Custom Cue Mythology

I see it this way. You might pay for an inexpensive production cue and shoot like an A player. You might do the same for an expensive custom. The key is, which one feels better to you. The whole point to a custom cue is self explanatory; its customized to your specifications. After a certain point in anyone's game, they grow to have certain preferences in their cue. I don't think anyone can argue with the phrase "it's not the cue, its the player", but we all have likes and dislikes. Both custom, and production cues come with expensive cosmetics like ivory inlays, exotic woods, etc. The production cue will have the same specs with its particular model, where as a cue-maker can create a unique cue for each player. Playability is subject to the player, not the cue. If you're happy playing with the Joss, then stick with it. If you're happy shooting with a Murrell custom like I am, who's to tell you any different?

Most pros that are sponsored by production cue companies, request certain custom specs on the cue this company wants him/her to endorse. It doesn't mean that can't string racks with a "walmart" cue.
 
My take on feedback:

Vibrations that travel from the tip to my grip hand are a pale shadow to the feedback I get when I look at what happens on the table, after I've shot.
 
Great points KMRUNOUT. What the author of this thread seems to have trouble understanding is that, in order to be totally objective, there would have to be a set of goals or standards completely quantifiable to all users of pool cues. These must be objective parameters agreed on by the entire set of players to be objectively valid.

Many things that production cues are doing as "standard", simply do not appeal to many players, i. e. 13mm shafts, cheaper tips and ferrules which retain profitability for the production maker, but certainly don't offer the feel that many get out of say, ivory ferrules or a layered tip that meets higher quality control standards than those found on a production cue, thereby negating objective analysis.

Cost is not mentioned in the initial premise, so it would be my assertion that the custom cuemaker is the best of the two, since they can offer all the features that are required by virtually any player. Production companies are still profit oriented and even though they might offer a good representation of what the pool playing community wants, they simply cannot cater to every individual and achieve profitability. Custom cuemakers can spend all the time and resources necessary to achieve the customer's desired result and simply pass this on to the customer.

There are simply too many variables to consider that a cue can be made that would represent perfection, or at least acceptance to the entire community as universally desirable, so it really boils down to subjective analysis. That being said, I stand behind my earlier statement about a cuemaker the caliber of Dennis Searing's capability being able to custom tailor a cue for anyone that would meet their needs better than ANY production maker.

Occam's Razor, for whatever flaws it might have, still makes a valid point here. Keep it simple. If there is no empirical evidence on "what is best for the entire set", it should follow that the maker that can simply tailor the cue to the individual's specific needs would be the best.

Enough of my Jethro Bodine logic and reasoning...there's pool to be played somewhere!

To all the philosophers in this thread, I'm still curious... If there is a God, and he's omnipotent, omniscient, and omnipresent, can he make a rock that's so heavy he couldn't lift it? And to all you logical types...TTTTTFFFTFTTF :wink:

Steve

Ciphering somewhere by the cement pond
 
I'm happy thats all that matters

I just recieved my new custom cue from John Rocker yesterday afternoon.
All I can say is WOW.
I'm sure that the money I made last night had nothing to do with custom cue playability or the fact that you CAN'T buy a Production zero taper butt built out of solid bacote.(see pics)

Your so very right Ocho its all in my head.

So please go get your best Sears "terminator" graphite cue put on your best Johhny Cocheran defense fitting pool glove and matching APA pool shirt "with patchs" and we''ll play some.

I'll even give you the breaks and the OCHO
 

Attachments

  • bacote1 005.jpg
    bacote1 005.jpg
    94.6 KB · Views: 313
  • bacote 002.jpg
    bacote 002.jpg
    94.5 KB · Views: 303
I took the liberty of cutting out and skipping your snide comments and will reply to the substance in your post.

Quote:
But neither does a bow. Leave a bow on a table, and it will never shoot an arrow. However, some bows shoot arrows further with the same exact pull.

100% agree. Certain bows have different characteristics that offer the possibility to enhance performance. However, the bow alone does not determine how far it shoots an arrow. The archer has to aim the bow at a certain trajectory, hold it there steadily, release the string smoothly...all of these things will affect the "performance".

The things you just mentioned are all variables. Variables that can be eliminated by putting the bow in a machine and having it shoot the arrow. Therefore, isolating the item of interest - arrow velocity.

However, your analogy is the best one yet. We could certainly talk about qualities that make one bow different than another. There is no question that a modern composite-material compound bow is far superior in nearly every way than a 150 year old wooden bow. While those differences are much larger in degree than the differences between cues, they are the same types of differences. So if you stick with your initial *claim* that custom cues are not better than production cues, then like I said before I agree with you. However, as I and many others also said, the *likelihood* of getting a custom cue that performs at a high level with a solid hit is greater than getting a production cue with the same qualities.

That's fair. Moreover, I believe this was already covered much earlier in the thread where I myself did state that I agree there is a higher chance of getting a cue that plays optimally by going custom. I followed up that statement by saying that there are lemons in both customs and production cues; therefore, each and every cue, regardless of it's origin, must be inspected and tested to determine it is not defective. Defective, meaning, there is something wrong with it that would cause it to perform in an inferior way. Such as, inconsistency. Imagine a shaft that produces different results given the exact same hit on the cue-ball. That would be detrimental to the player's game as it induces a factor of randomness.

