Has anyone ever seen an A-Joint like this? I think it is a early Huebler!!

rhncue said:
Let's start.

"No, you said they weren't even heard of in California. That is a quote and a misrepresentation of the fact."

Joe, your grabbing at straws.I did say this but you know as well as I what I meant by it. That Georges cues were not well known or popular on the West Coast. I'm sure a few were sold but there were probably 50 or 100 Harvey Martins sold for each Bushka.

Not grabbing at straws when I quote something you said. You said it, I showed other wise. Being Martin retired in 1966 there probably were more Martins sold than George's cues. That's just related on date. More importantly how many Matin's came east?

rhncue said:
Now, have you any verification on who these people are that are still running 150 and out with his cues today? You say the wood was way better back then. Just what evidence do you have that the converted house cues had so much better wood? The butts were and still are usually made with rain forest woods. This has not changed. How about the Maples. They aren't rain forest wood but second growth Maple. Probably not as good as virgin old growth Maple but never-the-less it's the same Maple that was available to George as the old growth was cleared in the 1800's.

I have the same evidence that you have to make statements that knock Georges work. You keep saying George made converted house cues and you and I both know, at least one of us does, that he made cues with blanks from the premier blank makers of his era. See here is where you really let yourself down, where is your evidence that todays wood is better?

rhncue said:
Now you say this "better" wood has aged another 40 years. Does this make it a "better" wood? I would think not as it has 40 more years to dry out especially since they had such limited finish on them to start with. As far as the best cues of his era. I think that should be in your opinion and by the way, just which Bushka's were the best of his era in your opinion, the Brunswick/Bushkas, the Spain/Bushkas, or the Szamboti/Bushkas since we don't have any Bushka/Bushkas?

Well it's as much my opinion as it is your to how "primitive" and "couldn't give them away". I will say that the older maple wood, especially shaft wood, plays better. Just like I believe an ivory joint plays better. But I will tell you this, regardless of who built his forearm it will still be worth more than a rhn/rhn cue even if the latter gets into a movie.

rhncue said:
You named a number of champion players who had Bushkas. You are probably right but I'm sure many of them had many different cues. Just how many may I ask used a Bushka to win a world championship? If they are the greatest thing to come down the pike since white bread then why has no one won a championship with one since the Miz?

Almost all or most on my list won a world championship with a Bushka. But I have to ask, who has won a world championship with one of your cues? But things change in 30-40 years, number of cuemakers, the fact he is dead, and limited number of cues are now in the hands of those who can appreciate them.

rhncue said:
You stated that cuemakers should be kissing Georges a$$. For what reason would that be? What great new proccess did George develop that the industry should be so indebted? Converting h/cs? Already done. Put a joint into a cue? Already done. Find a better way to make spliced points? Oh, I forgot, he couldn't make his own. How about a great, protective finish? I doubt it. Ah, I know who should be indebted - used cue dealers as they are the ones who are making the most proffit off of George's talents.

Dick

Because the collecting of all cues, Bushka included, and the sick money they have bought over the years, solidifies a market in which you and your peers sometimes makes a living. BTW used cue dealers are not making all the profit off of Georges talents, they get bought and sold by owners, dealers alike. Not my fault I can afford to buy one and resell it.

While we are at it, what do you say to the dozen or so cuemakers that still make cues in the tradition that George made cues and have back logs of 4,5,8, 10 years? Basically the same cue construction, very close to the same within reason. I mean guys like Tascarella, Mottey, Searing, and so forth that utilize a shorty splice, some inlay work, same style joint, etc.. are they all building primitive? When you break it down, its all very close. Is there a reason that some of the best cues today are still built in the traditional style?

JV
 
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masonh said:
if you don't think constuction techniques have improved and you don't think West System epoxy is better than glue then it would be hard to try and convince you.

Show me where it's relevant. Since we cannot go into the future and show todays cues in 40 years, well meet back here and continue...

Maybe they have improved, but IMHO its like cases and the case argument of how much better is better based on what a case has to do. Since I have examples of cues from the era that play IMHO as good as any new cue made today, you will need to show me not only how, but why it's better.

