I heard tucking and rolling can cause blindness .
See post #3 ....you may be on to something.
Achieving pro level technique, can risk wrist injury.
I heard tucking and rolling can cause blindness .
It doesn't produce extra spin or avoid deflection; it does both just the same as a straight stroke would - by hitting the CB at an angle to the shot line. Except with the added fun of a curved stroke.Burt Kinister talks about it in his 'deflection' tape as a way to impart a lot of side spin with no deflection.
I see Earl do it a lot.
Question.....Does the full maple shaft crowd use it to avoid deflection?
It doesn't produce extra spin or avoid deflection; it does both just the same as a straight stroke would - by hitting the CB at an angle to the shot line. Except with the added fun of a curved stroke.
Sorry, Bert 'n Earl.
pj
chgo
You could easily test it and actually know something - but that's not as much fun as arguing about it here.It does produce extra spin.
I agree with this Chuck, particularly when it's used on firm shots. The swipe movement exaggerates swerve a little more I believe on softer shots using tuck and roll swiping to apply english.Its a method of BHE using the wrist instead of the entire arm. Just like any other instruction, it will work for some, not others. I learned tuck and roll as a kid, played over 20 years with regular shafts. When I moved to ld shafts, it wasnt needed, except I still do it on certain shots (mainly kill shots, or other speed sensitive shots where bhe feels better to me personally).
In reality, Buddy was one of the first to put a form of bhe on tape..... Be just called it by the slang name tuck and roll.
I've done some testing with my block bridge with fixed balls and on firm shots, the swipe seemed indistinguishable from pivot with straight stroke, but it definitely needs more testing and recording of such tests to invite critical analysis and expansion on types of tests.You could easily test it and actually know something - but that's not as much fun as arguing about it here.
pj
chgo
I used to think this, but I think it's a bit like how players using BHE tend to get more spin. They're braver to hit further off center, because they're not having to align to judge the squirt.It does produce extra spin.
You could easily test it and actually know something - but that's not as much fun as arguing about it here.
pj
chgo
I used to think this, but I think it's a bit like how players using BHE tend to get more spin. They're braver to hit further off center, because they're not having to align to judge the squirt.
Few players learn to align at max offset and stroke straight though the CB using side english. This contributes to their feeling that they can get more english when they swipe to the outer offset margins.
The math doesn't work out, imho, after thinking it through after some insightful critique by PJ.
Colin
I agree with this Chuck, particularly when it's used on firm shots. The swipe movement exaggerates swerve a little more I believe on softer shots using tuck and roll swiping to apply english.
I came across it in the first 9-ball instructional video I ever saw, and I believe it was Jim Rempe with a US woman's champ. He was big on the tuck and roll.
It's interesting to note that I've observed a lot of the top snooker pros using it in the last year or so, particularly since I got a big screen and can see more clearly. They rarely do it to the same extent, more so a touch of it, and more often with outside english as a way to apply gearing.
Judd Trump, possibly the most offensive potter in the game's history, uses it more than any other I have noticed.
It is actually quite controllable at firm speeds provided the bridge length is suitable.
Note: When I shoot it, I try to stay in line until about half way through the forward stroke, then swipe at the last minute. That's what seems to work for me and reduces the tendency to hit too much CCB offset, particularly on OE shots.
Colin
That didn't go over my head, as it didn't quite make it through my figurative ears. Could you expand and/or re-word it to clarify the point?Using tuck and roll in a controlled fashion allows you to also control the aim and strike beforehand to account for it and make the shot.
That didn't go over my head, as it didn't quite make it through my figurative ears. Could you expand and/or re-word it to clarify the point?
Colin
Nice shooting Chuck!Bingo. To each his own, but I prefer it to a set bhe pivot. In this video I shoot a kill shot on the 7 because I didnt want to come out of the corner with inside. You can see the wrist 'tuck' right before impact.
https://www.youtube.com/watch?v=J2EsSfxuPn0
Ps, the shirt is 2 sizes too big, my man boobs arent THAT big...... LOL
You could probably reword it yourself since you've been a student and user of tuck and roll for a long time and know how to use it. Please chime in.
Maybe a better way of saying it is you control the stroke by creating tuck and roll as long as you've practiced it and know what it produces rather than have the nerves cause it and send the tip cockeyed when you are attempting a straight stroke with offset.
Don't know if this is what you're looking for but I need more coffee at this time.
Again, chime in with YOUR version.
Ok, I'm with you now, I thought that was where it was heading, but was honestly struggling with the original sentence.
I agree with you to some degree. I think it falls into a group of shot types and a group of challenges where we can't bridge where we want to, or can't get or don't have the time to set up to a more natural looking stroke.
As an example, I'm knuckled over an OB, I've spent 20 seconds spotting the line, and realize I'm undercutting slightly. It's awkward to do a bridge shift, and a total reset would be a pain and time consuming, and may get me back to the same place.... but I know a swipe to 1/2 tip OE will cinch the shot, so, if shape allows just do it. We rarely have the time during our game to improve fundamentals in setting up.
It's on the margins of second guessing, but it needs to be done at times, until one becomes a robot.
Cheers,
Colin
And yet I've probably tested more things than you've thought of, including this....you have the gift of spacial intelligence which means never having to get on the table to test anything.
So instead of learning to stroke straight your solution is to stroke crooked on purpose? OK...One of the hardest parts of the game is to make a perfectly straight stroke when the nerves are jumping out of your skin and the cue feels like a foreign object in your hand.
To me, that's an out-of-control stroke.If the cue leaves the bridge & the tip 'clears' that, to me, is swiping or swooping.