The gist was that some people believe that their cue, or custom cues are somehow superior in playability - merely because of the fact it is custom made. Without specifying what physical characteristics causes that to occur, it's safe to say that such a claim can only be treated in one of two ways. 1. There is something about the cue, it just remains undiscovered (highly unlikely) 2. It's just in that person's head, and it's BS.


Quote:
Does the custom cue offer some measurable performance increase over a production? I say no. Not based on the current methods and materials.


And are you basing this on anything other than your own assumption? Are you telling me that you do not believe that there are physical, measurable, and demonstrable reasons for the differences in *hit* between cues?


What I'm telling you is that "hit" is a subjective term, and as previous posts have covered, at best it is no more than an item of personal preference leading to either or both physical and psychological comfort with a cue.


As for methods and materials. We can start with the shaft.

For one, we should exclude the tip. Since custom cue makers don't manufacture the tips (with a few exceptions). Typically, the same types and brands of tips are used as are used on production cues.

There is the ferrule. Ferrules can be made of various materials. But some are more common than others. Just go to Atlas Billiards and take a look at the various ferrule materials. Of these materials, most are common and represented in both the custom and production cue world.

Ferrule size, shape and form. Some are longer, some shorter, some thinner, some thicker. They also vary on how they are fastened to the shaft. The size of the tenon, whether it is threaded or not, what kind of threads etc. How is it glued on? And with what kind of glue?

Then there is the shaft. Being wood, you can't make it - only select it. There are different ways in which they are seasoned. How is that shaft turned down? What kind of taper?


I don't need to go on and on. Generally, these features and methods are all very similar. Again, as stated earlier in the thread - the differences are small, likely to the point of insignificance relevant to say, the use of an all stainless steel shaft, or some other significant deviation from common modern cue design.

I then ask, why and what causes the custom cue to perform better - particularly when they are of the same materials and design?

Take the video of the McDermott factory someone posted earlier. Those shafts are not made from particle board. They are made from a good quality maple. The taper of those shafts is similar to the taper of most cues. The ferrule isn't some piece of crap nor is it fastened to the shaft in a way that differs from what most custom cue makers use. Chances are, that ferrule fastening method was likely innovated by some cue maker at some point in the past.


The only thing that separates most quality production cues and custom cues is that custom cues are made in a smaller quantity with less automation. I'm not even touching upon any of the personal preference stuff, we went over that 10x already. It isn't germane to the point of this thread.


Someone made the claim earlier in this thread that the automation leads to variances in tolerance that do lead to a decrease in performance. And that production cues can never be as tight as a custom. And due to this, they are inferior. Of course, they offered no example whatsoever. Only that tighter tolerances are better. That's an agreeable generalization. I disagree with the first statements though. There are plenty of production cues that roll perfectly straight. They are made with high quality maple shafts. Have properly and securely fastened ferrules. Are seasoned and will not warp. What is it about the fact that it was mass produced that makes it inferior? I already discussed how there are good and bad examples of cues out there.

My comparison is between a custom cue and a production cue of good quality, meaning, not defective, straight - so forth and so on.


There is no difference. Some people insist there is. Likely because they want to perpetuate the myth that because a cue maker's hands made it - it is better. These are folks who are subscribing to a form of superstition.


Let's go back to your arrow analogy because it was a good one. Lets assume that there are two bows that are identical in every way except one. One of them has a few little red lights on it in view of the archer. This bow has concealed within it a tiny radio receiver which when triggered activates the light. Sensors on the bow transmit to a computer the exact angle that the bow is held, the exact string tension, etc. When the computer has calculated that the string tension is optimal, the little red string tension light comes on. When it has calculated that the bow is held at the optimal angle to achieve the greatest distance with that string tension, then the trajectory light comes on. This way, the archer receives feedback from the bow that offers a potential increase in the quality of his performance.

So here's the question: is this high tech bow better than the one without this system?

Would it offer a performance benefit?

Yes, in that it would be one that stems from preference. Whether it be a certain "hit" that, in some way or another, in the mind of the player "talks" to the player as to what is optimal - that is still preference. How the cue ball interacts with a impact on the tip/ferrule/shaft/joint/butt of that cue is the same, regardless of what the player "reads" into the "hit"...

No, in that the bow is still only capable of producing so much arrow velocity or accuracy given the same draw, same arrow etcetera. All other variables made constant.

It all depends on what you're talking about. In your paragraph above, you again try to intermix personal preference and the performance gains a player achieves due to having those preferences met with the cue's/bow's performance characteristics.

This is a circle you keep going in. At one point you clearly stated that the two cannot be separated. I disagree and stated multiple times why. I believe that there are characteristics of a cue's performance that can be measured.

One example, as already stated multiple times in this thread, is cue ball velocity in the case of a break cue. This can be measured. When a cue is swung by a machine or robot, and compared to others tested in a similar way - variables are eliminated and constants are created and it can be determined that there are properties about a particular cue that causes it to launch the cue ball faster than another cue. If generating more cue ball speed is regarded as a value in open breaking, and a certain cue generates let's say 5% more speed than anything else at any speed it is swung - then the player using it will be able to achieve higher break speed velocities.

It's that simple.

The same could be done for other factors such as accuracy, spin, squirt...

It can be determined that there's no difference. If there's no difference, there must be a reason. Either all the samples lack something, or all the samples are basically the same in design, material and methods to not lead to a difference.

The above is what I'm interested in when it comes to this thread. Not this over-done long winded side-track (almost a thread-jack) based on personal preferences.