JV
 
FAST_N_LOOSE said:
I'll Take Old Scholl Hand Built Over New School Cnc Crap Any Day.

The Old Shaft Wood Is Better Than The New Shaft Wood. No Doubt In My Mind. The Worst Things To Ever Happen To Cue,imo, Are Cnc Floating Inlays, And Bleach White Shaft Wood.

Tap Tap Tap Again!!!!!!!!!!!!!
 
Thanks For The Taps Fellas.....

I'm Glad To See I'm Not The Only One That Feels This Way.
 
FAST_N_LOOSE said:
I'll Take Old Scholl Hand Built Over New School Cnc Crap Any Day.

The Old Shaft Wood Is Better Than The New Shaft Wood............ No Doubt In My Mind..... The Worst Things To Ever Happen To Cues, imo, Are Cnc Floating Inlays, And Bleach White Shaft Wood.
Aren't all inlays floating?
 
FAST_N_LOOSE said:
I USED THE WRONG WORD..... I MEANT FLOATING ROUNDED POINTS. (I HOPE THAT IS SPECIFIC ENOUGH)LOL
You might be surprised to know there are floating sharp veneered points , err floating around.
You can't tell they are inlayed at all.
But, the rest of the gothic-looking floating cnc points ( they look cnc b/c they are so fancy and that it would be nearly impossible to hand pocket them with a panto ) just do not appeal to me either.
 
Varney Cues said:
No some are actually glued down. Moochie likes to use floating inlays....they move around a lot.:D

lol along with the wrap. rings and even the finish that jsut seems to float off the cue........ :)
 
FAST_N_LOOSE said:
I'll Take Old Scholl Hand Built Over New School Cnc Crap Any Day.

The Old Shaft Wood Is Better Than The New Shaft Wood............ No Doubt In My Mind..... The Worst Things To Ever Happen To Cues, imo, Are Cnc Floating Inlays, And Bleach White Shaft Wood.

Tap, Tap, Tap

And please may I also offer a few of my pet peeves: B L E A C H E D...I V O R Y and that stupid "lazy-ass American" Uni-loc pin that put a few cuesmiths on the map.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++

Yeah, Bushka was a chump, just like Ernie, Tad, and those other primitive California Titlist guys back in the 60s. LMAO.
 
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classiccues said:
Not grabbing at straws when I quote something you said. You said it, I showed other wise. Being Martin retired in 1966 there probably were more Martins sold than George's cues. That's just related on date. More importantly how many Matin's came east?



I have the same evidence that you have to make statements that knock Georges work. You keep saying George made converted house cues and you and I both know, at least one of us does, that he made cues with blanks from the premier blank makers of his era. See here is where you really let yourself down, where is your evidence that todays wood is better?
Well it's as much my opinion as it is your to how "primitive" and "couldn't give them away". I will say that the older maple wood, especially shaft wood, plays better. Just like I believe an ivory joint plays better. But I will tell you this, regardless of who built his forearm it will still be worth more than a rhn/rhn cue even if the latter gets into a movie.
Almost all or most on my list won a world championship with a Bushka. But I have to ask, who has won a world championship with one of your cues? But things change in 30-40 years, number of cuemakers, the fact he is dead, and limited number of cues are now in the hands of those who can appreciate them.
Because the collecting of all cues, Bushka included, and the sick money they have bought over the years, solidifies a market in which you and your peers sometimes makes a living. BTW used cue dealers are not making all the profit off of Georges talents, they get bought and sold by owners, dealers alike. Not my fault I can afford to buy one and resell it.
While we are at it, what do you say to the dozen or so cuemakers that still make cues in the tradition that George made cues and have back logs of 4,5,8, 10 years? Basically the same cue construction, very close to the same within reason. I mean guys like Tascarella, Mottey, Searing, and so forth that utilize a shorty splice, some inlay work, same style joint, etc.. are they all building primitive? When you break it down, its all very close. Is there a reason that some of the best cues today are still built in the traditional style?

