i think some of us are using different termonology to describe the same thing,and the same words to describe something tiotally different
this was not meant to ber a witch hunt or critical thing
i was thinking of say Joel.since he is as good as it gets
He makes a full splice front that he then cuts off below the points and proceeds from there as if the cue were a short blank
nothing inlayed etc
my thinking was that these cues,as excellent as we know they are, are still not
what i called a full splice cue
whether they play as good,or better is not the question
I picked Joel because he is a super cue maker,this is not a critique in any way of the quality
my question is to do with the nomenclature or term
I would also like to know if there is a reason to think a full splice cue is better than a shorty or plain jane
i suspect there may be no clear answer
I would like to buy a Joel Hercek cue,so please no nit picking arguments
I never understood the titleist craze but many cue makers cut them in half and proceed as if it were a shoty ,but call it a full splice,which I don't understand
thanks
dean
i think some of us are using different termonology to describe the same thing,and the same words to describe something tiotally different
this was not meant to ber a witch hunt or critical thing
i was thinking of say Joel.since he is as good as it gets
He makes a full splice front that he then cuts off below the points and proceeds from there as if the cue were a short blank
nothing inlayed etc
my thinking was that these cues,as excellent as we know they are, are still not
what i called a full splice cue
whether they play as good,or better is not the question
I picked Joel because he is a super cue maker,this is not a critique in any way of the quality
my question is to do with the nomenclature or term
I would also like to know if there is a reason to think a full splice cue is better than a shorty or plain jane
i suspect there may be no clear answer
I would like to buy a Joel Hercek cue,so please no nit picking arguments
I never understood the titleist craze but many cue makers cut them in half and proceed as if it were a shoty ,but call it a full splice,which I don't understand
thanks
dean
Most makers also make more money of the more labor intensive cues.
It keeps them coming back to the shop.
So I understand the "justification".
Personally I much prefer the hit and feel and actually the look
of a full splice but that may be because I played house cues
for years and years before I got my first custom cue.
When I did it was - and pretty much has been - a disappointment.
I have several high quality ques but keep going back to the, full splice sneakies.
Just because I feel more at home with them.
Am getting a new one this coming month, a Keith Josey.
He makes some of the best full splice I've played.
Yes, I'm including Scruggs and Frey cues, in my opinion they
simply don't match what Keith is doing.
All of this is just an opinion. Take it as such. Especially since I have no idea
how much a cue maker makes per cue...
that's a 1/2 splice.
same as shown below, these are "half splice".
They're still considered full splices....
Really that looks to me as a cored sleeved inlaid point forarm
Really that looks to me as a cored sleeved inlaid point forarm
1
As i understand it,a cue where the bottom piece is spliced into the upper end with or without veneers is a full splice cue.
The cue is supposed to be more solid or provide some benefit because it is a stronger or less piecemeal construction
But when the full splice is then cut slightly below the points and then constructed exactly like a typical 3 piece or regular cue butt
Here is the question
Is it still a full splice cue?
stated again ,would it have more in common with a normally constructed cue
than it would with a true full splice?
I have been told by well known cue makers that the simple full splice design
should be better playing,but I really don't know why or if this is true