This doesn't go out to just you, but to anyone and everyone who is in the "I got my custom cue because I have preferences" crowd. You are not the subject of my questions nor skepticism.
 
I just recieved my new custom cue from John Rocker yesterday afternoon.

All I can say is WOW.

I'm sure that the money I made last night had nothing to do with custom cue playability or the fact that you CAN'T buy a Production zero taper butt built out of solid bacote.(see pics)

Your so very right Ocho its all in my head.

So please go get your best Sears "terminator" graphite cue put on your best Johhny Cocheran defense fitting pool glove and matching APA pool shirt "with patchs" and we''ll play some.

I'll even give you the breaks and the OCHO


I'm overcome with joy that your game is only possible because of a piece of wood.

Be sure it is not lost, destroyed or stolen. You won't be able to make money like you did last night.

That would be a bummer.
 
I'm overcome with joy that your game is only possible because of a piece of wood.

Be sure it is not lost, destroyed or stolen. You won't be able to make money like you did last night.

That would be a bummer.

Troll, troll, troll!!
 
I took the liberty of cutting out and skipping your snide comments and will reply to the substance in your post.



The things you just mentioned are all variables. Variables that can be eliminated by putting the bow in a machine and having it shoot the arrow. Therefore, isolating the item of interest - arrow velocity.



That's fair. Moreover, I believe this was already covered much earlier in the thread where I myself did state that I agree there is a higher chance of getting a cue that plays optimally by going custom. I followed up that statement by saying that there are lemons in both customs and production cues; therefore, each and every cue, regardless of it's origin, must be inspected and tested to determine it is not defective. Defective, meaning, there is something wrong with it that would cause it to perform in an inferior way. Such as, inconsistency. Imagine a shaft that produces different results given the exact same hit on the cue-ball. That would be detrimental to the player's game as it induces a factor of randomness.

The gist was that some people believe that their cue, or custom cues are somehow superior in playability - merely because of the fact it is custom made. Without specifying what physical characteristics causes that to occur, it's safe to say that such a claim can only be treated in one of two ways. 1. There is something about the cue, it just remains undiscovered (highly unlikely) 2. It's just in that person's head, and it's BS.





What I'm telling you is that "hit" is a subjective term, and as previous posts have covered, at best it is no more than an item of personal preference leading to either or both physical and psychological comfort with a cue.


As for methods and materials. We can start with the shaft.

For one, we should exclude the tip. Since custom cue makers don't manufacture the tips (with a few exceptions). Typically, the same types and brands of tips are used as are used on production cues.

There is the ferrule. Ferrules can be made of various materials. But some are more common than others. Just go to Atlas Billiards and take a look at the various ferrule materials. Of these materials, most are common and represented in both the custom and production cue world.

Ferrule size, shape and form. Some are longer, some shorter, some thinner, some thicker. They also vary on how they are fastened to the shaft. The size of the tenon, whether it is threaded or not, what kind of threads etc. How is it glued on? And with what kind of glue?

Then there is the shaft. Being wood, you can't make it - only select it. There are different ways in which they are seasoned. How is that shaft turned down? What kind of taper?


I don't need to go on and on. Generally, these features and methods are all very similar. Again, as stated earlier in the thread - the differences are small, likely to the point of insignificance relevant to say, the use of an all stainless steel shaft, or some other significant deviation from common modern cue design.

I then ask, why and what causes the custom cue to perform better - particularly when they are of the same materials and design?

Take the video of the McDermott factory someone posted earlier. Those shafts are not made from particle board. They are made from a good quality maple. The taper of those shafts is similar to the taper of most cues. The ferrule isn't some piece of crap nor is it fastened to the shaft in a way that differs from what most custom cue makers use. Chances are, that ferrule fastening method was likely innovated by some cue maker at some point in the past.


The only thing that separates most quality production cues and custom cues is that custom cues are made in a smaller quantity with less automation. I'm not even touching upon any of the personal preference stuff, we went over that 10x already. It isn't germane to the point of this thread.


Someone made the claim earlier in this thread that the automation leads to variances in tolerance that do lead to a decrease in performance. And that production cues can never be as tight as a custom. And due to this, they are inferior. Of course, they offered no example whatsoever. Only that tighter tolerances are better. That's an agreeable generalization. I disagree with the first statements though. There are plenty of production cues that roll perfectly straight. They are made with high quality maple shafts. Have properly and securely fastened ferrules. Are seasoned and will not warp. What is it about the fact that it was mass produced that makes it inferior? I already discussed how there are good and bad examples of cues out there.

My comparison is between a custom cue and a production cue of good quality, meaning, not defective, straight - so forth and so on.


There is no difference. Some people insist there is. Likely because they want to perpetuate the myth that because a cue maker's hands made it - it is better. These are folks who are subscribing to a form of superstition.




Yes, in that it would be one that stems from preference. Whether it be a certain "hit" that, in some way or another, in the mind of the player "talks" to the player as to what is optimal - that is still preference. How the cue ball interacts with a impact on the tip/ferrule/shaft/joint/butt of that cue is the same, regardless of what the player "reads" into the "hit"...

No, in that the bow is still only capable of producing so much arrow velocity or accuracy given the same draw, same arrow etcetera. All other variables made constant.

It all depends on what you're talking about. In your paragraph above, you again try to intermix personal preference and the performance gains a player achieves due to having those preferences met with the cue's/bow's performance characteristics.