JV
After watching this thread for awhile I must ask a few questions, 1) Did George order 'old wood' for his cues? I don't think it was an option. It's not a question of age of, or quality of wood, it's overall quality of materials that are used now compared to then. You can use the best wood, then cover it in the worst finish and still ends up crap 10-20 yrs later if not sooner.
2) if a person uses someone else's blanks for their entire career, are they a cue builder or cue assembler?? If all george did was make the blank look good, sometimes using furniture bolts to put the blank back together, and NEVER made them from scratch, then he was a great assembler, and the actual blank maker deserves the real credit. Based on some reseach, He used spraycan laquer finish most of the time, while better finishes were availible. Doesn't sound all that innovative or earthshattering.
Classiccues, no offense meant, but you are looking at it as a collector/seller point of view, which means you have a stake in the publics view of value, and are not a builder, and even though Dick is only stating his opinion on George, He is stating it as a builder, from a builder's point of view and because you don't agree, you are now taking a personal snip at Dick. not fair. Even if Dick could prove that George was a good builder/assembler at best, the people that make the money off of the name will never agree, because then the market value would drop, and everyone's collection that the dealers told them where are worth money, would drop in value, it's alot like the stockmarket. Were you singing the praises of George back in the 70's-80's? or only once the market value went up after the rush to be in on it?
The 3-4 Buskas I've seen, were NOT very impressive for play or looks IMO. When I mean looks, I mean originalness, and they had age issues also. But if someone wants to pay big bucks for them... well that's their choice.
BTW out of the dozen or so cuemakers that follow the 'George tradition' how many build their own blanks???.....and use furniture bolts? They BUILD their own, don't they? Not trying to knock George down, but looking at it in the proper prospective. Until the Color Of Money movie, most people I know that play pool hadn't heard of him as 'the premiere' cue builder, only as 'a' cue builder, and even that is a debate of terms.
Well that's my .5 cents, Merry Christmas Everyone
Dave
 
Dave38 said:
After watching this thread for awhile I must ask a few questions, 1) Did George order 'old wood' for his cues? I don't think it was an option. It's not a question of age of, or quality of wood, it's overall quality of materials that are used now compared to then. You can use the best wood, then cover it in the worst finish and still ends up crap 10-20 yrs later if not sooner.
2) if a person uses someone else's blanks for their entire career, are they a cue builder or cue assembler?? If all george did was make the blank look good, sometimes using furniture bolts to put the blank back together, and NEVER made them from scratch, then he was a great assembler, and the actual blank maker deserves the real credit. Based on some reseach, He used spraycan laquer finish most of the time, while better finishes were availible. Doesn't sound all that innovative or earthshattering.
Classiccues, no offense meant, but you are looking at it as a collector/seller point of view, which means you have a stake in the publics view of value, and are not a builder, and even though Dick is only stating his opinion on George, He is stating it as a builder, from a builder's point of view and because you don't agree, you are now taking a personal snip at Dick. not fair. Even if Dick could prove that George was a good builder/assembler at best, the people that make the money off of the name will never agree, because then the market value would drop, and everyone's collection that the dealers told them where are worth money, would drop in value, it's alot like the stockmarket. Were you singing the praises of George back in the 70's-80's? or only once the market value went up after the rush to be in on it?
The 3-4 Buskas I've seen, were NOT very impressive for play or looks IMO. When I mean looks, I mean originalness, and they had age issues also. But if someone wants to pay big bucks for them... well that's their choice.
BTW out of the dozen or so cuemakers that follow the 'George tradition' how many build their own blanks???.....and use furniture bolts? They BUILD their own, don't they? Not trying to knock George down, but looking at it in the proper prospective. Until the Color Of Money movie, most people I know that play pool hadn't heard of him as 'the premiere' cue builder, only as 'a' cue builder, and even that is a debate of terms.
Well that's my .5 cents, Merry Christmas Everyone
Dave

1 dick wasnt the only builder that commented.

2 i guess rambo and martin werent cuemakers either?

3 the color of money stuff is bullshit it affected all the cuemakers.

4 joe gave historical documented facts not just some hot air opinions.

