This would really depend to me on who the cue makers were. On ethics I think you gotta make the customer aware, and in some cases the customer might be happy as pie and in other cases they might be getting hosed.
Lets say you are buying some cue from a hugely famous and well respected cue maker whose work is extremely colectable. Said cue maker has a waiting list longer then Fatboy's banking statement. So he contracts out some work to another cue maker, not as famous or as collectable. You get a cue that has a forarm that is largely made by the other cue maker, then shipped to the famous cue maker you ordered the cue from, the pieces are assembled the joint work done, the cue turned a few times and finished and sold to you.
Now, this type of thing WILL affect the value of your cue tremendously compared to a cue that was made from square one to the end by the famous and collectable cue maker. If the collectors of the world can tell which cues were 100% the famous guy and which were largely contracted out your cue is going to be far less valuable.
Now the flip side? If you order a cue from some unfamous and non-collectable cue maker and it just so happens to be made by the ghost of Jerry Frankin, then you scored a win there. But the famous cue makers are the ones swamped with orders and if work is contracted out like this it is probably going the wrong direction for the customers.
Lets say you are buying some cue from a hugely famous and well respected cue maker whose work is extremely colectable. Said cue maker has a waiting list longer then Fatboy's banking statement. So he contracts out some work to another cue maker, not as famous or as collectable. You get a cue that has a forarm that is largely made by the other cue maker, then shipped to the famous cue maker you ordered the cue from, the pieces are assembled the joint work done, the cue turned a few times and finished and sold to you.
Now, this type of thing WILL affect the value of your cue tremendously compared to a cue that was made from square one to the end by the famous and collectable cue maker. If the collectors of the world can tell which cues were 100% the famous guy and which were largely contracted out your cue is going to be far less valuable.
Now the flip side? If you order a cue from some unfamous and non-collectable cue maker and it just so happens to be made by the ghost of Jerry Frankin, then you scored a win there. But the famous cue makers are the ones swamped with orders and if work is contracted out like this it is probably going the wrong direction for the customers.