This is a circle you keep going in. At one point you clearly stated that the two cannot be separated. I disagree and stated multiple times why. I believe that there are characteristics of a cue's performance that can be measured.

One example, as already stated multiple times in this thread, is cue ball velocity in the case of a break cue. This can be measured. When a cue is swung by a machine or robot, and compared to others tested in a similar way - variables are eliminated and constants are created and it can be determined that there are properties about a particular cue that causes it to launch the cue ball faster than another cue. If generating more cue ball speed is regarded as a value in open breaking, and a certain cue generates let's say 5% more speed than anything else at any speed it is swung - then the player using it will be able to achieve higher break speed velocities.

It's that simple.

The same could be done for other factors such as accuracy, spin, squirt...

It can be determined that there's no difference. If there's no difference, there must be a reason. Either all the samples lack something, or all the samples are basically the same in design, material and methods to not lead to a difference.

The above is what I'm interested in when it comes to this thread. Not this over-done long winded side-track (almost a thread-jack) based on personal preferences.


This doesn't go out to just you, but to anyone and everyone who is in the "I got my custom cue because I have preferences" crowd. You are not the subject of my questions nor skepticism.

Again, I ask, where is YOUR evidence? Because, reagardless of whether you feel you need to defend your position or not, without it, this thread is just :deadhorse:.

Lisa
 
I'm overcome with joy that your game is only possible because of a piece of wood.

Be sure it is not lost, destroyed or stolen. You won't be able to make money like you did last night.

That would be a bummer.

Narcissism is such an ugly disease. I truly hope you find happiness somewhere.
:p
 
We I tested a new carbon shaft last night.
It plays so much different to the previous shaft with the same tip.
The new shaft was alot easier to get draw or what ever spin you wanted on the cue ball and broke the rack really well.
We had the earlier model shaft and did tests. We also had some others shoot with it as well.Both look to be the same from the outer apperances.
A fellow who has his own good cue had a turn and was very impressed. He could not believe the differnce between his cue/tip combination and the two we were testing. The 1st shaft, was very close to how his cue was. But the new shaft in his opinion put too much spin on the ball to what he was used to.
At this point in time, these are custom shafts. But there is no reason that they could not be production shafts with the same or better quality.
However , if shortcuts are made to the mass production of the product,substituted materials,poor attention to detail,etc etc,then the quality and performance of the product will not be there,neither will the consitancy of 1 shaft to another.
I am sure if all the important steps are maintained, a production made handle, can play
just as good as a custom handle.
The difference is , where is the balance point,? Is it where you want it,? What is the total weight of the cue or handle,?Is it the type of wood I want,? Do I want splices inlays or veneers like that?
Most of those little things go to the custom market.There are production cue making companies that will make a cue to your likeing , but is priced accordingly.Then you have to ask, is it still a production cue?I would say no.
Toyota in NZ used to assemble cars to order,Making the cars in some cases a 1 of a kind out of the various parts that they can put together.All was good utill the car crashed.
Neil
 
Troll, troll, troll!!



Please get it right his name is Rumpelstiltskin, and until everyone realizes it he won't go away!!!!!:)

Here is a photo of our little Troll that was taken by Madartigan's security!!!!!!!!:)

troll.jpg

This is the condition that most Trolls suffer from, because they have not learned when it time to hold their tongue's!;)

funny-pictures-foot-in-mouth-tlu.jpg
 
I took the liberty of cutting out and skipping your snide comments and will reply to the substance in your post.



The things you just mentioned are all variables. Variables that can be eliminated by putting the bow in a machine and having it shoot the arrow. Therefore, isolating the item of interest - arrow velocity.



That's fair. Moreover, I believe this was already covered much earlier in the thread where I myself did state that I agree there is a higher chance of getting a cue that plays optimally by going custom. I followed up that statement by saying that there are lemons in both customs and production cues; therefore, each and every cue, regardless of it's origin, must be inspected and tested to determine it is not defective. Defective, meaning, there is something wrong with it that would cause it to perform in an inferior way. Such as, inconsistency. Imagine a shaft that produces different results given the exact same hit on the cue-ball. That would be detrimental to the player's game as it induces a factor of randomness.

The gist was that some people believe that their cue, or custom cues are somehow superior in playability - merely because of the fact it is custom made. Without specifying what physical characteristics causes that to occur, it's safe to say that such a claim can only be treated in one of two ways. 1. There is something about the cue, it just remains undiscovered (highly unlikely) 2. It's just in that person's head, and it's BS.





What I'm telling you is that "hit" is a subjective term, and as previous posts have covered, at best it is no more than an item of personal preference leading to either or both physical and psychological comfort with a cue.


As for methods and materials. We can start with the shaft.

For one, we should exclude the tip. Since custom cue makers don't manufacture the tips (with a few exceptions). Typically, the same types and brands of tips are used as are used on production cues.

There is the ferrule. Ferrules can be made of various materials. But some are more common than others. Just go to Atlas Billiards and take a look at the various ferrule materials. Of these materials, most are common and represented in both the custom and production cue world.

Ferrule size, shape and form. Some are longer, some shorter, some thinner, some thicker. They also vary on how they are fastened to the shaft. The size of the tenon, whether it is threaded or not, what kind of threads etc. How is it glued on? And with what kind of glue?

Then there is the shaft. Being wood, you can't make it - only select it. There are different ways in which they are seasoned. How is that shaft turned down? What kind of taper?