5 as opinions vary... i only saw one on dicks list that were up to georges standards.

6 its funny that gus and burt gave george more credit than dick? and why did so many 30+ yrs agouse his as a starting point..... ?

7 i have a letter from miz sr. stating george was the best.... before tcom.
 
FAST_N_LOOSE said:
I'll Take Old Scholl Hand Built Over New School Cnc Crap Any Day.

The Old Shaft Wood Is Better Than The New Shaft Wood............ No Doubt In My Mind..... The Worst Things To Ever Happen To Cues, imo, Are Cnc Floating Inlays, And Bleach White Shaft Wood.

DITTO.......

cueaddicts said:
Tap, Tap, Tap

And please may I also offer a few of my pet peeves: B L E A C H E D...I V O R Y and that stupid "lazy-ass American" Uni-loc pin that put a few cuesmiths on the map.

DITTO DITTO
................

I AGREE WITH ALOT DICKIE AND JV SAY.
i felt the same for a long time. how hard is it for some guy to buy blanks and pre cut shafts and slap them together and sell them. not hard at all. thats my biggest knock on GB

however...

i think more goes into the GB legacy then playabiltiy and construction.
GB cues were the best to look at also.
while harvey martin was makin them plain cues with no jazz and everyone else was just tapering brunswicks GB was making beauty rings and hand carving MOP inlays

he was an inovater of style as well as playability. many of which are copied by every cue maker under the sun to this day

the looks of a cue also can give a player a boost of confidence.
 
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Dave38 said:
After watching this thread for awhile I must ask a few questions, 1) Did George order 'old wood' for his cues? I don't think it was an option. It's not a question of age of, or quality of wood, it's overall quality of materials that are used now compared to then. You can use the best wood, then cover it in the worst finish and still ends up crap 10-20 yrs later if not sooner.
2) if a person uses someone else's blanks for their entire career, are they a cue builder or cue assembler?? If all george did was make the blank look good, sometimes using furniture bolts to put the blank back together, and NEVER made them from scratch, then he was a great assembler, and the actual blank maker deserves the real credit. Based on some reseach, He used spraycan laquer finish most of the time, while better finishes were availible. Doesn't sound all that innovative or earthshattering.
Classiccues, no offense meant, but you are looking at it as a collector/seller point of view, which means you have a stake in the publics view of value, and are not a builder, and even though Dick is only stating his opinion on George, He is stating it as a builder, from a builder's point of view and because you don't agree, you are now taking a personal snip at Dick. not fair. Even if Dick could prove that George was a good builder/assembler at best, the people that make the money off of the name will never agree, because then the market value would drop, and everyone's collection that the dealers told them where are worth money, would drop in value, it's alot like the stockmarket. Were you singing the praises of George back in the 70's-80's? or only once the market value went up after the rush to be in on it?
The 3-4 Buskas I've seen, were NOT very impressive for play or looks IMO. When I mean looks, I mean originalness, and they had age issues also. But if someone wants to pay big bucks for them... well that's their choice.
BTW out of the dozen or so cuemakers that follow the 'George tradition' how many build their own blanks???.....and use furniture bolts? They BUILD their own, don't they? Not trying to knock George down, but looking at it in the proper prospective. Until the Color Of Money movie, most people I know that play pool hadn't heard of him as 'the premiere' cue builder, only as 'a' cue builder, and even that is a debate of terms.
Well that's my .5 cents, Merry Christmas Everyone
Dave

Dave,
Lets get into this builder/assembler ideology you and Dickie have. Lets say the butt of a cue is 3 parts, the forearm, the handle and the butt sleeve area. Your gripe is George did not build his own points, that he purchased them and therefore was a cue assembler, correct? Now what he did was NO different than a few of the current cuemakers that won't make pointed cues are doing today. He is purchasing a block of wood for turning into his forearm. It is no different than Zyler, Sugartree, or Dick even, buying a rosewood square and making his forearm. In essence everyone is an assembler, correct? The difference is his turning block has had points installed. Points he could not do in his garage, based on equipment and space. There is some evidence he might have tried to do points, but felt his were not as good as those who specialized in them. So to call him a cue assembler is to do disservice to many cuemakers today. But let me ask this, aren't all the cuemakers that buy "pre-laminate" handle wood also doing exactly the same thing? Pot + kettle = black.

