rhncue said:Let's start.
"No, you said they weren't even heard of in California. That is a quote and a misrepresentation of the fact."
Joe, your grabbing at straws.I did say this but you know as well as I what I meant by it. That Georges cues were not well known or popular on the West Coast. I'm sure a few were sold but there were probably 50 or 100 Harvey Martins sold for each Bushka.
Not grabbing at straws when I quote something you said. You said it, I showed other wise. Being Martin retired in 1966 there probably were more Martins sold than George's cues. That's just related on date. More importantly how many Matin's came east?
rhncue said:Now, have you any verification on who these people are that are still running 150 and out with his cues today? You say the wood was way better back then. Just what evidence do you have that the converted house cues had so much better wood? The butts were and still are usually made with rain forest woods. This has not changed. How about the Maples. They aren't rain forest wood but second growth Maple. Probably not as good as virgin old growth Maple but never-the-less it's the same Maple that was available to George as the old growth was cleared in the 1800's.
I have the same evidence that you have to make statements that knock Georges work. You keep saying George made converted house cues and you and I both know, at least one of us does, that he made cues with blanks from the premier blank makers of his era. See here is where you really let yourself down, where is your evidence that todays wood is better?
rhncue said:Now you say this "better" wood has aged another 40 years. Does this make it a "better" wood? I would think not as it has 40 more years to dry out especially since they had such limited finish on them to start with. As far as the best cues of his era. I think that should be in your opinion and by the way, just which Bushka's were the best of his era in your opinion, the Brunswick/Bushkas, the Spain/Bushkas, or the Szamboti/Bushkas since we don't have any Bushka/Bushkas?
Well it's as much my opinion as it is your to how "primitive" and "couldn't give them away". I will say that the older maple wood, especially shaft wood, plays better. Just like I believe an ivory joint plays better. But I will tell you this, regardless of who built his forearm it will still be worth more than a rhn/rhn cue even if the latter gets into a movie.
rhncue said:You named a number of champion players who had Bushkas. You are probably right but I'm sure many of them had many different cues. Just how many may I ask used a Bushka to win a world championship? If they are the greatest thing to come down the pike since white bread then why has no one won a championship with one since the Miz?
Almost all or most on my list won a world championship with a Bushka. But I have to ask, who has won a world championship with one of your cues? But things change in 30-40 years, number of cuemakers, the fact he is dead, and limited number of cues are now in the hands of those who can appreciate them.
rhncue said:You stated that cuemakers should be kissing Georges a$$. For what reason would that be? What great new proccess did George develop that the industry should be so indebted? Converting h/cs? Already done. Put a joint into a cue? Already done. Find a better way to make spliced points? Oh, I forgot, he couldn't make his own. How about a great, protective finish? I doubt it. Ah, I know who should be indebted - used cue dealers as they are the ones who are making the most proffit off of George's talents.
Dick
Because the collecting of all cues, Bushka included, and the sick money they have bought over the years, solidifies a market in which you and your peers sometimes makes a living. BTW used cue dealers are not making all the profit off of Georges talents, they get bought and sold by owners, dealers alike. Not my fault I can afford to buy one and resell it.
While we are at it, what do you say to the dozen or so cuemakers that still make cues in the tradition that George made cues and have back logs of 4,5,8, 10 years? Basically the same cue construction, very close to the same within reason. I mean guys like Tascarella, Mottey, Searing, and so forth that utilize a shorty splice, some inlay work, same style joint, etc.. are they all building primitive? When you break it down, its all very close. Is there a reason that some of the best cues today are still built in the traditional style?
JV
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