I don't need to go on and on. Generally, these features and methods are all very similar. Again, as stated earlier in the thread - the differences are small, likely to the point of insignificance relevant to say, the use of an all stainless steel shaft, or some other significant deviation from common modern cue design.

I then ask, why and what causes the custom cue to perform better - particularly when they are of the same materials and design?

Take the video of the McDermott factory someone posted earlier. Those shafts are not made from particle board. They are made from a good quality maple. The taper of those shafts is similar to the taper of most cues. The ferrule isn't some piece of crap nor is it fastened to the shaft in a way that differs from what most custom cue makers use. Chances are, that ferrule fastening method was likely innovated by some cue maker at some point in the past.


The only thing that separates most quality production cues and custom cues is that custom cues are made in a smaller quantity with less automation. I'm not even touching upon any of the personal preference stuff, we went over that 10x already. It isn't germane to the point of this thread.


Someone made the claim earlier in this thread that the automation leads to variances in tolerance that do lead to a decrease in performance. And that production cues can never be as tight as a custom. And due to this, they are inferior. Of course, they offered no example whatsoever. Only that tighter tolerances are better. That's an agreeable generalization. I disagree with the first statements though. There are plenty of production cues that roll perfectly straight. They are made with high quality maple shafts. Have properly and securely fastened ferrules. Are seasoned and will not warp. What is it about the fact that it was mass produced that makes it inferior? I already discussed how there are good and bad examples of cues out there.

My comparison is between a custom cue and a production cue of good quality, meaning, not defective, straight - so forth and so on.


There is no difference. Some people insist there is. Likely because they want to perpetuate the myth that because a cue maker's hands made it - it is better. These are folks who are subscribing to a form of superstition.




Yes, in that it would be one that stems from preference. Whether it be a certain "hit" that, in some way or another, in the mind of the player "talks" to the player as to what is optimal - that is still preference. How the cue ball interacts with a impact on the tip/ferrule/shaft/joint/butt of that cue is the same, regardless of what the player "reads" into the "hit"...

No, in that the bow is still only capable of producing so much arrow velocity or accuracy given the same draw, same arrow etcetera. All other variables made constant.

It all depends on what you're talking about. In your paragraph above, you again try to intermix personal preference and the performance gains a player achieves due to having those preferences met with the cue's/bow's performance characteristics.

This is a circle you keep going in. At one point you clearly stated that the two cannot be separated. I disagree and stated multiple times why. I believe that there are characteristics of a cue's performance that can be measured.

One example, as already stated multiple times in this thread, is cue ball velocity in the case of a break cue. This can be measured. When a cue is swung by a machine or robot, and compared to others tested in a similar way - variables are eliminated and constants are created and it can be determined that there are properties about a particular cue that causes it to launch the cue ball faster than another cue. If generating more cue ball speed is regarded as a value in open breaking, and a certain cue generates let's say 5% more speed than anything else at any speed it is swung - then the player using it will be able to achieve higher break speed velocities.

It's that simple.

The same could be done for other factors such as accuracy, spin, squirt...

It can be determined that there's no difference. If there's no difference, there must be a reason. Either all the samples lack something, or all the samples are basically the same in design, material and methods to not lead to a difference.

The above is what I'm interested in when it comes to this thread. Not this over-done long winded side-track (almost a thread-jack) based on personal preferences.


This doesn't go out to just you, but to anyone and everyone who is in the "I got my custom cue because I have preferences" crowd. You are not the subject of my questions nor skepticism.

Bola my man,

I have made a sincere effort to engage you in conversation. I have expressed my ideas very clearly, and took considerable time to do so. I don't think you want to have a conversation, because you have not made any attempt to answer the direct questions I have asked you. You take what I say and use it as a springboard to launch into your own ideas, rather than addressing the ideas I have provided. You seem convinced that you understand what I'm trying to say, when it is obvious that you do not.

Let me break it down so its VERY simple:

1) YOU made a claim. Don't say you didn't. Refer to my copy of the dictionary definition for claim. You have not substantiated your claim, only presented it as your assumption.

2) I have explained quite explicitly that I believe the principle performance reason for choosing a custom cue is the hit. The hit is a real, objective, physical property resulting from the materials used and the assembly techniques used. People have their own subjective experience of these qualities, and it is those experiences that lead to their buying decisions.

3) Many, including you, suggest that the hit is more likely to be "better" on a custom cue. From # 2 above, we could conclude that the physical construction of a custom cue is more likely to result in the properties that are described as a "solid hit". I get that you don't care about the hit, or rather are prepared to ignore that for the purposes of this thread because it is subjective. BUT IT IS NOT!!! There are real, objective, physical reasons for the difference.

4) The differences in hit are, as you say, very small. But that's ok, because humans are extremely sensitive. If I thought a given cue would make me one ball better in a thousand, that could accumulate a real benefit over my pool playing life.

5) I am sorry you are having trouble with the concept of separating the physical characteristics of cues and the subjective experiences of the people who use them. Your example of the break cue test (which I first mentioned), led you to conclude that the cue that creates more speed in a robot would result in any person using it to have a faster break speed. This is not a necessary conclusion. Thus concluding this generally would be a logical error. The many characteristics of the cue, including feel, taper, balance, *as well as* the speed characteristic all contribute to the net break speed with a given player. If I can't swing one cue as well as I can swing another cue, then does it really matter if the first one produces more cue ball speed in a robot? Obviously you can isolate variables...I never said you couldn't. I just said that doing so is not nearly sufficient for making an informed decision on which cue will work best for you.