I've shown that he was heard of nationwide, his name was bought up in conversation with two of the premier players of the time, with Mosconi. I've done more than show a burden of proof on my end. (I could show much more) How many Martins were order by "east" coasters vs Balabushka by west coasters? I bet it's not even close.

But lets take it further, Martin used primarily maple blanks for his cues. Which means all he did was take the block of wood and turn it. No doubt something Bushka could have done if he so pleased. When Martin made pointed cues, what did he use? A titlist, same as Bushka. But the difference is look at the points, and look at the way they tend not to line up. There is the big difference. To say Martin, who was clearly in decline when his work and George's work overlapped, was on par with Bushkas is misleading at best. Something any historian who has seen all the materials, will tell you.

One other note, when I got into pool in the early 80's. YES everyone sung Bushka's praises as the cue to have, if you could find one, the next best on the list was Szamboti. Just like it is today, and that is what impresses me the most.

BTW as for his finish you keep knocking, in the end he used the best available laquer of the time.

JV
 
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manwon said:
I received this cue today from one of our members. The gentleman requested that I refinish this cue for him. I suspect that the cue ia a very early Huebler cue, however, I have not had time to contact Paul yet.

I understand how to complete the refinish on this cue, and how to build a tenon and properly re-asemble it at the A-joint.

Note: the A-joint came apart when I removed the cues wrap!!

My questions concern, first who made it, and has anybody ever seen an A-joint assembled in this manner, and if so why?

Here are the photo's!!

View attachment 55512

View attachment 55513

View attachment 55514

Oh and by the way, the shaft has a plastic insert like Hueber uses.

I HAD AN OLD MEUCCI, BROKE JUST LIKE THAT, AND HAD THE SAME ASSEMBLY.
 
classiccues said:
Dave,
Lets get into this builder/assembler ideology you and Dickie have. Lets say the butt of a cue is 3 parts, the forearm, the handle and the butt sleeve area. Your gripe is George did not build his own points, that he purchased them and therefore was a cue assembler, correct? Now what he did was NO different than a few of the current cuemakers that won't make pointed cues are doing today. He is purchasing a block of wood for turning into his forearm. It is no different than Zyler, Sugartree, or Dick even, buying a rosewood square and making his forearm. In essence everyone is an assembler, correct? The difference is his turning block has had points installed. Points he could not do in his garage, based on equipment and space. There is some evidence he might have tried to do points, but felt his were not as good as those who specialized in them. So to call him a cue assembler is to do disservice to many cuemakers today. But let me ask this, aren't all the cuemakers that buy "pre-laminate" handle wood also doing exactly the same thing? Pot + kettle = black.

I've shown that he was heard of nationwide, his name was bought up in conversation with two of the premier players of the time, with Mosconi. I've done more than show a burden of proof on my end. (I could show much more) How many Martins were order by "east" coasters vs Balabushka by west coasters? I bet it's not even close.

But lets take it further, Martin used primarily maple blanks for his cues. Which means all he did was take the block of wood and turn it. No doubt something Bushka could have done if he so pleased. When Martin made pointed cues, what did he use? A titlist, same as Bushka. But the difference is look at the points, and look at the way they tend not to line up. There is the big difference. To say Martin, who was clearly in decline when his work and George's work overlapped, was on par with Bushkas is misleading at best. Something any historian who has seen all the materials, will tell you.

One other note, when I got into pool in the early 80's. YES everyone sung Bushka's praises as the cue to have, if you could find one, the next best on the list was Szamboti. Just like it is today, and that is what impresses me the most.

BTW as for his finish you keep knocking, in the end he used the best available laquer of the time.

JV
Do you think he was any less of a maker than Gus or Burton, Joe?
Gus made pointed blanks from squares and made damn fine cues off them.
Spain of course had his fullsplice.
Just asking.
 
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