Be honest here Lisa.
I assume the maker you're alluding to above is Dennis Searing, correct? And did you really move on because you got lost not once but twice OR because you didn't have the money anymore and you KNEW you'd never see that cue either way???
Don't get me wrong. I too am on Dennis' "list" and I know damn well that I'll never see that cue. But why did you get on that list in the first place??? Was it because you'd played with so many and loved them or... Because "it's a Searing!" And if you still had the money, you'd still be on the list.
Supply and demand Lisa. When someone makes something of value... something sought after... THEY as the maker (NOT you as the buyer) have the power. They can and often do do what they want. Why do people put up with it? Because in the end, they want to benefit. Whether the benefit comes in the form of bragging rights or profit from a flip. Either way, buyers want to benefit. So who says only the buyer can benefit? Why not the maker too? No matter how you slice it, as the buyer you're not "working with" a cuemaker. You give them money and an idea. In the end, you get a product. Period. There's this foolish notion amongst cue buyers that they're "involved" in the process and thus... they should have more rights as a buyer. When you walk into a car dealership looking for a black Honda, will the dealer let you give him design specs to relay back to Japan? No. He'd laugh at you. You want what they have. Thus, you pay or you go elsewhere. So why as a cue BUYER, one who wants what someone else does, should you have all the power???
You've chosen the makers you have not because of their integrity because hell. You don't known if they have that or not until AFTER you signed up. Instead, you chose them either due to budget reasons, proximity to you, or 'perceived' value. AND, lack of a wait. Correct?
I am not out to target any one maker....but it is no secret that the word is out on some highly regarded makers' 'lists'.
I was still in good shape when I decided to give up the ghost on it. Hadn't even ordered my Josey yet. I didn't buy any of my cues over a perceived value. I bought my cues to play with, all of which I had had experience with before, and by makers I trusted from my dealings with prior. I also did my homework. If I had bought for value, they wouldn't have been played with at all...which was far from the case. But I honestly don't think that cues are a great investment...far too many variables. If I'm investing, then it's in precious metals and gems.
I decided on Paul because I wanted to try out some things I thought would make for a great playing cue, and he was game for it. We discussed and sketched things out on a napkin during a tourney on a Monday night. It was fun...and it was a great playing cue. Actually....it's still a great playing cue, as I have it back now and am having a ball with it.
I talked to several makers for the tulip blank project...all willing to take it on. I decided to go with Keith because I liked how his cues played, and I KNEW that he and Tim could do an awesome job on the inlays I wanted in that cue....and they did! He also did a few things that I felt had worked on the Allers cue, but not identically....and even he thought the cue turned out really really nice, and played even nicer. And it did!!
I'm no dummy...I spent a lot of time thinking about each project, and what I was hoping to acheive...through the makers' execution. The build time wasn't accelerated for any cue....each maker took the time they needed to do the job right, the first time.