Have you tried cues that are solidly built but won't control the cue ball?If I can't control the cue ball with it, it doesn't fit my bill as a good cue for "me".
pj
chgo
Have you tried cues that are solidly built but won't control the cue ball?If I can't control the cue ball with it, it doesn't fit my bill as a good cue for "me".
There has to be more to it than that. Efren plays with a whippy shaft and a regular ferrule. If he thought that LD shafts would help his overall game it follows that he would change over.
On your page it says stiff cues are more efficient. Why would Efren want to play with a less efficient cue?
Have you tried cues that are solidly built but won't control the cue ball?
pj
chgo
If somebody has played with a particular type of cue their whole life, they might not like adjusting to playing with something very different. Although, I'm sure Efren could play just as well with any type of tip, shaft, or cue, given a little practice time.
Regards,
Dave
Yep, the best-hitting cue is the one that suits you. And often what suits you is simply what you're familiar with.I'm talking controlling the cue ball to the "degree" of accuracy that I feel I can accomplish with the "stroke" that I prefer using.
I was going to include in my original post that the tip plays a very important part in the "hit" of a cue.
Some cues hit "stiffer" or "whippier" than what I prefer. That doesn't mean they don't "hit" good for somebody or be what works best for THAT person.
Hit is subjective. A cue with 8 inches of deflection within the first six feet of roll may "feel" like it "hits" good. Whether it "plays" good is up to the person who likes 8 inches of deflection.
I wonder what a professional player has to say about this subject.
Lou,
I personally don't care how a cue feels, sounds, or vibrates. All I care about is how the CB moves ... that's "feedback" enough for me.
Why do you personally value the feel, sound and vibration of a hit? What useful information does this provide to you, and how do you use that information?
Thanks,
Dave
A pro, like Earl?
He jumped full-table with a Meucci
Dave, all I can tell you is that I care a lot about how a cue sounds and feels. I also care about how it’s balanced but that’s a different subject.
For me, the sound and vibration provide me feedback on shot execution in terms of speed and spin. Yes, I can observe what’s happening on the table but at a conscious and subconscious level those “cues” are providing me additional intel.
Many years ago, when pool gloves first started appearing, I thought I’d try one out. I think it was a Sir Joseph. So I’m at the pool hall and Tom Ferry, aka Old Has Been (RIP), comes over to me and says, “Are you nuts? With that glove on you’re losing the feel of the cue.” I took the glove off, shot a few shots, put it back on, took a few more shots, then took it off forever. He was right. I feel the same way about ear buds. I tried playing with them on and didn’t like losing the sound of the cue. The point being of course that when I’m shooting, the feel and sound of the cue in my hands provides me with valuable feedback.
There is also the issue of confidence. When a cue sounds and feels right, that’s the “great hit” players are talking about. You have to experience it to know it. And when you have that in your hands, you should not let that cue go.
Lou Figueroa
The 12mm Judd Fuller (rip) shafts Efren played with for years were not whippy.
Judd developed a long 12mm stiff taper referred to as the Efren taper and they are far from whippy.
I have a few Judd cues that were ordered with that taper.
Some other Judd's I have were ordered with one of each.
I collect Judd cues, and I prefer a shaft st least 12.7 which is why I had eight 13mm shafts copied using shaftwood ordered from Laurie Franklin.
I think Joey has a 12mm long stiff taper as well that he refers to as the Filipino taper, and those are highly sought after.
When I used to play at Hollywood Billiards where they had paper towels in the bathroom, I played with my bare bridging hand.
But at SMHB they have no paper towels and a ancient hot air hand dryer. Without being able to dress up the my shaft in long games I moved to the glove out of necessity.
Took me about a week to get used to it. Just about all the top players play with gloves, because, it frankly is more consistent.
You can use a very solid bridge with less friction.
Thanks Lou!Dave, all I can tell you is that I care a lot about how a cue sounds and feels. I also care about how it’s balanced but that’s a different subject.
For me, the sound and vibration provide me feedback on shot execution in terms of speed and spin. Yes, I can observe what’s happening on the table but at a conscious and subconscious level those “cues” are providing me additional intel.
Many years ago, when pool gloves first started appearing, I thought I’d try one out. I think it was a Sir Joseph. So I’m at the pool hall and Tom Ferry, aka Old Has Been (RIP), comes over to me and says, “Are you nuts? With that glove on you’re losing the feel of the cue.” I took the glove off, shot a few shots, put it back on, took a few more shots, then took it off forever. He was right. I feel the same way about ear buds. I tried playing with them on and didn’t like losing the sound of the cue. The point being of course that when I’m shooting, the feel and sound of the cue in my hands provides me with valuable feedback.
There is also the issue of confidence. When a cue sounds and feels right, that’s the “great hit” players are talking about. You have to experience it to know it. And when you have that in your hands, you should not let that cue go.
Lou Figueroa
WADR, a 30 inch shaft that is 12mm has to have more whip than a 30 inch 13mm.
These are regular maple shafts. When you laminate you can make slimmer stiffer.
The top one pocket player who used to play at SMHB has a very light cue with a very slim whippy shaft.
I would ask him what he thought of my SW cue and he would say if he was playing Nine Ball it would be good but for One Pocket he felt it was way too stiff.
I’ve always felt that it was a combo of the feel of the cue in your hands, the sound it makes upon contact with the CB, and the vibration passing through the cue into your fingers. Never understood how guys play with earbuds in — it totally deadens the feedback you’re getting when shooting, IMO.
Lou Figueroa
What specific performance qualities are necessary for a cue to "play great", "hit great", "hit a ton", etc.?
Or do those terms just mean "I like it"?
pj
chgo
I’ve always felt that it was a combo of the feel of the cue in your hands, the sound it makes upon contact with the CB, and the vibration passing through the cue into your fingers. Never understood how guys play with earbuds in — it totally deadens the feedback you’re getting when shooting, IMO.
Lou Figueroa
When I used to play at Hollywood Billiards where they had paper towels in the bathroom, I played with my bare bridging hand.
But at SMHB they have no paper towels and a ancient hot air hand dryer. Without being able to dress up the my shaft in long games I moved to the glove out of necessity.
Took me about a week to get used to it. Just about all the top players play with gloves, because, it frankly is more consistent.
You can use a very solid bridge with less friction.