6) You said that "what I am telling you is that the hit is a subjective term". I'm sorry to say, but you are mistaken about that. As described at length, the *experience* of the hit is subjective, but the hit itself is a physical property resulting from the materials and the way they are put together. An apple is an apple not because it tastes like an apple. It is an apple because of the arrangement and contents of the material in it. It may taste good to me and bad to someone else. That is surely subjective, as that is the *experience* different people have of the apple. However, it really is an apple no matter how much I would like to argue otherwise.

I had suggested to you to take some time and think about what I posted. I see that you decided not to do this. I also suggested to you that of all the things I have written, there were a few critical direct questions that if you just directly answered those, we would really get somewhere. You ignored those questions completely and instead decided to regurgitate things you have already said, perhaps hoping for a different result?

If you don't really want to have a conversation, that's fine, I'll quit. If you do though, your gonna have to actually listen to what I say and respond to it. This could be a difficult thing for many people. Are you up to it?

Thanks again,

KMRUNOUT
 
actaually many thoughts...

There is this little thing called tolerances. On a production line every part has to fit the parts around it if they are cut to the extreme worst tolerances. Cutting production line parts for short run industrial components my tolerances run from about .003" to over .010". Every other part that fits to these parts has to be cut to a tolerance that allows the parts to fit together regardless of where in the tolerance the mating part is. This means that one finished unit might have zero clearance between two parts and another one might have .013" in the case of the two parts mentioned above. Each and every piece has to have some tolerance so the more parts that are added together the more tolerances can add together. Tolerance stack is a real issue in almost all production assemblies.

In a custom cue, even if it is the same design as fourteen other cues the custom builder has made, the cue builder hand fits each part. He can ignore production tolerances and basically fit to zero. He can also implement design features that aren't practical on a production line.

One in tens of thousands or less of production cues have all of the tolerances match up to fit everything together perfectly. That cue is indeed as good as any custom assuming quality woods and components were used. I don't like my odds of getting that cue though. If I don't get that perfect production cue it may be made "good enough" but it isn't the same as a cue fit together perfectly and may not stand the test of time even if I am happy with it new.

Top cue builders are worth every dime you pay for their cue knowing it is assembled as perfectly as they know how to assemble a cue. There are people making cues that aren't even as good as most middle and upper end production cues too. Up to the buyer to do their homework and know which they are buying.

Hu

i agree with all except the last paragraph...
meaning: top 'cue makers' can also be like top clothing designers, meaning does anybody really need a $3000 pair of shoes? [not including diamonds of course.] i have my doubts

Cues are not like hand-fitted custom 1911's, or bench rest actions. Where said hand-fitting directly equates to performance gains.

The performance of a cue is all in the shaft. There isn't anything special a custom cue maker has done in the tapering of a shaft and installation of a ferrule to make it perform better. At least not better than a production cue shaft.

you hit on a passion of mine, 1911's [and just for the mentally deficient here, no i do not go around killing folks!]...

i used to think that when i retired i would be a 1911 gunsmith, and that is to say, i have a lot of experience working with them, hand fitting them, and to my way of thinking, it "is" similar to cue making

and your second paragraph says that "everything is the shaft" but then you would have to agree that in custom 1911's everything is the barrel-bushing-lock-up and link-cut, but that is not true, is it? there is so much more. right?

If you are saying things like weight, balance point, shaft taper and tip don't make a difference then I disagree. If you are saying the right combination of those things can be found in a production cue, I agree.

Earl just switched to Meucci but he doesn't play with a standard Meucci shaft, he had one built to his specifications. SVB took Earl's sponsorship from Cuetec and had them build a cue as close as possible to the specifications he liked. Schmidt is switching to a new cue and sent them his list of specifications.

Go up to the finalists in a major tournament and try to take their cue away and get them to play with a random production cue. Ain't gonna happen.

again, more good points

I have built record setting and match winning 1911's. I have assembled a bench-rest rifle that bettered the world record for five 5 shot groups considerably under official conditions but not where a record could be set... [exerted]

Hu

http://www.youtube.com/watch?v=adUbpn7WZYA&feature=related

what Hu did did not come from a "production rifle" and to my way of thinking; it could not, not ever...
[but Hu, i know nothing about rifles, so i hope you can educate me with what you did - i guess it was bedding, but i guess it was more]

so you said: "With musical instruments it's about the sound. This can be tested, and is tested with electronic equipment (check out the tests done to see if the sound of a Stradivarius is really that much better, the best ears in the music world couldn't tell the difference in a blind test) With firearms, it's the accuracy or reliability. Also can be put to the test, quite easily. With cues, it's subjective..."

not to dispel you and your ideas [i am trying to be understanding], but i feel you are completely on the wrong track here...

i can make a pair of shoes for $3.00, or, $5.00, or $30.00 or even for a $100.00, but i could never make a Stradivarius even if you resurrected Mr. S to guide me, or, i had all the testing equipment the scientific community had to offer - guess what...

with all the scientific community has had to offer - since the 1600's, no one, not one maker has been able to produce the exquisiteness of Antonio - no one...

so here i will say this:

i got to about post 30...
i will read more later, so...

i can not say more now...

