising the butt, and shooting along that line does nothing IMHO.
Actually the maximum draw shots made by trick shot artists like Mike Massey are done with the cue elevated at a near ninety degree angle to the table. They shoot straight down on the cue ball, hitting the back half of the ball. It's a full force total masse shot (I don't know another name for it).
This is the shot where they make an object ball (placed near the cue ball) in the corner pocket and draw the cue ball along the rail all the way up table to make another object ball in the opposite corner pocket. The cue ball takes off at 100 mph and races up table to make the second ball. Mosconi and Fats used to shoot this shot in their exhibitions too. I'm sure others have used it as well.
Of course Massey also shoots a shot where he places the cue ball about an inch from the object ball and draws it three rails around the table to make another ball. This is done with a more conventional (level) stroke.
My own personal opinion after hitting about a million draw shots, that if I am shooting straight at an object ball, I will get maximum effect by keeping my cue level and hitting low on the cue ball and following through. But what do I know. I'm not a physicist, I just play the game. :wink:
Since everybody who has posted in this thread or read it probably has access to a pool table, here's sort of an obvious question:
Since reading this thread, have you actually tried a draw shot with your normal stroke, and then again with slightly more than your usual elevation?
(Assuming you usually use a fairly level stroke.)
If you did, what happened?
I know it's not exactly scientific, but it ought to be interesting....
In some weird way, leaving the felt would actually improve retention of backspin. The kinetic friction between the CB and felt is a BIG killer of draw. It scrubs off backspin, no? That's the fundamental reason it is easier to perform a 8' long (CB to OB) draw on new, slick felt versus old, sticky (dirty) felt.When the CB bounces on the table bed from the inclined stroke no matter how slight it is losing its energy which is being absorbed by the bed of the table.
mosconiac:
We are trading accuracy for greater backspin...
When you elevate your cue you also "elevate" the miscue limit on the CB:
View attachment 149897
This means you can't hit as close to the cloth with an elevated cue as with a level cue. All else being equal, you get the same amount of backspin (because you're still hitting the same distance from "center ball") - but all else isn't equal.
Hitting the CB down into the cloth creates more ball/cloth friction at the instant of the hit (and on each hop), but also makes the CB hop, which reduces sliding friction during CB travel - these effects work against each other and may cancel each other.
However, the greatest effect from hitting down on the CB is that you create more rotational speed with less forward speed - a greater "spin-to-speed ratio". This is what we usually mean when we say "more backspin".
Greater spin/speed ratio allows the CB to draw farther while moving the OB a smaller distance (useful for some safeties, especially in 1-pocket), or it allows the CB to draw at a steeper angle on cut shots (useful for position in all games). But it doesn't create more draw distance than is possible with a level cue.
pj
chgo
P.S. As others have said, the other main effect of elevating the cue is loss of accuracy, both because sighting is harder and because any CB swerve (intended or not) is increased.
In some weird way, leaving the felt would actually improve retention of backspin. The kinetic friction between the CB and felt is a BIG killer of draw. It scrubs off backspin, no? That's the fundamental reason it is easier to perform a 8' long (CB to OB) draw on new, slick felt versus old, sticky (dirty) felt.
That definately makes sense that leaving the surface would reduce backspin loss. But I still believe that your stroke is going to need to be somewhat more powerful when elevated to attain the same quantity of CB travel as would a level stroke. Just as you have to stroke the draw harder on the old dirty cloth than you do on new cloth b/c the new cloth is not impeding the CB as much.
As mentioned earlier, the increase in normal forces (increasing static friction) between the CB & felt (with an elevated cue) helps deliver more backspin into the CB.
I agree with that also, I did mention earlier that when elevated the shot should require more force/speed to attain the same as the level stroke draw. I believe that b/c of the downward stroke, the bed of the table in some way/shape/form stunts the initial forward motion of the CB b/c its velocity (the speed and direction of movement) IS NOT INITIALLY DUE FORWARD....ITS DUE DOWN then it begins to move forward Parallel with the surface of the table.
The downside of the elevated cue technique is the obvious tendency to swerve/masse if hit off-center. We are trading accuracy for greater backspin...not always the best tactic.
FYI, I have some good examples of shots where this is required in Diagram 2 of my July '09 BD article.We get more RPMs per foot of CB travel with an elevated cue, but we also get less forward speed - the net result is less draw distance. The advantage isn't in the overall amount of draw we get but in how "sharply" we can draw the CB (at a sharper angle when cutting the OB, or while moving the OB a shorter distance).
Good point. FYI, I have a good video demo of this effect here, applied to jump shots (which people often over cut):I would have to add another reason to your two reasons for the loss of accuracy while elevating the cue and that would be the hopping of the cue ball. While the inaccuracy may not be noticeable on straight in shots, on many cut shots that hopping action can make you miss the proper contact point.
FYI, my analysis (see my July '09 BD article and TP B.10) shows that you always get less spin (and draw distance) with more cue elevation, regardless of where the CB bounces (relative to the OB) or how many times it bounces (for a given cue speed and tip offset).Hitting the CB down into the cloth creates more ball/cloth friction at the instant of the hit (and on each hop), but also makes the CB hop, which reduces sliding friction during CB travel - these effects work against each other and may cancel each other.