but i hope to say this...
imho there are makers of all kinds of products that "stand out", a cut above the rest

as in a thread about idiot savants here on az, it seems impossible to explain their abilities

i studied cosmology, particle physics, string theory, quantum mechanics as my favorite subjects - i am just a weird soul i know [my lot in life, not pool thankfully]

but in the end, 'i' think that some of the custom cue makers are another 'Antonio Stradivarius'

just my 'belief'
[i concede, i may be wrong]

all the best,
smokey
 
digging a little deeper, custom vs production, be it whatever

i agree with all except the last paragraph...
meaning: top 'cue makers' can also be like top clothing designers, meaning does anybody really need a $3000 pair of shoes? [not including diamonds of course.] i have my doubts
. . . .

you hit on a passion of mine, 1911's [and just for the mentally deficient here, no i do not go around killing folks!]...

i used to think that when i retired i would be a 1911 gunsmith, and that is to say, i have a lot of experience working with them, hand fitting them, and to my way of thinking, it "is" similar to cue making

what Hu did did not come from a "production rifle" and to my way of thinking; it could not, not ever...
[but Hu, i know nothing about rifles, so i hope you can educate me with what you did - i guess it was bedding, but i guess it was more]
. . . .
so you said: "With musical instruments it's about the sound. This can be tested, and is tested with electronic equipment (check out the tests done to see if the sound of a Stradivarius is really that much better, the best ears in the music world couldn't tell the difference in a blind test) With firearms, it's the accuracy or reliability. Also can be put to the test, quite easily. With cues, it's subjective..."

not to dispel you and your ideas [i am trying to be understanding], but i feel you are completely on the wrong track here...

i can make a pair of shoes for $3.00, or, $5.00, or $30.00 or even for a $100.00, but i could never make a Stradivarius even if you resurrected Mr. S to guide me, or, i had all the testing equipment the scientific community had to offer - guess what...

with all the scientific community has had to offer - since the 1600's, no one, not one maker has been able to produce the exquisiteness of Antonio - no one...

but in the end, 'i' think that some of the custom cue makers are another 'Antonio Stradivarius'

just my 'belief'
[i concede, i may be wrong]

all the best,
smokey

Smokey,

"Top cue makers" doesn't necessarily mean the most popular or most expensive when I use the term but the finest craftsmen that care about their work and keep complete control of what goes on in their shop. As for $3000 cues, or much higher ones, I got a big grin when somebody noted earlier in this thread that even the top cue maker's simpler cues played better for him. That is a man that can tell the difference between a fine violin and a legendary one. There are few current cue makers that you can't get their best performing cues for under $1500, often a long ways under $1500!

Purely on a side note, I have wondered if the age of the wood both in the violins and the fifty year old cues contributes to their greatness? A friend bought a brand new fiddle for $30,000 a few years back. The builder said that all of his violins are good, one in maybe thirty is great and he has no way of knowing which one that will be until he tries it out! Even then the best ones improve with age.

I gave up on building custom 1911's because of the paperwork headaches and the competition. A lot like cues, many people can't tell the difference between the way the daily beater and the best handled and there was enough local competition at the time that the profit wasn't worth the headache. Hand fitting a pistol, heavily modifying everything from the frame up, took me from 60-120 hours without including applying a finish and there was no way of knowing how long it would take to hand fit one in advance, that evil thing called tolerances in production parts meant I had to buy oversized parts and hand fit every one from wherever it started. My personal 1911 in 38 Super is the ugliest most uncomfortable to shoot 1911 I have ever built. All it does is shoot flat, win matches, and set records. It is all go and no show and since it was my test bed for new components some that are swapped out often aren't fit to be pleasing to the eye. I could make it much more pleasant to shoot but it would take the last gnat's azz edge of speed off of it and I'm not willing to do that.

The rifle started life as a custom action trued to .001. Then I sent it off to a man that is a bit of a nut and had it trued to -.0001, at least on his equipment. How that is done and how a custom cue is made have a lot in common and can't be done on a standard production line. After the action came back I started applying a few tricks of my own.

Both the Falcon and McD promotional video's reveal some major differences between a production cue and a custom cue, pretty much start to finish. There are dozens of little things that go into the making of a custom rifle, pistol, or cue. Hundreds of things went into my one off race cars. Probably no one of these little things makes a detectible difference. All of them combined do as proven by success. They all take time and a knowing hand to do too and time is the worst enemy of a production line.

Several people in this thread have mentioned the equipment that the factories have that custom shops rarely do. That is true, however the machinery is geared towards fast production of components and cues to an acceptable quality for what is being built, not to turn out the best possible product. If a top custom builder had an entire factory turned over to him he would find a few machines he could use for rough work, a few more he could use for closer to finish work after it had been altered to fit his purposes, and the vast majority of things in the factory would be worthless to the custom builder as it simply couldn't be used as is or altered to meet his goals.

This post is long, might as well ramble a bit more. Here is a good comparison between factory and custom. A cartridge for a rifle goes bang and sends a projectile downrange. Barring the rare defective one, this is true of a production cartridge or one that is hand loaded for accuracy. The production ammo comes off of a series of assembly lines at hundreds or thousands of rounds per minute with a bare minimum of human input.

Now let's look at a rifle round loaded for maximum accuracy. The brass is the best money can buy. Then a single lot is weighed and measured and sorted into sublots. After that a great deal of hand work takes place resulting in roughly an hour spent on each piece of brass.

The bullet is purchased from a custom bullet maker and there are many tricks in simply making that bullet. No production line can match it for quality because a key part of the making of the bullet is a person with an "educated elbow" culling bullets that look perfect in every respect, weigh and measure perfectly, but didn't feel right when forming. That bullet seems identical in all respects to the bullets kept yet these are culled.

The primer is again the best money can buy. Then it is inspected, measured, weighed, and hand seated with a special tool that provides a great deal of feel to set the proper preload on the anvil. Too much or too little is wrong and it takes an educated hand to seat a primer perfectly, it can't be done by standard production line machinery.

The powder, like everything else the best money can buy. Each lot of it may be divided into multiple sublots and some of that simply culled as not acceptable to shoot.

Then these components are assembled by hand using special tooling. More tricks all the way along the way. Were a factory to build a cartridge the way the benchrest shooter does each round would cost fifty dollars or more simply because of the time involved.

I took these side trips talking about how other custom competition equipment is built because I'm not willing to discuss exactly how a custom cue is made. Everyone has their own tricks and techniques but each top builder gets to the same place, a cue with attention to detail that can't be matched on a production line without many times the cost. Some people can take advantage of the benefits of a well built custom cue, some can't. One chuckle in this thread, over and over people have said that the top players can grab a house cue off the wall and still win. Almost certainly true, but also true that those one piece house cues play better than the vast majority of production jointed cues, and quite a few of the custom ones!

Smokey, we will yak on the phone sometime. You sound like another guy that appreciates quality whether it be in cues, musical instruments, or whatever. I admire anything built by a master. I handled a couple of old bullseye 1911's years ago built by a master. Had they been for sale nothing I could have paid would have been too much and I had no real use for them. I don't even remember the smith's name but the pistols were perfection, both of them.

Hu
 
Smokey knows that what I say now is true because he has been in as many factories as I have or more.

In a factory there are dozens if not hundreds of people involved in the production of a single item. Because each person is responsible for their portion of the assembly there are literally dozens or hundreds of personalities involved in the product. Those personalities can be masters of their job, indifferent, lazy, inattentive, aggressive, etc...

They could go to lunch and get into an argument with an ex, be pissed at the boss, have a cold or whatever that prevents them from giving 100% attention to their part in the production. But they can't stop working so they just do their job and some days they do it better than others.

A custom cue maker can put down his tools and go fishing or whatever until he feels up to being 100% focused in the shop again.

And then as far as tolerances go, I used to maintain that there is no TECHNICAL reason why a company like McDermott can't make a cue that plays and performs as well as a Cognoscenti. In fact these two companies were the exact ones I used to make that exact statement more than 10 years ago. Then I went to Joey Gold's shop and learned some of the things he does that another company CAN NOT reverse engineer by dissecting his cue. So it's not simply a matter of the cue's "quality" being the sum total of it's parts. There is much more to it than that.

The AVERAGE "hit" of a Fury Cue is pretty good. It was good ten years ago and is MUCH MUCH MUCH better now. 20 years ago the cues made in the same factory had a pretty bad average. SOME turned out good mainly by accident. MOST were horrible to play with.

What changed? In the past twenty years they have LEARNED most of the techniques that have been PIONEERED by small cue makers as well as the techniques used by the larger cue factories in the USA.

A pool cue is an instrument. It is a THING that is used to control another thing. Because of that relationship it is a FACT that some pool cues WILL BE BETTER than others. No matter what device you pick - be it a computer, a pencil, a paintbrush, etc...some of those things are better than others.

Now that doesn't mean that everyone can take advantage or even understand the differences between the controlling instruments, but those that can and do will be able to do much more with the instrument.

So back to the subject of tolerances;

First I said that people are a variable that plays into cue construction and the more people involved the more chance to have something "different" done to the cues coming off the line literally moment to moment.

But the second thing is the machines and how they are calibrated. On paper the tolerances may be dead nuts perfect but in the real world machines get out of calibration often for a variety of reasons and they have to be constantly recalibrated and monitored to insure that they are doing what the specifications say that they should be doing. Being a 1000th off in the joinery is something that can be rectified with filler or some other method down the line if need be in order to make the parts fit together but the reality is that two cues from the same production line WILL feel different if one is made with tight fitting parts and one is made with loose fitting parts where filler and glue make up for the gap between parts.

And IT HAPPENS OFTEN that SOMETHING changes in the production whether through people error or machine issues and it affects hundreds of cues before it's corrected.

It happens in EVERY factory all over the world. Every factory.

And this is the general performance difference between custom and production cues.
 
Master cue makers

I much appreciate the last 3 posts by Smokey,Hu and JB.
I'm learning a lot that my brain doesn't know but my stroke
does.I hope this thread doesn't end yet.Some of it bogged
down on semantics rather than a search for mutual understanding.
I think i prefer the term MASTER cue builder rather than custom.
I have a '68 Joss that hits like a dream(for me anyway.)
I don't care whether it's custom or production,it was
masterfully built and has needed nothing but refinishing in
it's 42 years.
I think small shops have been the pioneers for the pool world.
Their bottom line tends to be excellence rather than profitability.
When the snooker world was winning championships with cues
worth 4 to 18 dollars Balabuska could get $150 for his 'business' cues.
I'm glad enough players appreciated excellence enough to keep them
being made.
And i'm glad there's still cue makers and players who feel this way.
 
A stripped Cadillac drives just as well as one with all the options....I've had the exact stripprd Kikel for 20 yrs now, 3 points/rosewood with ivory ferrules and 2 shafts, nothing else needed to accomplish the task at hand.
 
Back
Top